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This eBook edition of "The Pictures of German Life Throughout" has been formatted to the highest digital standards and adjusted for readability on all devices. Volume 1: Life of the German Peasant (1240-1790): The duration of modern nations German agriculture in the time of the Romans, the Carlovingians, and the Hohenstauffen… The Life of the Lower Nobility (1500-1800): The country nobles in the sixteenth century The court nobles The detrimental effects of the Great War... The German Citizen and his Shooting Festivals (1300-1800): Gradual development of the citizen class Decline after the Thirty Years' War... The State Policy and the Individual (1600-1700): The dissolution of the German Empire The Prince's parties The despotic official administration... The "Stillen im Lande" or Pietists (1600-1700): Tendencies of Protestantism till 1618 Consequences of the war The older Pietism... The Dawning of Light (1750): Changes in the human mind from the invention of printing Mathematical discipline and natural science Law Philosophy and its position with respect to theology... Volume 2: Away from the Garrison (1700): The army, and the constitution of the State The country militia and their history The soldiery of the Sovereign Change of organisation after the war... The State of Frederic the Great (1700): The kingdom of the Hohenzollerns Childhood of Frederic Opposition to his father... Of the Year of Tuition of the German Citizen (1790): Influence of Frederic on German art, philosophy, and historical writing The aspect of a city in 1790 The coffee gardens and the theatres... The Period of Ruin (1800): The condition of Germany Courts and cities of the Empire... Rise of the Nation (1807-1815): Sorrowful condition of the people in the year 1807 The first signs of rising strength Hatred of the French Emperor Arming of Prussia Character and importance of the movement of 1813… Illness and Recovery (1815-1848): The time of reaction Hopelessness of the German question…
This history of German-speaking central Europe offers a very wide perspective, emphasizing a succession of many-layered communal identities. It highlights the interplay of individual, society, culture and political power, contrasting German with Western patterns. Rather than treating 'the Germans' as a collective whole whose national history amounts to a cumulative biography, the book presents the pre-modern era of the Holy Roman Empire; the nineteenth century; the 1914–45 era of war, dictatorship and genocide; and the Cold War and post-Cold War eras since 1945 as successive worlds of German life, thought and mentality. This book's 'Germany' is polycentric and multicultural, including the multinational Austrian Habsburg Empire and the German Jews. Its approach to National Socialism offers a conceptually new understanding of the Holocaust. The book's numerous illustrations reveal German self-presentations and styles of life, which often contrast with Western ideas of Germany.
In his popular book The Germans (1982), Stanford historian Gordon Craig remarked: "When German intellectuals at the end of the eighteenth century talked of living in a Frederican age, they were sometimes referring not to the monarch in Sans Souci, but to his namesake, the Berlin bookseller Friedrich Nicolai." Such was the importance attributed to Nicolai’s role in the intellectual life of his age by his own contemporaries. While long neglected by students of the period, who tended to accept the caricature of him as a philistine who failed to recognize Goethe’s genius, Nicolai has experienced a resurgence of interest among scholars reexploring the German Enlightenment and the literary marketplace of the eighteenth century. This book, drawing upon Nicolai’s large unpublished correspondence, rounds out the picture we have of Nicolai already as author and critic by focusing on his roles as bookseller and publisher and as an Aufkärer in the book trade.
I had no idea what was going on. Or very little. No more than most people. So you can't make me feel guilty. Brunhilde Pomsel's life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hampton's play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hampton's play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krönes, Olaf Müller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).
This carefully crafted DigiCat ebook "Pictures of German Life in the 18th and 19th Centuries" is formatted for your eReader with a functional and detailed table of contents. Volume 1: Life of the German Peasant (1240-1790): The duration of modern nations German agriculture in the time of the Romans, the Carlovingians, and the Hohenstauffen... The Life of the Lower Nobility (1500-1800): The country nobles in the sixteenth century The court nobles The detrimental effects of the Great War... The German Citizen and his Shooting Festivals (1300-1800): Gradual development of the citizen class Decline after the Thirty Years' War... The State Policy and the Individual (1600-1700): The dissolution of the German Empire The Prince's parties The despotic official administration... The "Stillen im Lande" or Pietists (1600-1700): Tendencies of Protestantism till 1618 Consequences of the war The older Pietism... The Dawning of Light (1750): Changes in the human mind from the invention of printing Mathematical discipline and natural science Law Philosophy and its position with respect to theology... Volume 2: Away from the Garrison (1700): The army, and the constitution of the State The country militia and their history The soldiery of the Sovereign Change of organisation after the war... The State of Frederic the Great (1700): The kingdom of the Hohenzollerns Childhood of Frederic Opposition to his father... Of the Year of Tuition of the German Citizen (1790): Influence of Frederic on German art, philosophy, and historical writing The aspect of a city in 1790 The coffee gardens and the theatres... The Period of Ruin (1800): The condition of Germany Courts and cities of the Empire... Rise of the Nation (1807-1815): Sorrowful condition of the people in the year 1807 The first signs of rising strength Hatred of the French Emperor Arming of Prussia Character and importance of the movement of 1813... Illness and Recovery (1815-1848): The time of reaction Hopelessness of the German question...
* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, and Library Journal This “ingenious reckoning with the past” (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her family’s wartime history in Nazi Germany. Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it. After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier. In this extraordinary quest, “Krug erases the boundaries between comics, scrapbooking, and collage as she endeavors to make sense of 20th-century history, the Holocaust, her German heritage, and her family's place in it all” (The Boston Globe). A highly inventive, “thoughtful, engrossing” (Minneapolis Star-Tribune) graphic memoir, Belonging “packs the power of Alison Bechdel’s Fun Home and David Small’s Stitches” (NPR.org).
Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.
This book tells the story of how 90% of the people in the German lands lived for the past 2000 years. It focused on the everyday lives of otherwise faceless, nameless people. The book deals with how they lived, what they ate and drank, what kind of work they did, how they dressed, their religion and the values, their laws, the family systems, their weapons and warfare, how they traveled, their medical care and how they survived through wars, famines and plagues.
This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.