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Excerpt from The Pictish Nation: Its People Its Church A history of the Nation and Church of the Picts is centuries overdue. Others have contemplated the task; but they shrank from it almost as soon as they began to enter the maze of deliberately corrupted versions of ancient manuscripts, of spurious memoranda introduced into ancient documents, of alleged donations to Gaidheals or Scots of what had been Pictish property, and of fabulous claims to great antiquity made for pretended missions of the Church of Rome to the Britons, the Picts, and the Scots. To these the late Dr. Wm. F. Skene referred when he stated, in spite of his regard for the Scotic ecclesiastics, that 'the fictitious antiquity given by Roman ecclesiastics to the settlement of the Scots is accompanied by 'a supposed introduction of Christianity, by Roman agents, equally devoid of historic foundation.' Several mediaeval fabricators of early history are now known and have been exposed. The late Bishop Forbes timidly drew attention to the fabulists employed by the prelates of Armagh, York, and Glasgow, in the interests of their Sees and the claims of their Churches to antiquity and primacy. These fabulists were sometimes more honest under one employer than under another. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world. Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organization Offers an up-to-date overview of Pictish life within the environment of northern Britain Explains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration. Draws on a range of transnational and comparative scholarship to place the Picts in their European context