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Detective Inspector Charlie Priest believes in doing things by the book. It's just that, in the heat of the chase, he sometimes turns over two page at once. His unorthodox but Priest does get results. When he's not putting crooks behind bars, he's watching out for his team of young constables, only too aware that for them, as much as for him, the knockabout humour of the cop-shop is in stark contrast to the dangers they face on the beat. Sheep stealing and shoplifting are everyday crimes in Heckley, but there are local villains with bigger fish to fry. When Charlie suspects a now-respected businessman, with a background in extortion and GBH, of involvement in international art fraud, he's taking on an enemy with friends in high places. But Charlie can be persistent to the point of recklessness - and, once he's realised that there's a link to the lethal doctored heroin that's striking down the local kids, no threat will stop him.
At the height of his powers, Pablo Picasso was the artist as revolutionary, breaking through the niceties of form in order to mount a direct challenge to the values of his time. At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolized−and wholly isolated. In this stunning critical assessment, John Berger−one of this century's most insightful cultural historians−trains his penetrating gaze upon this most prodigious and enigmatic painter and on the Spanish landscape and very particular culture that shpaed his life and work. Writing with a novelist's sensuous evocation of character and detail, and drawing on an erudition that embraces history, politics, and art, Berger follows Picasso from his childhood in Malaga to the Blue Period and Cubism, from the creation of Guernica to the pained etchings of his final years. He gives us the full measure of Picasso's triumphs and an unsparing reckoning of their cost−in exile, in loneliness, and in a desolation that drove him, in his last works, into an old man's furious and desperate frenzy at the beauty of what he could no longer create.
"The French Riviera, spring 1936. It's off-season in the lovely seaside village of Juan-les-Pins, where seventeen-year-old Ondine cooks with her mother in the kitchen of their family-owned Cafe Paradis. A mysterious new patron who's slipped out of Paris and is traveling under a different name has made an unusual request--to have his lunch served to him at the nearby villa he's secretly rented ... Pablo Picasso is at a momentous crossroads in his personal and professional life--and for him, art and women are always entwined ... New York, present day. Caeline, a Hollywood makeup artist who's come home for the holidays, learns from her mother Julie that Grandmother Ondine once cooked for Picasso"--
A biography of the twentieth-century painter discussing his many relationships with women, his children, his philosophies and his work.
"Picasso and Truth" offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early "The Blue Room" to the later "Guernica", eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale "Guitar and Mandolin on a Table" (1924), "The Three Dancers" (1925), and "The Painter and His Model" (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, "Picasso and Truth" rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
"A lot of books have been written on the financial crisis but not about how it impacted the art world. Ponzi & Picasso is a great story to read whether you are inside or outside that world. It's a fascinating look at a fascinating world at a fascinating time." Robert Wiedemer, New York Times bestselling author of Aftershock and America's Bubble Economy "I felt like I was on crack, I couldn't put it down." Robert Guinsler, Sterling Lord Literistic. "Fasten your seat belt and brace yourself for a wild romp through the best and worst of the art netherworld...where double-dealing is the norm and breaking promises is an art form; Ponzi & Picasso will titillate, appall and delight you. Enjoy the ride " Gail Blanke, New York Times best selling author of In My Wildest Dreams, and Between Trapezes, an Oprah selection. "Ponzi & Picasso is a heart-stopping read from an insider's view of the international art world where branding and marketing of artists trumps talent every time. The characters are as razor sharp as today's headlines and the plot speeds along towards a climax that will leave readers (plus high-rollers in art world) quivering in their shoes " David Samson, best-selling author of 21 books: the Funny Guy series. "Art novices will read Ponzi & Picasso to understand the murky world of contemporary art. Art professionals will shudder from the familiar New York Times stories and second-guess the protagonist. It's a page turner; be prepared to lose a few hours sleep." Don N. Thompson, London Times best selling author of The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art. Henry Classico, the esteemed New York art dealer, crosses the line when his genuine love of art is co-opted by greed. After he squanders most of the capital from his private equity art fund, the sub prime mortgage crisis hits hard and threatens to bury him. Desperate to raise cash, he sells the same rare Picasso twice-- first to a Russian oligarch and then to one of his lovers. His only redress is to travel to the exotic underbelly of the Beijing art scene to commission the world's best forger. Unfortunately, he double-crosses the local Mafia/Triad kingpin whose tentacles reach all the way to New York. Alouisha Jones met Henry Classico at the Yale MFA art exhibition, where he was trolling for his latest art find. Instead of a show at his gallery, he offers her a job as his sentry-receptionist. Reluctantly, the former scholarship student accepts and is quickly seduced by her boss's glamorous, bling-enshrined world. Soon, her innocence and career are on a dangerous collision course with the art establishment. Unwittingly caught in Classico's subterfuge, she acquires the power to take down the entire global art market. She is fraught with indecision--do the right thing and be vilified by the art world, or do nothing and be guilty of collusion. Tomorrow, her name will appear on the front page of every newspaper--but not to applaud her life's work. If you ever wanted to know the events lurking behind a black on black painting that sells for tens of millions of dollars, Rochelle Ohrstrom's debut novel scrapes away the veneer of art-speak gloss and reveals the grit and dirt rabbit-glued between the stretchers.
A Schneider Family Book Award Honor Book for Teens "Raw and unflinching . . . A must-read!" --Marieke Nijkamp, #1 New York Times-bestselling author of This Is Where It Ends "[It] cuts to the heart of our bogus ideas of beauty." –Scott Westerfeld, #1 New York Times-bestselling author of Uglies I am ugly. There's a mathematical equation to prove it. At only eight months old, identical twin sisters Ariel and Zan were diagnosed with Crouzon syndrome -- a rare condition where the bones in the head fuse prematurely. They were the first twins known to survive it. Growing up, Ariel and her sister endured numerous appearance-altering procedures. Surgeons would break the bones in their heads and faces to make room for their growing organs. While the physical aspect of their condition was painful, it was nothing compared to the emotional toll of navigating life with a facial disfigurement. Ariel explores beauty and identity in her young-adult memoir about resilience, sisterhood, and the strength it takes to put your life, and yourself, back together time and time again.
"The publication of the hundred etchings created by Picasso between 1930 and 1937 was one of [art critic and dealer] Ambroise Vollard's most impressive undertakings"-Introd.