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As Alzheimer's disease and a newly developed conscience slowly eat away at mafia boss Don Massimo Buonarroti, his enemies, the F.B.I, and his own son battle to be the first to find a thirty-two-million-dollar stash he hid years ago. Piazzas takes readers on an engrossing and thrilling to chase from the streets of New York to the churches and piazzas of Rome.
This book examines the social history of Florence from the fourteenth through to sixteenth centuries.
"Explores the history and architecture of two city squares, constructed by rival political parties, in the Italian city of Parma from 1196 to 1300"--Provided by publisher.
The book rests on the premise that the woman in the painting "Mona Lisa" is indeed the person identified in its earliest description: Lisa Gherardini (1479-1542), wife of the Florence merchant Francesco del Giocondo. Dianne Hales has followed facts from the Florence State Archives, to the squalid street where Mona Lisa was born, to the ruins of the convent where she died
During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma’s urban center in this tumultuous period by reconstructing the city’s two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city’s ruling elite. By the early fourteenth century, Parma’s patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities. Moreover, Marina establishes that the piazzas’ orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma’s squares were also agents in the production of the city-state’s mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city’s leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy’s civic culture and the carefully crafted piazzas from which it emerged.
Sublime renaissance architecture, exquisite art collections, romantic medieval towns and picturesque rolling hills covered in vineyards, olive groves and cypress trees - Florence and Tuscany has all this and much more to delight every traveller. Your DK Eyewitness Top 10 travel guide ensures you'll find your way around Florence and Tuscany with absolute ease. Our newly updated Top 10 travel guide breaks down the best of Florence and Tuscany into helpful lists of ten - from our own selected highlights to the best museums, places to eat and shops. You'll discover: - Ten easy-to-follow itineraries, perfect for a day-trip, a weekend, or a week - Detailed Top 10 lists of Florence and Tuscany's must-sees, including detailed breakdowns of the Uffizi, the Duomo, Pitti Palace, San Gimignano, Campo dei Miracoli, Siena's Duomo, Siena's Campo and Palazzo Pubblico, Chianti, Cortona and Lucca - Florence and Tuscany's most interesting areas, with the best places for shopping, dining, and sightseeing - Inspiration for different things to enjoy during your trip - including children's activities and things to do for free - A free laminated pull-out map of Florence and Tuscany, plus eight color city and neighborhood maps - Streetsmart advice: get ready, get around, and stay safe - A lightweight format perfect for your pocket or bag when you're on the move DK Eyewitness Top 10s have been helping travellers to make the most of their breaks since 2002. Staying for longer and looking for a more comprehensive guide? Try our DK Eyewitness Florence and Tuscany or DK Eyewitness Italy.
One of the worlds great cities, Florence is visited by over six million tourists each year, yet, despite some recent improvements in accessibility, the Cradle of the Renaissance still presents significant barriers. Imagine lunch in an outdoor caf, soaking up the warm September sun, where do you find an accessible restroom? Where to eat in a country whose main staples are bread, pizza, and pasta if you have an intolerance to wheat gluten? In which museums can you touch a Renaissance sculpture if you are visually impaired? Need to rent a wheelchair or find which museums have them on loan? Locate an accessible hotel with a roll-in shower? Find out if your power wheelchair will fit in the elevator of the Uffizi? Or discover the wheelchair-accessible paths in the Boboli Gardens? Reading A Guide to Accessible Florence, an indispensable resource written especially, but not only, for wheelchair or scooter users and slow walkers, will give you the answers to all these questions and to many more.
Artist Lisa McGarry has captured the essence of her adopted city Florence through an intimate exploration of 12 of her favourite piazzas. McGarry's evocative narrative weaves together history, art, architecture and the colourful cast of characters she meets during her daily excursions around the city.
"Many years have passed since architect Andrea Ponsi settled in Florence, and still he feels he does not fully comprehend this mysterious city. His tour of the city is one of continually shifting light and perspective, of stunning symmetry and an even more compelling asymmetry, of sudden transitions from bustling streets to the most perfect silence." "While Ponsi does consider such celebrated sites as the Piazza Santa Croce, the Ponte Vecchio, and the Duomo, the book is a decidedly personal view of Florence. The author notes the city's recurring geometry - the square courtyards, triangular spires, octagonal plaques and pillars - and marvels at a room almost too big to be called a room. He views the city from various terraces and likens the expanse of rising and falling rooftops to ocean waves." "This is the way we dream an architect could speak to us, fully communicating his passion. The book's prose - as well as its balance of the civic with the intensely personal - recalls the Calvino of Marcovaldo and Invisible Cities. The text is accompanied by Ponsi's own spare but evocative watercolors and sketches, which, like his words, seek to behold rather than pin down. This lyrical tribute is as much an ode to the lost art of contemplation as it is to Florence - a city where every moment is different from every other moment." --Book Jacket.