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Provides all the information needed for restoring and maintaining pianos, both for professionals and amateurs.
A New York Times Notable Book A San Francisco Chronicle, San Jose Mercury News, and Los Angeles Times Best Book of the Year “A gripping and resonant novel. . . . It immerses the reader in a distant world with startling immediacy and ardor. . . . Riveting.” —Michiko Kakutani, The New York Times In 1886 a shy, middle-aged piano tuner named Edgar Drake receives an unusual commission from the British War Office: to travel to the remote jungles of northeast Burma and there repair a rare piano belonging to an eccentric army surgeon who has proven mysteriously indispensable to the imperial design. From this irresistible beginning, The Piano Tuner launches readers into a world of seductive, vibrantly rendered characters, and enmeshes them in an unbreakable spell of storytelling.
Pianos Inside Out takes an in-depth look at the history, design, and maintenance of the piano, and provides practical guidance to anyone who wants to learn how to improve action performance, or tune, repair, regulate, voice, or rebuild pianos. Covering a wide range of topics, from introductory to advanced, the book puts between two covers all the advancements and understanding gained by the piano industry over the last 30 years, to provide a unified and coherent view of that much-needed information, from coincident partial tuning and interval inharmonicity, to touchweight analysis, string leveling, and the different types of modern lubricants. Although written for hobbyists, students, and piano technicians, Pianos Inside Out will also help pianists and owners of pianos to better understand their instruments and to communicate more effectively with their technicians. The book is full of clear, concise, step-by-step instructions, and more than 700 illustrations and diagrams.
The subject of this book is tuning theory and the integration of aural and electronic tuning techniques. All of the information presented will be analyzed from both aural and electronic perspectives, so that every technique used aurally will have an electronic equivalent, and every technique used electronically will have its aural test. The information is equally helpful for those who tune strictly by ear or exclusively with an electronic aid, and provides a firm understanding of the equivalent tests and procedures from both worlds for the growing number of tuners that use both their ears and an electronic aid.
Essential advice for buying and caring for a new or used piano. A '97-'98 supplement is available.
An alluring exploration of the people and the legendary craftsmanship behind a single Steinway piano Like no other instrument, a grand piano melds engineering feats with the magical sounds of great music: the thunder of a full-throated bass, the bright, delicate trill of the upper treble. Alone among the big piano companies, Steinway still crafts all of its pianos largely by hand, imbuing each one with the promise and burden of its brand. In this captivating narrative, James Barron of The New York Times tells the story of one Steinway piano, from raw lumber to finished instrument. Barron follows that brand-new piano-known by its number, K0862-on its eleven-month journey through the Steinway factory, where time-honored manufacturing methods vie with modern-day industrial efficiency. He looks over the shoulders of men and women-some second- and third-generation employees, some recently arrived immigrants-who transform wood and steel into a concert grand. Together, they carry on the traditions begun more than 150 years ago by the immigrants who founded Steinway & Sons-a family that soared to prominence in the music world and, for a while, in New York City's political and economic life. Barron also explores the art and science of developing a piano's timbre and character before its first performance, when the essential question will be answered: Does K0862 live up to the Steinway legend? From start to finish, Piano will charm and enlighten music lovers.
Why does a piano sound like a piano? A similar question can be asked of virtually all musical instruments. A particular note-such as middle C-can be produced by a piano, a violin, a clarinet, and many other instruments, yet it is easy for even a musically untrained listener to distinguish between these different instruments. A central quest in the study of musical instruments is to understand why the sound of the "same" note depends greatly on the instrument, and to elucidate which aspects of an instrument are most critical in producing the musical tones characteristic of the instrument. The primary goal of this book is to investigate these questions for the piano. The explanations in this book use a minimum of mathematics, and are intended for anyone who is interested in music and musical instruments. At the same time, there are many insights relating physics and the piano that will likely be interesting and perhaps surprising for many physicists.