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More than 80 years have passed since Bauer and Leander’s historical grammar of Biblical Hebrew was published, and many advances in comparative historical grammar have been made during the interim. Joshua Blau, who has for much of his life been associated with the Academy of the Hebrew Language in Jerusalem, has during the past half century studied, collected data, and written frequently on various aspects of the Hebrew language. Phonology and Morphology of Biblical Hebrew had its origins in an introduction to Biblical Hebrew first written some 40 years ago; it has now been translated from Modern Hebrew, thoroughly revised and updated, and it distills a lifetime of knowledge of the topic. The book begins with a 60-page introduction that locates Biblical Hebrew in the Semitic family of languages. It then discusses various approaches to categorization and classification, introduces and discusses various linguistic approaches and features that are necessary to the discussion, and provides a background to the way that linguists approach a language such as Biblical Hebrew—all of which will be useful to students who have taken first-year Hebrew as well those who have studied Biblical Hebrew extensively but have not been introduced to linguistic study of the topic. After a brief discussion of phonetics, the main portion of the book is devoted to phonology and to morphology. In the section on phonology, Blau provides complete coverage of the consonant and vowel systems of Biblical Hebrew and of the factors that have affected both systems. In the section on morphology, he discusses the parts of speech (pronouns, verbs, nouns, numerals) and includes brief comments on the prepositions and waw. The historical processes affecting each feature are explained as Blau progresses through the various sections. The book concludes with a complete set of paradigms and extensive indexes. Blau’s recognized preeminence as a Hebraist and Arabist as well as his understanding of language change have converged in the production of this volume to provide an invaluable tool for the comparative and historical study of Biblical Hebrew phonology and morphology.
Routledge Revivals presents a reissue of Noam Chomksy’s MA thesis, written in 1951, and first published in 1979. Morphophonemics of Modern Hebrew is a landmark study in linguistics and generative phonology, which provides not only an analysis of morphophonemics but of the entire grammar of Modern Hebrew from syntax to phonology. Professor Chomsky’s goal in this thesis is nothing less than a complete generative grammar of the Hebrew language. This work is of singular importance as it contains the genesis of the author’s work in the field of generative grammar which has had such a profound impact upon the study of linguistics. This reissue of a truly pioneering work will be of great interest to all those concerned with generative grammar and its origins, and with the progression of thought of one of the greatest minds of our time.
These volumes represent the highest level of scholarship on what is arguably the most important tradition of Biblical Hebrew. Written by the leading scholar of the Tiberian Masoretic tradition, they offer a wealth of new data and revised analysis, and constitute a considerable advance on existing published scholarship. It should stand alongside Israel Yeivin’s ‘The Tiberian Masorah’ as an essential handbook for scholars of Biblical Hebrew, and will remain an indispensable reference work for decades to come. —Dr. Benjamin Outhwaite, Director of the Taylor-Schechter Genizah Research Unit, Cambridge University Library The form of Biblical Hebrew that is presented in printed editions, with vocalization and accent signs, has its origin in medieval manuscripts of the Bible. The vocalization and accent signs are notation systems that were created in Tiberias in the early Islamic period by scholars known as the Tiberian Masoretes, but the oral tradition they represent has roots in antiquity. The grammatical textbooks and reference grammars of Biblical Hebrew in use today are heirs to centuries of tradition of grammatical works on Biblical Hebrew in Europe. The paradox is that this European tradition of Biblical Hebrew grammar did not have direct access to the way the Tiberian Masoretes were pronouncing Biblical Hebrew. In the last few decades, research of manuscript sources from the medieval Middle East has made it possible to reconstruct with considerable accuracy the pronunciation of the Tiberian Masoretes, which has come to be known as the ‘Tiberian pronunciation tradition’. This book presents the current state of knowledge of the Tiberian pronunciation tradition of Biblical Hebrew and a full edition of one of the key medieval sources, Hidāyat al-Qāriʾ ‘The Guide for the Reader’, by ʾAbū al-Faraj Hārūn. It is hoped that the book will help to break the mould of current grammatical descriptions of Biblical Hebrew and form a bridge between modern traditions of grammar and the school of the Masoretes of Tiberias. Links and QR codes in the book allow readers to listen to an oral performance of samples of the reconstructed Tiberian pronunciation by Alex Foreman. This is the first time Biblical Hebrew has been recited with the Tiberian pronunciation for a millennium.
A reference book on Modern Hebrew morphology and syntax, this describes the language as it is really spoken and written in Israel today. The author pays particular attention to functional distinctions, giving equal weight to colloquial and formal usage.
Learn to Write the Hebrew Script presents a new and innovative approach to learning the Hebrew script. Drawing on the common ancestry of European and Hebrew alphabets and the natural inclinations of the writing hand, Orr-Stav shows how the Hebrew script may be understood and acquired almost intuitively through a three-step transformation of ordinary Roman-script cursive. Thoroughly researched but written with a light touch and the empathy of someone who’s been there, Learn to Write the Hebrew Script uncovers several surprises and dispels much of the mystique of what is often an intimidating subject, making the script of the Old Testament much more accessible to millions of non-Hebrew speakers worldwide. "What sets this book apart is its novel approach to the subject, which offers the Western reader a far more accessible and less intimidating approach to the subject."—J.P. Kang, Princeton Theological Seminary "A completely novel approach to this knotty problem. For anyone who wants or needs to learn Hebrew, this book is a must, a valuable adjunct to any teaching aid."—Josephine Bacon, American Translators Association Chronicle "This quirky, unexpected, and utterly charming book offers a three-step method for learning to write Hebrew script, and the author has a gift for presenting the technical and abstract clearly and disarmingly."—The Jerusalem Report
This book examines religion in Israeli society: what it is and how it functions. Here is a clear picture of how Judaism provides a matrix of continuity for Israeli society notwithstanding a wide diversity of beliefs and practices.
"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.
Winner of the 2014 Sami Rohr Prize for Jewish Literature A thousand years ago, the most perfect copy of the Hebrew Bible was written. It was kept safe through one upheaval after another in the Middle East, and by the 1940s it was housed in a dark grotto in Aleppo, Syria, and had become known around the world as the Aleppo Codex. Journalist Matti Friedman’s true-life detective story traces how this precious manuscript was smuggled from its hiding place in Syria into the newly founded state of Israel and how and why many of its most sacred and valuable pages went missing. It’s a tale that involves grizzled secret agents, pious clergymen, shrewd antiquities collectors, and highly placed national figures who, as it turns out, would do anything to get their hands on an ancient, decaying book. What it reveals are uncomfortable truths about greed, state cover-ups, and the fascinating role of historical treasures in creating a national identity.