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'The Phoenix and the Turtle' is an allegorical poem about the death of ideal love by William Shakespeare. It is widely considered to be one of his most obscure works and has led to many conflicting interpretations. The poem describes a funeral arranged for the deceased Phoenix and Turtledove, respectively emblems of perfection and of devoted love. Some birds are invited, but others excluded. It goes on to state that the love of the birds created a perfect unity which transcended all logic and material fact. It concludes with a prayer for the dead lovers.
Not for nothing is William Shakespeare considered possibly the most famous writer in history; his works have had a lasting effect on culture, vocabularies, and art. His plays contain some of our most well-known lines (how often have you heard the phrase 'To be or not to be'?), yet whilst his poems may often feel less familiar than his plays they have also seeped into our cultural history (who has not heard of ''Shall I compare thee to a summer's day'?). In this Very Short Introduction Jonathan Post introduces all of Shakespeare's poetry: the Sonnets; the two great narrative poems, Venus and Adonis and The Rape of Lucrece; A Lover's Complaint; and The Phoenix and Turtle. Describing Shakespeare's double identity as both poet and playwright, in conjunction with several of his contemporaries, Post evaluates the reciprocal advantages as well as the different strategies and strains that came with writing for the stage and the page. Tackling the debates surrounding the disputed authorship of Shakespeare's poems, he also considers the printing history of Shakespeare's canon, and the genres favoured by the bard. Exploring their reception, both with contemporary audiences and through the ages until today, Post explores the core themes of love and lust, and analyzes how the sonnets compare with other great love poetry of the English Renaissance. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
"Poems about children playing Chinese musical instruments and getting ready for a concert are accompanied by factual information about each instrument."--Provided by publisher.
Winner of the 2012 National Book Award for Poetry. To read David Ferry’s Bewilderment is to be reminded that poetry of the highest order can be made by the subtlest of means. The passionate nature and originality of Ferry’s prosodic daring works astonishing transformations that take your breath away. In poem after poem, his diction modulates beautifully between plainspoken high eloquence and colloquial vigor, making his distinctive speech one of the most interesting and ravishing achievements of the past half century. Ferry has fully realized both the potential for vocal expressiveness in his phrasing and the way his phrasing plays against—and with—his genius for metrical variation. His vocal phrasing thus becomes an amazingly flexible instrument of psychological and spiritual inquiry. Most poets write inside a very narrow range of experience and feeling, whether in free or metered verse. But Ferry’s use of meter tends to enhance the colloquial nature of his writing, while giving him access to an immense variety of feeling. Sometimes that feeling is so powerful it’s like witnessing a volcanologist taking measurements in the midst of an eruption. Ferry’s translations, meanwhile, are amazingly acclimated English poems. Once his voice takes hold of them they are as bred in the bone as all his other work. And the translations in this book are vitally related to the original poems around them. From Bewilderment: October The day was hot, and entirely breathless, so The remarkably quiet remarkably steady leaf fall Seemed as if it had no cause at all. The ticking sound of falling leaves was like The ticking sound of gentle rainfall as They gently fell on leaves already fallen, Or as, when as they passed them in their falling, Now and again it happened that one of them touched One or another leaf as yet not falling, Still clinging to the idea of being summer: As if the leaves that were falling, but not the day, Had read, and understood, the calendar.
This is a fully annotated edition of all the poems which are now generally regarded as Shakespeare's, excluding The Sonnets. It contains Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, and A Lover's Complaint. The introduction to the two long narrative poems examines their place within the classical and Renaissance European traditions, an issue which also applies to The Phoenix and the Turtle. The Passionate Pilgrim is a miscellany of twenty sonnets and lyrics, containing only five poems which are certain to be Shakespeare's. John Roe analyses the conditions in which the collection was produced, and weighs the evidence for and against Shakespeare's authorship of A Lover's Complaint and the much-debated question of its genre. He demonstrates how in his management of formal tropes Shakespeare, like the best Elizabethans, fashions a living language out of handbook oratory.
In poems of haunting lyricism, and in a voice wholly unlike any other American poet, Christine Garren's second book of poetry explores common themes such as love, loss, and family with an uncommon sensibility. Among the Monarchs is filled with unforgettable metaphors, unconventional and unpredictable juxtapositions, turns and angles of perception, and seductive free verse rhythms. Through all of this, Garren captivates readers in a unique exploration of the nature of desire, the raptures and burdens of love and loss, the peculiarities of family life and, perhaps most compelling, the power of poetic imagination to shape what we see and feel. At once engaging and disquieting, Among the Monarchs attests to the inexhaustible possibilities of lyric poetry.
Sheridan Le Fanu's 'Ultimate Collection' is a literary treasure trove consisting of over 65 novels and short stories, showcasing the author's mastery of gothic fiction and psychological horror. Le Fanu's writing is characterized by its intricate plots, atmospheric settings, and compelling characters, making it a standout work in the realm of 19th-century literature. His ability to create tension and evoke a sense of unease in his readers is second to none, cementing his status as a pioneer of the horror genre. This collection also includes Le Fanu's poetry collections and a biography, providing readers with a comprehensive overview of his life and works. Fans of classic horror literature will find themselves engrossed in Le Fanu's chilling tales of the supernatural and macabre. Joseph Sheridan Le Fanu, a prominent Irish writer of the Victorian era, drew inspiration from his own life experiences and the gothic tradition of his time to craft his haunting narratives. His keen insight into human psychology and his knack for building suspense set him apart as a literary genius ahead of his time. Le Fanu's unique storytelling ability and his ability to create a sense of dread have solidified his legacy as one of the greats in horror fiction. For fans of atmospheric horror and gothic literature, 'Sheridan Le Fanu - Ultimate Collection' is a must-read. With its diverse range of works spanning multiple genres and its exploration of the darker side of human nature, this collection offers a captivating glimpse into the mind of a literary master. Le Fanu's timeless tales of mystery and terror are sure to leave readers enthralled and haunted long after they have turned the final page.
In this collection of free-verse poems, inspired by Walt Whitman's I Hear America Singing, Tracie Vaughn Zimmer celebrates workers and the doing of work. The poems are short and direct, with strong, fresh images, and readers can easily imagine themselves in the roles she portrays: welder, librarian, surgeon, retail clerk, camp counselor. The illustrations are as original as the text---amazing multilayered collages made of paper, found objects, ephemera, photographs, dried flowers, and archival images. Steady Hands is sure to inspire discussion, creative writing, art projects, and new answers to the old question: What do you want to do when you grow up?