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In a Victorian-era German asylum, seamstress Agnes Richter painstakingly stitched a mysterious autobiographical text into every inch of the jacket she created from her institutional uniform. Despite every attempt to silence them, hundreds of other psychiatric patients have managed to get their stories out, or to publish them on their own. Today, in a vibrant network of peer-advocacy groups all over the world, those with firsthand experience of emotional distress are working together to unravel the mysteries of madness and to help one another recover. Agnes’s Jacket tells their story, focusing especially on the Hearing Voices Network (HVN), an international collaboration of professionals, people with lived experience, and their families and friends who have been working to develop an alternative approach to coping with voices, visions, and other extreme states that is empowering and useful and does not start from the assumption that such people have a chronic illness. A vast gulf exists between the way medicine explains psychiatric conditions and the experiences of those who suffer. Hornstein’s work helps us to bridge that gulf, guiding us through the inner lives of those diagnosed with schizophrenia, bipolar illness, depression, and paranoia, and emerging with nothing less than a new model for understanding one another and ourselves.
RD Laing remains one of the most famous psychiatrists of the last 50 years. In the 1960s he enjoyed enormous popularity and received much publicity for his controversial views challenging the psychiatric orthodoxy. He championed the rights of the patient, and challenged the often inhumane methods of treating the mentally ill. Based on a wealth of previously unexamined archives relating to his private papers and clinical notes, Portrait of the Psychiatrist as a Young Man sheds new light on RD Laing, and in particular his early formative years - a crucial but largely overlooked period in his life. The first half of the book considers Laing's intellectual journey through the world of ideas and his development as a psychiatric theorist. An analysis of his notebooks and personal library reveals Laing's engagement not only with psychiatric theory, but also with a wide range of other disciplines, such as philosophy, literature, and religion. This part of the book considers how this shaped Laing's writing about madness and his evolution as a clinician. The second half draws on a rich and completely unexplored collection of Laing's clinical notes, which detail his encounters with patients in his early years as a psychiatrist, firstly in the British Army, subsequently in the psychiatric hospitals of Glasgow, and finally in the Tavistock Clinic in London. These notes reveal what Laing was actually doing in clinical practice, and how theory interacted with therapy. The majority of patients who were to appear in Laing's first two books, The Divided Self and The Self and Others have been identified from these records, and this volume provides a fascinating account of how the published case histories compare to the original notes. There is a considerable mythology surrounding Laing, partly created by himself and partly by subsequent commentators. By a careful examination of primary sources, Allan Beveridge, both a psychiatrist and an historian, examines the many mythological narratives about Laing and provide a critical but not unsympathetic account of this colourful and contradictory thinker, who addressed questions about the nature of madness which are still being asked today. This book will be of interest to mental health workers and social historians alike as well as anybody interested in the philosophy of psychiatry.
From Madness to Mental Health neither glorifies nor denigrates the contributions of psychiatry, clinical psychology, and psychotherapy, but rather considers how mental disorders have historically challenged the ways in which human beings have understood and valued their bodies, minds, and souls. Greg Eghigian has compiled a unique anthology of readings, from ancient times to the present, that includes Hippocrates; Julian of Norwich's Revelations of Divine Love, penned in the 1390s; Dorothea Dix; Aaron T. Beck; Carl Rogers; and others, culled from religious texts, clinical case studies, memoirs, academic lectures, hospital and government records, legal and medical treatises, and art collections. Incorporating historical experiences of medical practitioners and those deemed mentally ill, From Madness to Mental Health also includes an updated bibliography of first-person narratives on mental illness compiled by Gail A. Hornstein.
Before there was Arthur Conan Doyle’s Sherlock Holmes, there was Fergus Hume’s The Mystery of a Hansom Cab—the biggest, and fastest-selling, detective novel of the 1800s, and Australia’s first literary blockbuster. Fergus Hume was an aspiring playwright when he moved from Dunedin to Melbourne in 1885. He wrote The Mystery of a Hansom Cab with the humble hope of bringing his name to the attention of theatre managers. The book sold out its first run almost instantly and it became a runaway word-of-mouth phenomenon—but its author sold the copyright for a mere fifty pounds, missing out on a potential fortune. Blockbuster! is the engrossing story of a book that would help define the genre of crime fiction, and a portrait of a great city in full bloom. Rigorously researched and full of arresting detail, this captivating book is a must-read for all fans of true crime, history and crime fiction alike. Lucy Sussex was born in New Zealand. She has edited four anthologies, including She’s Fantastical, shortlisted for the World Fantasy Award. Her award-winning fiction includes books for younger readers and the novel The Scarlet Rider. Lucy has five short-story collections, including My Lady Tongue, A Tour Guide in Utopia, Absolute Uncertainty and Matilda Told Such Dreadful Lies. Lucy Sussex's latest book is Blockbuster! Fergus Hume and The Mystery of a Hansom Cab. She lives in Melbourne. ‘[Sussex] provides a rich picture of Victorian life and a revealing account of late 19th-century publishing practices...Fascinating.’ Publishers Weekly ‘An absorbing, at times fascinating companion to The Mystery of a Hansom Cab.’ Age/SMH/Brisbane Times ‘Told with wit and lightly worn scholarship...Sussex has written a fine, thoroughly engaging and multifaceted history. Generously, she has shared her fun with the rest of us.’ Australian ‘The book is a must-read for anyone interested in the history of crime fiction or Australian literature, but is highly recommended even if you’re not: Sussex is a superb story-teller and leavens this fascinating account with dry wit. It deserves to be a blockbuster.’ Tara Sharp ‘This is a fine book about a novel that defined the burgeoning genre of crime fiction, full of wit, important discoveries and fascinating insights – like its subject, a real page-turner.’ Wormwoodiana ‘Sussex skillfully assembles the known information about a very private man and his times, and reveals a Victorian world whose machinations and mysteries are equal to those of his most famous fiction.’ Stuff NZ ‘A very interesting whodunit about a whodunit.’ North and South ‘Blockbuster! is almost too much to take in. It’s a wealth of well researched information, but readable and informative just the same. The book is equipped with bibliography, end notes, epitaphs and reviews, enough to keep the curious occupied for hours.’ Otago Daily Times ‘A wealth of well-researched information, readable, informative and enough to keep the curious occupied for hours.’ Otago Daily Times, 2015’s Must Read Books ‘Blockbuster! makes for highly enjoyable and informative reading.’ Washington Post