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A discovery in Feral House’s Tramp Lit Series, Bart Kennedy’s 1908 A Tramp’s Philosophy is Kennedy’s late work distilling his life and experiences into a concept for living. He includes insights on everything from religion to civilization to crime to the lure of the open roads. “No social system or state can be really worth anything where the paramount aim is not to allow the individual to develop to the fullest, both mentally and physically. And this aim has never been the aim of any civilized state. ... The aim of all civilized states has been to keep the masses in subjugation for the benefit of cliques. And this is as true of republics as it is of autocracies. ... The money clique that rules America is more oppressive than is the Grand Ducal clique of Russia. It has a far worse effect on the American character.” About Bart Kennedy: Bart Kennedy was born in Leeds, England on March 9, 1861. He was raised in Manchester where he began his career at the age of six working part-time in a cotton mill. He worked in mills and machine shops throughout Manchester before joining the merchant navy as an able seaman in 1881. Jumped ship in Philadelphia where he tramped and worked odd jobs throughout the United States. Was illiterate until his early twenties until a fellow tramp taught him to read. He travels included all of North America and Europe. Occupations included: oyster fisherman, gold miner, opera singer, actor, writer, lecturer, and builder.
The combined events of the end of the American Civil War in 1865, the first transcontinental railroad opening in 1869, and the financial crash of 1873, found large numbers—including thousands of former soldiers well used to an outdoor life and tramping—thrown into a transient life and forced to roam the continent, surviving on whatever resources came to hand. For most, the life of the hobo was born out of necessity. For a few it became a lifestyle choice. Some of the latter group committed their adventures to print, both autobiographical and fictional, and together with their British and Irish counterparts, whose wanderlust was fueled by an altogether different genesis, they account for the fifteen tramp writers whose stories and ideas are the subject of this book. The lives of some, like Jack Everson, Jack Black and Tom Kromer, are told in a single volume, others, like Morley Roberts and Stephen Graham, have eighty and fifty published works to their credit respectively. Some remain completely unknown and their books are long since out of print, others, like Trader Horn and Jim Tully, were Hollywood celebrities. Others yet, such as Black, Tulley, Horn, Bart Kennedy, Leon Ray Livingstone, and Jack London, had their stories immortalized in film.
A trenchant critique of established ideas in political philosophy and a provocative call for change Many contemporary political thinkers are gripped by the belief that their task is to develop an ideal theory of rights or justice for guiding and judging political actions. But in Philosophy and Real Politics, Raymond Geuss argues that philosophers should first try to understand why real political actors behave as they actually do. Far from being applied ethics, politics is a skill that allows people to survive and pursue their goals. To understand politics is to understand the powers, motives, and concepts that people have and that shape how they deal with the problems they face in their particular historical situations. Philosophy and Real Politics both outlines a historically oriented, realistic political philosophy and criticizes liberal political philosophies based on abstract conceptions of rights and justice.
"Much of this book is about loneliness. Yet its pages are bracingly companionable. It is one of the friendliest books ever written. It is a superb piece of autobiography, testimony that cannot be impeached. While it is a statement of an American tragedy, it has laughter, brevity, style; as a book to pass the time away with, it is in a class with the best fiction." — Carl Sandburg, New York World "Nothing half as rewarding has come down the highway of books about thieves, tramps, murderers, bootleggers and crooks in years " — New Republic "I believe Jack Black has written a remarkable book; it is vivid and picturesque; it is not fiction; it is a book that was needed and it should be widely read." — Clarence Darrow, New York Herald Tribune A major influence on William S. Burroughs and other Beat writers, this lost classic was written by Jack Black, a drifter and small-time criminal. Born in 1872, Black hit the road at the age of 16 and spent most of his life as a vagabond. In this plainspoken but colorful memoir, he recaptures a hobo underworld of the early twentieth century, a time when it was possible to pass anonymously from town to town. Black's firsthand accounts of hopping trains, burglaries, prison, and drug addiction offer a compelling portrait of life outside the law and honor among thieves.
The author recounts his travels around the world, detailing his experiences in places ranging from New Orleans to the Panama Canal to the African veldt
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Traveling on foot across the UK, with no money or reason to rush, Charlie finds the hidden side of the population—the homeless, the addicted, the disabled—who few outsiders ever get to knowIn the summer of 2011, Charlie found the school he taught at could not afford to renew his teaching contract. With no job and no money, but suddenly all the time in the world, he decided to travel from Cornwall to London in a peculiarly old-fashioned, quintessentially English, and remarkably cheap way—as a tramp, on foot, sleeping rough. The journey was filled with color, surprise, and danger, and a range of memorable encounters—from Stan, who once saved a boy from being raped but whose homelessness stemmed from a paralysing addiction, to Ian, the one-handed Rastafarian who lived in a tent. With a striking mix of travel and current affairs writing, No Fixed Abode sheds light on a side of the UK few ever see from within.
Based on three years of ethnographic research with fans, and informed by the author's own experiences, this is an interdisciplinary study of the ways in which ordinary people form sustained attachments to Bruce Springsteen and his music, rooted in an exploration of the nature of fandom.