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One by one, a ruthless killer stalks the actresses of the soap opera, All My Days, delivering the same violent end to them all. And not even street-smart police detective Theresa Morrison suspects his real identity until he comes after her.
Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurity in the United States, offset by his phenomenal success in these three markedly different countries, is the subject of The Phantom Unmasked. By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.
An imaginative and sensitive story of the life of the Phantom of the Opera; winner of the Boots Romantic Novel Award.
The late 1960s comic book adventures of The Phantom return in full, glorious color! Hermes Press is collecting all 73 issues of The Phantom comic books which ran from 1962-1977, and this volume continues the Charlton years. Volume Two of The Charlton Years picks up with The Phantom #39 and features all The Phantom stories from nine complete comic books. Volume Two of The Charlton years highlights art by Pat Boyette and stories by Joe Gill. The Charlton comic book version of the grand-daddy of costumed heroes, The Ghost Who Walks, is available again, digitally remastered to look better than the original books.
In this sequel to Gaston Leroux's Phantom of the Opera, the young lovers, Christine and Raoul, leave the Phantom in his lair under the Opera House. After faking his own death to escape the authorities, the Phantom sets out to find Christine again, eventually following her to London. With a detective after the Phantom and Christine endangered when Jack the Ripper begins his killing spree not far from Christine's home, the Phantom must put his life at risk for his love.Will Christine -- desperate for song (which her husband, Raoul, has forbidden in his jealousy) -- finally open her heart to the Phantom as he desires?
The Phantom - The Complete Series - The Charlton Years Volume 2
"I found [this book] to express profound insight in a very readable style. This story of the key events that shaped [the author's] life, conveyed in bold relief and vivid imagery, is educational and inspiring. [King] illustrates the essential principles of reparative therapy clearly and with good humor. I would recommend this book for my clients." -Dr. Joseph Nicolosi, Ph.D. Psychologist and Director, Thomas Aquinas Psychological Clinic, Encino, California Jackson King uses a combination of psychological research, spiritual teachings, and personal experience to examine the environmental conditioning of male homosexuality and how it applied to his life. Confused and unhappy with the prospect of this lifestyle and in search of a way out, the elusive exit had to make sense to his questioning mind. That is where reparative therapy came in. It laid the pieces of the puzzle into place, helping King to understand the root cause of this condition. The end result was a newfound self-awareness that led to the freedom he was seeking. An enlightening journey of self-discovery-King's insightful story is told from a realistic perspective; inspiring the reader through shared experiences that are often humorous, thought-provoking, and always informative.
What do consumers really want? In the mid-twentieth century, many marketing executives sought to answer this question by looking to the theories of Sigmund Freud and his followers. By the 1950s, Freudian psychology had become the adman's most powerful new tool, promising to plumb the depths of shoppers' subconscious minds to access the irrational desires beneath their buying decisions. That the unconscious was the key to consumer behavior was a new idea in the field of advertising, and its impact was felt beyond the commercial realm. Centered on the fascinating lives of the brilliant men and women who brought psychoanalytic theories and practices from Europe to Madison Avenue and, ultimately, to Main Street, Freud on Madison Avenue tells the story of how midcentury advertisers changed American culture. Paul Lazarsfeld, Herta Herzog, James Vicary, Alfred Politz, Pierre Martineau, and the father of motivation research, Viennese-trained psychologist Ernest Dichter, adapted techniques from sociology, anthropology, and psychology to help their clients market consumer goods. Many of these researchers had fled the Nazis in the 1930s, and their decidedly Continental and intellectual perspectives on secret desires and inner urges sent shockwaves through WASP-dominated postwar American culture and commerce. Though popular, these qualitative research and persuasion tactics were not without critics in their time. Some of the tools the motivation researchers introduced, such as the focus group, are still in use, with "consumer insights" and "account planning" direct descendants of Freudian psychological techniques. Looking back, author Lawrence R. Samuel implicates Dichter's positive spin on the pleasure principle in the hedonism of the Baby Boomer generation, and he connects the acceptance of psychoanalysis in marketing culture to the rise of therapeutic culture in the United States.
Acland looks back at the strange history of subliminal seduction: a theory first propagated in the late 1950s by marketing researcher James Vicary, who claimed that movie audiences bought more refreshments if advertising messages too quick to be noticed were inserted into movies. The study was soon proven false, but that hasnt kept the concept from having a long afterlife in the popular imagination.