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This classic collection features 25 tales shaped by gothic's mood of menace and the macabre. In addition to the world-famous title novel, the anthology includes Horace Walpole's The Castle of Otranto, which launched the gothic novel craze, as well as stories by H. P. Lovecraft, Edgar Allan Poe, Mary Shelley, Arthur Machen, Louisa May Alcott, E. T. A. Hoffmann, J. Sheridan Le Fanu, and Vernon Lee.
"The Phantom Of The Opera, the iconic gothic romance, is retold with all the spectacle its legend demands in this devoted graphic novel adaptation that marries stunning artwork with Gaston Leroux's haunting prose. Everyone has heard the whispered tales of the phantom who lives beneath the opera house, the mysterious trickster behind all the little mishaps and lost things. But no one has ever seen the monster . . . until now. When the promise of blossoming love lures him out from his intricately constructed hideaways in the labyrinthine building's walls and cellars, a hideously disfigured artist trains the lovely Christine to be the opera's next star for a steep price. Does she choose her newfound success or her beloved Count Raoul? This doomed love triangle threatens to combust when a tragic death, a series of betrayals, and increasingly dangerous accidents cast the players of The Palais Garnier into a heart-wrenching horror story that will echo through the ages"--provided by publisher.
From the original libretto of Andrew Lloyd Webber's world-famous, multi-award-winning musical that has been playing continuously around the world for over 33 years comes this fully authorized graphic novel adaptation. In 1881 the cast and crew of a new production, Hannibal, are terrorized by the Phantom of the Opera, a mysterious, hideously disfigured man who lives beneath the Paris Opera House. Hopelessly in love and obsessed with one of the chorus singers, the Phantom will stop at nothing to make her the star of the show, even if that means murder.
An angel has returned to Paris. But is it the Angel of Music…or Death? Two years have passed since Christine fled the opera house, put the memories and the horror behind her. And yet, in her dreams, she still hears his voice, feels his moth-light touch on her throat. The rumors involving the legendary Opera Ghost are merely newspaper sensationalism. The Opera Ghost is dead. His tragic life, his epic opera, his obsession with her voice…ended. But with a slow, heart-pounding dread, Christine lets a lie slip from her lips, and heads for Paris. Alone. Because she has to know if Erik is dead. Or if he’s alive…and wreaking his vengeance.
This is the most comprehensive analytical study ever done of The Phantom of the Opera in its many different versions from the original Gaston Leroux novel to the present day. It proposes answers to the question, 'why do we keep needing this story told and retold in the Western world?' by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Using extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. The Phantom of the Opera - in varying ways over time - turns out like the 'Gothic' tradition it extends, to be deeply connected to Western self-fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between 'high' and 'low' culture. This book should interest all students of the history of Western culture, as well as those especially fascinated by Gothic fiction, opera, musical theatre, and film.
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
A young woman confronts her own dark desires, and finds her match in a masked conjurer turned assassin. Inspired by Gaston LeRoux's The Phantom of the Opera, Marion Grace Woolley takes us on forbidden adventures through a time that has been written out of history books. "Those days are buried beneath the mists of time. I was the first, you see. The very first daughter. There would be many like me to come. Svelte little figures, each with saffron skin and wide, dark eyes. Every one possessing a voice like honey, able to twist the santur strings of our father's heart." It begins with a rumour, an exciting whisper. Anything to break the tedium of the harem for the Shah's eldest daughter. People speak of a man with a face so vile it would make a hangman faint, but a voice as sweet as an angel's kiss. A master of illusion and stealth. A masked performer, known only as Vachon. For once, the truth will outshine the tales. On her birthday, the Shah gifts his eldest daughter Afsar a circus. With the circus comes a man who will change everything. Note: Mature subject matter
"Rune Germain moves to a boarding school outside of Paris, only to discover that at this opera-house-turned-music-conservatory, phantoms really do exist"--
A fine collection of classic novels, short stories, poems, and essays from distinguished women writers. Women writers have been making their voices heard for centuries, but their works were not always taken seriously. Over time, as women gained more social and political freedom, these works have reemerged as subjects that are considered to be worthy of closer study. Classic Works from Women Writers is a collection of more than thirty novels, short stories, poems, and essays by prominent and lesser-known female writers since the 17th century. Included in this volume are groundbreaking works such as Mary Shelley’s Frankenstein; Agatha Christie’s The Mysterious Affair at Styles, the first Hercule Poirot novel; Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and her follow-up essay; and poetry from the likes of Christina Rossetti, Amy Lowell, and Sara Teasdale. The words of these authors offer a multitude of perspectives on different issues that affect not only women but the wider world as well.
The story of a man named Erik, an eccentric, physically deformed genius who terrorizes the Opera Garnier in Paris. He builds his home beneath it and takes the love of his life, a beautiful soprano, under his wing.