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Joe McHugh, an accomplished storyteller and old-time fiddler, has put down his bow and picked up the pen to entertain us with a collection of supernatural tales about violins and fiddlers. A hotel haunted at midnight by the eerie sound of a fiddle, a dancing skeleton and a pirate’s buried treasure, a romantic rivalry between sisters that leads to foul murder, an ill-advised bargain with the Devil during the rough and tumble days of the California Gold Rush, these are just a few of the unexpected delights to be found within these pages. Each is an original tale, inspired by ancient myths and folk beliefs, and told with reverence for this most mysterious and seductive of all musical instruments—the violin.
The Phantom Crusader: A skeleton figure gleamed beneath the ancient armour. The Room that Never Was: The door had been there the night before ... and now there was nothing. The Tunnel: Faint and far beneath them, they could hear the unmistakable sounds... Stranger in the Skill: There was someone at the door, someone strangely, frighteningly familiar. The Stockman: Psychic justice ... strange but sure ... Footprints in the Sand: There was nothing but wilderness for a thousand square miles. What had made the prints?
Colorado is steeped in stories as unique as the people who settled it. Each wave of exploration and settlement brought new tales to explain the mysteries of this incomparable place. With extreme weather and breathtaking landscapes, it seems only natural that Colorado could play host to UFOs, stripper lightning and the Fountain of Love. From creation myths and rumored Aztec treasure to snow snakes and drunken house flies, professional yarn-spinner Stephanie Waters turns an eye to the ancient lore of the Centennial State.
A poetic and critically acclaimed historical novel set in 1840s New England that touches on prejudice, dangerous secrets, and the true meaning of family. Daniel Linnehan is an indentured servant no more. He has his papers, his beloved horse, Ivy, and a new direction in life. But in 1840s Massachusetts, a scruffy-looking Irish teenager wearing fine clothes and riding an even finer horse is asking for trouble. After innocent Daniel winds up beaten and in the constable's custody, the peddler Jonathan Stocking takes him under his wing. Billy, a young boy also traveling with Mr. Stocking, is not thrilled that the two must work together in a traveling circus. And when Daniel realizes that Billy is actually a girl in disguise, pieces of Billy's troubled family life come to light. All too soon, past secrets catch up to them, bringing danger and heartache.
The haunting effects of crime, violence, and death in our history, memory, and media spaces From Abu Ghraib and Holocaust death camps to Marjory Stoneman Douglas High School and slave plantations, spaces where violent crimes have occurred can often become forever changed, or “haunted,” in the public imagination. In this volume, Michael Fiddler, Travis Linnemann, and Theo Kindynis bring together an interdisciplinary group of distinguished scholars to study this phenomenon, exploring the origins, theory, and methodology of ghost criminology. Featuring Jeff Ferrell, Michelle Brown, Eamon Carrabine, and other prominent scholars, Ghost Criminology takes us inside spaces where the worst crimes have imprinted themselves on our history, memory, and media spaces. Contributors explore a wide range of these hauntological topics from a criminological perspective, including the excavation of graffiti in the London underground, the phantom of Robert E. Lee in Charlottesville, VA, during the 2017 riots, and the ghostly evidentiary traces of crime in motel rooms. Ultimately, Fiddler, Kindynis, and Linnemann offer ghost criminology as another way of seeing, and better understanding, the lingering impact of violence, oppression, and history in today’s world. Ghost Criminology curates cutting-edge research to break exciting new terrain.
Opening with the long-awaited wedding of Mister Walton, Fiddler's Green follows Mister Walton's aide-de-camp, Sundry Moss, as he embarks on a Good Samaritan mission. What seems like a harmless journey soon turns into a nearly fatal scrape as he finds himself in a strange rustic netherworld, caught between two feuding--and fantastical--families who are determined to cover up a dark secret no matter what the cost. Full of romantic yearning, knockabout comedy, and touching drama, fans and newcomers alike will be pleased to keep company with the honorable Gentlemen of the Club. This is a worthy successor to its wonderfully reviewed predecessor, Mrs. Roberto.
Born in Belfast during World War II, raised in a working-class Protestant family, and educated on scholarship at Queen's University, writer Stewart Parker's story is in many ways the story of his generation. Other aspects of his personal history, though, such as the amputation of his left leg at age 19, helped to create an extraordinarily perceptive observer and commentator. Steeped in American popular culture as a child and young adult, he spent five years teaching in the United States before returning to Belfast in August 1969, the same week British troops responded to sectarian disturbances there. Parker had developed a sense of writing as a form of political action in the highly charged atmosphere of the US in the late 1960s, which he applied in many and varied capacities throughout the worst years of the Troubles to express his own socialist and secular vision of Northern Irish potential. As a young aspiring poet and novelist, he supported himself with free-lance work that brought him into contact with institutions ranging from BBC Northern Ireland to the Irish Times (for which he wrote personal columns and the music review feature High Pop) and from the Queen's University Extramural Department to Long Kesh internment camp (where his creative writing students included Gerry Adams). It is as a playwright, however, that Parker earned a permanent spot in the literary canon with drama that encapsulates his experience of Northern Ireland in the 1970s. Marilynn Richtarik's Stewart Parker: A Life illuminates the genesis, development, and meaning of such classic plays as Spokesong, Northern Star, and Pentecost - works that continue to shed light on the North's past, present, and future - in the context of Parker's life and times. Meticulously researched and engagingly written, this critical biography rewards general readers and specialists alike.
In 1989, David Vanian - vocalist with UK Punk band The Damned quit to form a new band, taking with him fellow band members Roman Jugg and Bryn Merrick. The Phantom Chords was born. Playing a mix of covers and original music co-written by Vanian and Jugg, the music was inspired by a shared love of '30s, '40s and '50s film music, merged with '60s seven-piece, twangy guitar bands and jazzy rock 'n' roll instrumentals. For the first time, this book tells the fascinating story of Dave Vanian's beloved project The Phantom Chords. The story begins in 1983 with Vanian's solo career, and covers the Naz Nomad & The Night-mares side-project and his involvement in The Damned. From 1990 to 2003 The Phantom Chords recorded three full-length albums and two singles, toured up and down the UK and found audiences in Europe and the USA. Ultimately, they were doomed to fail and finally disbanded. This biography stands as a testimony to The Phantom Chords, and is written by one of the band's most avid fans.
This is a compilation of Susanna Caporaso Roma's lifetime of writing poetry. She is inspired by life, love, sorrow, joy, and laughter. Her deep faith is evident in her work. As she reflects upon her story, she paints pictures with her words. She has won many local, state, and national awards and has been published internationally. At 102 Susanna is still inspired to write.