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A daughter's search and recovery mission to bring home her father, 1Lt. Shannon Estill, a P-38 fighter pilot and one of the last casualties of World War II.
The author explores the many-sided legacy of his father, a man well-known in his Chicago community as the owner of an all-night liquor and drugstore next to a popular nightclub.
An imaginative and sensitive story of the life of the Phantom of the Opera; winner of the Boots Romantic Novel Award.
Dr. Sharon Estill Taylor has written a highly readable and illuminating account of her experience as a birthmother in the sixties. With a keen eye for detail and a wry sense of humor, she vividly recounts the ways the no-questions-asked cultural forces of the time swept her toward the surrender of her son. Though steamrolled by a process that gave her no say, Dr. Taylor persevered and found her voice as an early champion of sensitive search and reunion. -Jim Gritter, author of The Spirit of Open Adoption, Lifegivers, and Hospitious Adoption Praise for Phantom Son:: In Phantom Son, Dr. Sharon Estill Taylor tells her own story of being an unwed mother at age 18 in the early 1960s. It bridges a time when unwed women endured devastating discrimination and pressure to give up their parental rights to a time when searching for and finding these children was more accepted and facilitated by society. There are smaller sub-stories, including one about the author's loss of her father who was killed in World War II, and how that event affected her family over the decades; and another about her experience of sex and identity-formation in the 1960s. These sub-stories are fascinating and contribute to the gripping nature of this book. Beyond all, this is a story of grief, courage, and redemption. The lives of most people are filled with issues and complexities that only can be addressed by storytelling. Taylor does that with grace and eloquence. -John Harvey, Editor of the Journal of Loss and Trauma, and Professor of Psychology, Emeritus, University of Iowa Dr. Sharon Estill Taylor's account of her unintended pregnancy and her subsequent traumatic adoption process in the 1960s is an important reminder of how far we have come as a society in terms of the acceptance of out of wedlock births. Instead of the rampant shaming and secrecy surrounding these pregnancies, these commonplace events are now tolerated and even celebrated. This is how it should be as the impact of societal and religious silencing and shame heaped upon these mothers in the 1960s was nothing short of traumatic abuse, as Dr. Taylor tells us in her book. This is an important read for anyone, but I particularly recommend this book for those whose lives have been affected by the disenfranchised grief of coerced adoption. -Deborah Stokes, PhD, Director of The Better Brain Center, Washington, DC In Phantom Son, Dr. Sharon Estill Taylor shares her journey as an unwed mother in the 1960s and her courageous search for the son she had to give up. Her grief and loss give way to the formation of wonderful familial relationships. In the tradition of the Irish story teller, Dr. Taylor gives her readers a powerful gift that will resonate in their own lives. -Fr. Kilian J. Malvey, O.S.B., Professor of Theology, Saint Martin's University As a reunited adoptee, I never tire of reading about reunions. In Dr. Sharon Estill Taylor's Phantom Son, the reader experiences the author's journey from love-struck teenager to expectant mother to powerful advocate for other birthmothers. Dr. Taylor vividly describes how she was forced to physically separate from her son and how she kept the emotional connection alive in her soul. Dr. Taylor's writing is raw, open, and honest; important qualities when dealing with such emotional subject matter. -Christine Murphy, author of Taking Down the Wall:
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!
In 1989, while attempting a new route on a difficult overhanging rock face, climber Dan Osman fell. Again and again, protected by the rope, he fell. He decided then that it would not be in climbing but in falling that he would embrace his fear--bathe in it, as he says, and move beyond it. A captivating exploration of the daredevil world of rock climbing, as well as a thoughtful meditation on the role of risk and fear in the author's own life. In the tradition of the wildly popular man-versus-nature genre that has launched several bestsellers, Andrew Todhunter follows the lives of world-class climber Dan Osman and his coterie of friends as he explores the extremes of risk on the unyielding surface of the rock. Climbing sheer rock faces of hundreds or thousands of feet is more a religion than a sport, demanding dedication, patience, mental and physical strength, grace, and a kind of obsession with detail that is crucial just to survive. Its artists are modern-day ascetics who often sacrifice nine-to-five jobs, material goods, and the safety of everyday life to pit themselves and their moral resoluteness against an utterly unforgiving opponent. In the course of the two years chronicled in Fall of the Phantom Lord, the author also undertakes a journey of his own as he begins to weigh the relative value of extreme sports and the risk of sudden death. By the end of the book, as he ponders joining Osman on a dangerous fall from a high bridge to feel what Osman experiences, Todhunter comes to a new understanding of risk taking and the role it has in his life, and in the lives of these climbers. Beautifully written, Fall of the Phantom Lord offers a fascinating look at a world few people know. It will surely take its place alongside Into Thin Air and The Perfect Storm as a classic of adventure literature.
The stunning continuation of the timeless classic The Phantom of the Opera. In The Phantom of Manhattan, acclaimed, bestselling suspense novelist Frederick Forsyth pens a magnificent work of historical fiction, rife with the insights and sounds of turn-of-the-century New York City, while continuing the dramatic saga which began with Gaston Leroux's brilliant novel The Phantom of the Opera... More than two decades have passed since Antoinette Giry, the mistress of the corps de ballet at the Paris Opera, rescued a hideously disfigured boy named Erik from a carnival and brought him to live in the labyrinthine cellars of the opera house. Soon thereafter, his intense, unrequited love for a beautiful chorus girl set in motion a tragic string of events, forcing him to flee Paris forever. Now, as she lies dying in a convent, Madam Giry tells the untold story of the Phantom and his clandestine journey to New York City to start anew, where he would become a wealthy entrepreneur and build the glorious Manhattan Opera House...all so he could see his beloved, now a famous diva, once again. But the outcome of her visit would prove even more devastating than before-- and yet, would allow the Phantom to know, for the first time in his brutal life, the true meaning of love...
"His foot struck against something, he stumbled, and had nearly fallen; he stooped to examine what it was, and his hand rested on the face of a human being, cold, putrid, and clammy " Young Edgar's father, the noble Baron Fitz-Elmar, has been mysteriously slain, and his uncle, the scheming Sir Armine, rules in his place. Determined to retain power, Armine will stop at nothing to destroy Edgar, who stands to inherit the castle. Now Edgar must flee his tyrannical uncle and outrun the murderous army of assassins sent to kill him. His flight will lead him, on a dark and stormy night, to a ruined priory, where he will discover the horrible truth behind his father's untimely end. A gothicized retelling of Hamlet, and heavily influenced by the tragedies of Shakespeare and the Gothic romances of Walpole and Radcliffe, The Phantom of the Castle was the first of Richard Sickelmore's Gothic novels. This edition, the first since its initial publication in 1798, includes a new introduction, notes, and the complete text of contemporary reviews.
Another story about Maggie Barnes and her family. By digging into online genealogy records and talking with their chatty Aunt Lillian, Maggie's children discover the World War II struggles of their paternal grandparents and their silent father, Ross. It's not a story to make kids proud. They find it easier to be critical of their flawed family and assume the next generation will do better. Like an autopsy, Phantom Fathers exposes the problems of this thinking. Soon enough these critical children will be the parents of their own adult children, and they will have their day in court. As Maggie's children discover the trauma that tore through their father's life and the way their grandparents dealt with it--brutal events during World War II, desperate decisions that fractured the family, and a dishonorable emigration to the United States--they wonder if they could have done better under the circumstances. Ross's silence begins to make sense. Most surprising are events that stir the sympathy of disappointed children and open the way to admitting the truth about imperfect ancestors.
The Phantom of the Ego is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” The Phantom of the Ego opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its via regia, and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new.