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This early work by Seabury Quinn was originally published in 1923 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Phantom Farmhouse' is a short story containing a lycanthropic mystery. Seabury Grandin Quinn was born in Washington D.C. in 1889. In 1910, he graduated from law school, and was admitted to the District of Columbia Bar. Quinn's stories were incredibly popular, and between the twenties and fifties he appeared in 'Weird Tales' magazine more times than both Robert E. Howard and H. P. Lovecraft. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
These early works by various authors were originally published in the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume IV.' contains a collection of short stories that include 'The Cats of Ulthar' by H. P. Lovecraft, 'Running Wolf' by Algernon Blackwood, 'The Horror-Horn' by E. F. Benson, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating.
These early works by various authors were written between the Middle Ages and the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'The Wolf in the Moonlight' contains a collection of short stories about the charismatic creature, the wolf, and includes 'The White Wolf of the Hartz Mountains' by Frederick Marryat (1839), 'The Wolf' by Guy de Maupassant (1882), 'Olalla' by by Robert Louis Stevenson (1885), and many more. Homo sapiens and canis lupus have a long and chequered history together. Amongst early agricultural societies, the wolf was widely feared for its tendency to devastate supplies of livestock. This fear was passed down through the generations, codified in countless legends and folktales, so that, by the Early Middle Ages, as academic and wolf expert Beryl Rowland puts it, the wolf was established as the “universal baleful symbol.” The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
STANLEY RICHARD COLTON, M. D., heaved his powerful form to and fro in his bed and cursed the day he had come to Montant Point, which chanced to be the day just ended. All the world had been open to him, and his father's yacht to bear him to whatsoever corner thereof he might elect, in search of that which, once forfeited, no mere millions may buy back, the knack of peaceful sleep. But his wise old family physician had prescribed the tip-end of Long Island. "Go down there to that suburban wilderness, Dick," he had said, "and devote yourself to filling your lungs with the narcotic ocean air. Practise feeding, breathing and loafing, and forget that you've ever practised medicine."
Included in this volume are thirteen short stories and two novelettes; only one of the stories has been reprinted since their early magazine appearances. These are suspenseful stories of spies, mysteries, murder, and morality; blackmail, justice, and revenge.
My idea of the thing, Jameson,” continued Kennedy, “is that the professor of criminal science ought to work with, not against, the regular detectives. They’ re all right. They’ re indispensable, of course. Half the secret of success nowadays is organisation. The professor of criminal science should be merely what the professor in a technical school often is—a sort of consulting engineer. For instance, I believe that organisation plus science would go far toward clearing up that Wall Street case I see you are reading...FROM THE BOOKS.
L. T. Meade was the pseudonym of Elizabeth Thomasina Meade Smith (1854-1914), a prolific writer of girls stories in late 19th century England. Her most famous book was, A World of Girls, published in 1886. She was also the editor of a popular girl's magazine Atlanta. She also co-authored a number of notable mystery novels with Robert Eustace. Eustace Robert Barton (1854-1943), was a British physician who also wrote medico-legal thrillers under the pseudonym Robert Eustace. He often wrote in collaboration, particularly with L. T. Meade. With Meade his works include: A Master of Mysteries (1898), The Gold Star Line (1899), The Brotherhood of the Seven Kings (1899), The Arrest of Captain Vandeleur (1899), The Outside Ledge (1900), The Man Who Disappeared (1901), The Last Square (1902) and The Stolen Pearl (1903). He also co-authored The Tea Leaf (1925) with Edgar Jepson and The Documents in the Case (1930) with Dorothy L. Sayers.
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