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The Petty Bourgeois is a play by Maxim Gorky produced in Moscow in 1902.Maxim Gorky (1868-1936) was one of the greatest Russian writers. He inherited the best traditions of 19th century classical Russian literature and was at the same time the creator of a new art, socialist realism; he laid the foundations of the young Soviet Literature.In the early years of the 20th century Gorky came under the influence of Anton Chekhov and through him established contact with Konstantin Stanislavsky and Vladimir Nemirovish-Danchenko, the leading figures of the Moscow Art Theatre; for this theatre he wrote his plays Philistines and The Lower Depths. The Lower Depths made a triumphant tour of many European countries and brought the writer world fame.
Sigmar Polke's group of works entitled "We petty bourgeois! : comrades and contemporaries, the 1974-76" was forgotten for a long time. A collection of large-format gouaches on paper, it depicts a wealth of permeating and overlapping figures, traces, signs, and quotations drawn from contemporaneous popular culture. This volume presents this work, and his entire production from the 1970s, including drawing, painting, and photography.
An overview of the social, economic, cultural and political development of the petite bourgeoisie in modern Europe is provided here. This study brings together both primary research and secondary literature to assess the group's role in European social history.
In the early-1870s, an ideological debate began to unfold in the German press on the shortage of affordable housing available to workers in major industrial areas. The rapid increase in industrial production necessitating an increase in industrial workers created a housing crisis. From June 1872 to February 1873, Fredrick Engels contributed a series of articles to the publication The Volksstaat (The People's State) titled "The Housing Question." Originally published as a booklet by the Co-Operative Publishing Society of Foreign Workers in the USSR and out of print for many years, INTERNATIONAL PUBLISHERS is proud to make this text available - as workers yet again face almost insurmountable obstacles to finding affordable housing. As Engels wrote in 1872, "What is meant today by housing shortage is the peculiar intensification of the bad housing conditions of the workers as the result of the sudden rush of population to the big towns; a colossal increase in rents, a still further aggravation of overcrowding in the individual houses, and, for some, the impossibility of finding a place to live in at all." Fredrick Engels' essays collected here as "The Housing Question" are just as relevant today, roughly 150 years after first written.
In this lively and stimulating study, Roger Magraw examines how the 19th-century French bourgeoisie struggled and eventually succeeded in consolidating the gains it made in 1789. The book describes the attempts of the bourgeoisie to remold France in its own image and its strategy for overcoming the resistance from the old aristocratic and clerical elites and the popular classes. Incorporating the most recent research on religion and anticlericalism, the development of the economy, the role of women in society, and the educational system, this work is the first to draw extensively on the new social history in its interpretation of events in 19th-century France.
Jaques-Louis Menetra's journal reads like a historian's dream come true. It conveys his understanding of what it meant to grow up in Paris, where he was born in 1738; to tramp around provincial shops on a journeyman's tour de France; to settle down as a Parisian master with a shop and family of his own; and to live through the great events of the Revolution as a militant in his local Section.
Consumerism in China has developed rapidly. The Changing Landscape of China's Consumerism looks at the growth of consumerism in China from both a socio-economic and a political/cultural angle. It examines changing trends in consumption in China as well as the impact of these trends on society, and the politics and culture surrounding them. It examines the ways in which, despite needing to "unlock" the spending power of the rural provinces, the Chinese authorities are also keen to maintain certain attitudes towards the Communist Party and socialism "with Chinese Characteristics." Overall, it aims to show that consumerism in China today is both an economic and political phenomenon and one which requires both surrounding political culture and economic trends for its continued establishment. The ways in which this dual relationship both supports and battles with itself are explored through apposite case studies including the use of New Confucianism in the market context, the commodification of Lei Feng, the new Chinese tourist as a diplomatic tool in consumption, the popularity of Shanzhai (fake product) culture, and the conspicuous consumption of China's new middle class. - Provides innovative interdisciplinary research, useful to cultural studies, sociology, Chinese studies, and politics - Examines changes in consumerism from multiple perspectives - Allows both micro and macro insights into consumerism in China by providing specific case studies, while placing these within the context of geo-politics and grand theory