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This volume six of the Carlsberg Papyri series contains the edition of a new manuscript with Petese Stories from the Tebtunis temple library, dating to the period around 100 AD. The Petese Stories is a compilation of seventy stories about the virtues and vices of women. The numerous stories were compiled on the orders of the prophet Petese of Heliopolis that they may serve as a literary testament by which he would be remembered. Petese was, according to literary tradition, Plato's Egyptian instructor in astrology. The composition seems to have been modeled on the fundamental Myth of the Sun's Eye. The overall structural pattern of the text is very similar to the Arabian Nights; a frame story forms the introduction as well as the fabric into which the long series of shorter tales are woven. Among the stories preserved in the new manuscript one is particularly remarkable in that it is known from a translation by Herodotus, the so-called Pheros Story.
In Orality and Literacy in the Demotic Tales, Jacqueline E. Jay extrapolates from the surviving ancient Egyptian written record hints of the oral tradition that must have run alongside it. The monograph’s main focus is the intersection of orality and literacy in the extremely rich corpus of Demotic narrative literature surviving from the Greco-Roman Period. The many texts discussed include the tales of the Inaros and Setna Cycles, the Myth of the Sun’s Eye, and the Dream of Nectanebo. Jacqueline Jay examines these Demotic tales not only in conjunction with earlier Egyptian literature, but also with the worldwide tradition of orally composed and performed discourse.
Holm’s book is an innovative approach to the biblical Book of Daniel. It places Daniel against the background of story-collections, an ancient genre that began in Egypt in the mid-second millennium B.C.E. This work focuses on Daniel 6–4 and provides detailed comparisons with specific bodies of story-collections and other related material from the Ancient Near East. In this regard, special attention is given to Egyptian court tales, a large corpus mostly neglected by previous biblical scholars. Thus, this book brings new evidence and fresh insights to the field of Daniel studies, which in recent years has generated constant interest, especially as it pertains to textual issues and literary matters. Setting Daniel against an explicit definition of the story-collection genre redefines a vast array of questions concerning textual criticism, compositional history, and the overall nature of the book. For instance, the divergent texts of the narrative parts of Daniel (the Masoretic text and the Greek editions in Theodotion and the Septuagint) now need to be described in part as variant editions, or tellings, of a common core material, rather than as translations of older written texts with clearly traceable genealogies. When Daniel is studied in the context of story-collections and kindred compositions from the Ancient Near Eastern and neighboring literatures, new light is shed on the literary traditions and processes from which the Daniel stories arose. There are a greater number of court tales and cycles than previously recognized, as in the case of Qumran but also the Egypt Demotic corpus. The detailed discussion of all these materials allows us to appreciate the Book of Daniel in a much wider literary milieu and it furthers our understanding of the history of its composition and early transmission.
Where Dreams May Come was the winner of the 2018 Charles J. Goodwin Award of Merit, awarded by the Society for Classical Studies. In this book, Gil H. Renberg examines the ancient religious phenomenon of “incubation", the ritual of sleeping at a divinity’s sanctuary in order to obtain a prophetic or therapeutic dream. Most prominently associated with the Panhellenic healing god Asklepios, incubation was also practiced at the cult sites of numerous other divinities throughout the Greek world, but it is first known from ancient Near Eastern sources and was established in Pharaonic Egypt by the time of the Macedonian conquest; later, Christian worship came to include similar practices. Renberg’s exhaustive study represents the first attempt to collect and analyze the evidence for incubation from Sumerian to Byzantine and Merovingian times, thus making an important contribution to religious history. This set consists of two books.
The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossible to access anonymous poems in their pristine shape and context. The essays collected in this volume attempt, each in its own way, to disentangle the bundles of historically accreted uncertainties and misconceptions that affect individual anonymous texts, including pseudepigrapha ascribed to Homer, Manetho, Virgil, and Tibullus, literary and inscribed epigrams, and unattributed fragments. Poems without Poets will be of interest to students and scholars working on any anonymous ancient texts, but also to readers seeking an introduction to classical poetry beyond the limits of the established canon.
The Egyptian World provides an authoritative exploration of Ancient Egyptian civilization. The volume covers seven broad themes, with each section allowing specialists to focus on a particular topic.
This volume publishes, for the first time, approximately fifty late Egyptian texts from the Suzuki collection held at Tokai University, Japan. The project is a result of a five-year collaboration between Tokai University, Yale University, Johns Hopkins University, The University of Michigan, and the Staatliche Museum zu Berlin. Professor Suzuki formed his collection in the early 1960s when he was based in Cairo. The bulk of the collection, now housed in the Department of Asian Civilization, School of Letters at Tokai University as part of the Ancient Egyptian and Near Eastern Collection (AENET), consists of early demotic texts. There is also one Third Intermediate period hieratic text concerned with temple land, and a few small Greek fragments from the Byzantine period. The texts published here present an interesting range of document types and examples of demotic handwriting, and a few surprises. Among the more intriguing pieces are a fine word list and a new mythological narrative.
The Seventh annual Current Research in Egyptology Symposium (CRE 2006) was held on 6-8 April 2006, at the University of Oxford, and brought together graduate and postgraduate students of Egyptology from institutions world-wide. A total of 44 students presented their new and on-going research on a variety of topics including archaeology, art and architecture, history and society, literature and language, religion, museum studies, scientific analysis, history of Egyptology and 'egyptomania,' spanning the entire period of Egyptian history from Predynastic to Coptic times. The papers published here cover the same wide range of research areas and multi-disciplinary approaches.
The Oxford Handbook of Egyptology offers a comprehensive survey of the entire study of ancient Egypt, from prehistory through to the end of the Roman period. Transcending conventional boundaries between archaeological and ancient textual analysis and bringing together 63 chapters that range widely across the various archaeological, philological, and cultural sub-disciplines, authored by recognized experts in their respective fields, it highlights theextent to which the discipline has diversified and stresses the need for it to seek multidisciplinary methods and broader collaborations if it is to remain contemporary and relevant. Authoritative yet accessible,it is an invaluable resource for scholars, students, and general readers alike.
Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the period Explores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works