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A repackaged edition of the revered author’s set of dueling critical essays with fellow scholar E. M. W. Tillyard in which they debate the role of an author’s biography in the critical appraisal of literature. C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—challenges fellow scholar E. M. W. Tillyard on one of the most intriguing questions involving writers and writing. Is a work of imaginative literature primarily influenced by the author or by the subject matter? Lewis argues that the author’s own personality and biography has little to no impact on the writing, while Tillyard contends the opposite: that the author’s own imagination and story have an indelible influence on a piece of work. Clever, erudite, and enlightening, their debate may not definitively settle the issue, but it does offer invaluable insight and intellectual delight for all dedicated readers.
In his brilliant essay on "The Personal Heresy in Criticism" C.S. Lewis attacked the widely held belief that poetry is, or should be, the expression of the poet's personality. His attempt to supplant this assumption with an objective or impersonal theory of poetry was challenged by Dr. E. M. W. Tillyard whose interpretation of "Paradise Lost" he had called in question. So began a courteous but searching series of exchanges between two of the most learned and original scholar-critics of the day. This controversy sheds invaluable light on a problem as complex as it is central to the understanding and appreciation of poetry.Dr. E. M. W. Tillyard, who died in 1962, was for fourteen years Master of Jesus College, Cambridge, and author of many works of literary criticism. These include Milton, Shakespeare's Last Plays, The Miltonic Setting, Shakespeare's Historic Plays, Shakespeare's Problem Plays, and studies in Milton.Professor C. S. Lewis was Professor of Medieval and Renaissance English at Cambridge from 1954 until his death in 1963. One of the most versatile authors, his writings include not only such standard works as The Allegory of Love and English Literature in the Sixteenth Century, but his books of Christian apologetic (The Problem of Pain, The Screwtape Letters, Mere Christianity), his autobiography, and books for children which have made him well known to a wide and admiring public.
The Personal Heresy by C. S. Lewis and E. M. W. Tillyard. The Personal Heresy is a collection of six essays authored by C. S. Lewis and E. M. W. Tillyard. Three by each author. In this book C. S. Lewis is supporting the viewpoint that the author's own personality has meager or no impact on his or her imaginative writings on the contrary the outer world or the environment affects one's creative or imaginary writings dominantly. On the other hand, E. M. W. Tillyard is supporting the viewpoint that the author's own imagination has a major impact on his or her imaginative or creative writing.
"An all-out women-driven, queer, transgender, multiracial takeover of the Old West . . . and that's exactly what Melissa Lenhardt delivers in her unapologetically badass western, Heresy." - New York Times "Lenhardt has created a bold new story where women have taken their rightful place in the narrative of the Outlaw Western genre; where wit, wisdom and wiles could mean the difference between life and death, and where the fellowship of women bested every challenge." -- Kathleen Kent Margaret Parker and Hattie LaCour never intended to turn outlaw. After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie the choice is simple. With their small makeshift family, the gang pulls off a series of heists across the West. Though the newspapers refuse to give the female gang credit, their exploits don't go unnoticed. Pinkertons are on their trail, a rival male gang is determined to destroy them, and secrets among the group threaten to tear them apart. Now, Margaret and Hattie must find a way to protect their family, finish one last job, and avoid the hangman's noose. "Readers who relish an unusual narrative structure will enjoy this unique take on the traditional western." -- Booklist
A USA Today bestseller! "These well-chosen Lewis quotes will inspire readers and prompt them to make their own spiritual reflections." —Publishers Weekly Novelist, poet, critic, lay theologian, and best-selling author of the 'Narnia' series, C. S. Lewis' works have become timeless classics for adults and children around the world. Here in one concise volume is the essence of his thought on subjects ranging from love and faith to ethics and morality and myth and literature that will throw open the windows of the soul and provide readers with bite-sized nuggets of wisdom and inspiration from one of the best-loved writers of the 20th century. This lovely little gift book will provide sustenance, wisdom, and hope for both believers and seekers. And, most importantly, it will provide an entry point for those unfamiliar with Lewis that will make them want to explore his fiction and nonfiction works. Selections from C.S. Lewis' Little Book of Wisdom: "If God had granted all the silly prayers I've made in my life, where should I be now?" "Surely arrested development consists not in refusing to lose old things, but in failing to add new things…" "Do not dare not to dare." "We are mirrors whose brightness is wholly derived from the sun that shines upon us." "I didn't go to religion to make me happy. I always knew a bottle of Port would do that. If you want a religion to make you feel really comfortable, I certainly don't recommend Christianity."
A driven art critic’s plan to steal a painting leads to murder in this classic neo-noir novel by the author of the Hoke Moseley series. Fast-talking, backstabbing, womanizing, and fiercely ambitious art critic James Figueras will do anything—blackmail, burglary, and beyond—to make a name for himself. When an unscrupulous collector offers Figueras a career-making chance to interview Jacques Debierue, the greatest living—and most reclusive—artist, the critic must decide how far he will go to become the art-world celebrity he hungers to be. Will Figueras stop at the opportunity to skim some cream for himself or push beyond morality’s limits to a bigger payoff? Crossing the art world with the underworld, Willeford creates a novel of dark hue and high aesthetic polish. The Burnt Orange Heresy—the 1970s crime classic now back in print—has lost none of its savage delights as it re-creates the making of a murderer, calmly and with exquisite tension, while satirizing the workings of the art world as the ultimate con. Now a major motion picture starring Donald Sutherland and Mick Jagger Praise for The Burnt Orange Heresy “Stunning . . . A novel full of genuine fun that also manages to make a level statement about the art world and its hermetic credulities.” —New Yorker