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This eBook edition of "Personal Correspondence Between Gustave Flaubert & George Sand" has been formatted to the highest digital standards and adjusted for readability on all devices. Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: "You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it…."
"You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it…." Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends.
A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life. UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHS Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The Recognitions (1955), while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award–winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter’s Gothic (1985); then teaches himself enough about the law to produce A Frolic of His Own (1994). Resuming his lifelong obsession with mechanization and the arts, he finishes a last novel, Agapē Agape (published in 2002), as he lies dying. This newly revised edition includes clarifying notes by Gaddis scholar Steven Moore, as well as an afterword by the author’s daughter, Sarah Gaddis.
"The George Sand-Gustave Flaubert Letters" is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period: an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants. Translated from the French by A.L. McKenzie (1921), with an introduction by Stuart Sherman.
George Sand was the pseudonym of the French novelist and feminist Amantine-Lucile-Aurore Dupin, later Baroness Dudevant (1804 -1876). She was known well in far reaches of the world, and her social practices, her writings and her beliefs prompted much commentary, often by other luminaries in the world of arts and letters. Her first published novel, Rose et Blanche (1831) was written in collaboration with Jules Sandeau, from whom she allegedly took her pen name, Sand. Her novels include Indiana (1832), Llia (1833), Mauprat (1837), Le Compagnon du Tour de France (1842) and Le Meunier d'Angibault (1845). Drawing from her childhood experiences of the countryside, she wrote the rural novels La Mare au Diable (1846), La Petite Fadette (1849), and Les Beaux Messieurs Bois-Dor (1857). Further theatre pieces and autobiographical pieces include Histoire de ma Vie (1855) and Elle et Lui (1859). In addition, Sand authored literary criticism and political texts. Her most widely used quote being, "There is only one happiness in life, to love and be loved."
The Correspondence of George Sand and Gustave Flaubert captures a brilliant epistolary exchange that traverses the breadth of nineteenth-century French literary tradition. Within this collection, readers witness the unfolding of a deep, intellectual companionship that greatly influenced the literary output and critical reception of both authors. The volume is a testament to the diversity of literary styles and preoccupations of the period, showcasing the dialogue between two distinct yet harmoniously aligned literary voices. Through their letters, Sand and Flaubert navigate the realms of political tumult, aesthetic debates, and personal tribulations, offering unparalleled insights into the life of the writer in the nineteenth century. The contributors to this anthology, Sand and Flaubert, were titans of French literature, each bringing to the table a unique perspective shaped by divergent backgrounds and philosophies. Despite their differences, the correspondence reveals a mutual respect and understanding that transcends their individual stances, embodying the era's sociopolitical and cultural dynamism. Their letters create a rich tapestry that reflects the complexities of the human condition, guided by two of the most influential minds of their time. This collection is not merely an academic exercise but a doorway into the vibrant intellectual milieu of 19th-century France. It offers readers a unique opportunity to witness the interplay of ideas and emotions between two literary giants, enriching our understanding of their works and the period in which they lived. For scholars and enthusiasts of French literature, this volume is an invaluable resource that deepens our comprehension of the literary landscape of the time and the enduring power of written correspondence in shaping literary history.
The "George Sand-Gustave Flaubert letters" are a set of correspondence between two of the most well-known French authors of the 19th century, George Sand and Gustave Flaubert. The letters, which cover a 13-year period between 1862 and 1875, provide a fascinating look into the lives and minds of these two literary figures. The conversations between Sand and Flaubert touch on a variety of subjects, including as politics, art, literature, and personal issues. The correspondence reveals a close connection between the two authors as well as a shared appreciation of one another's creative output. The letters' direct and open discussion of Sand and Flaubert's writing challenges and creative processes is one of its most prominent features. They support and encourage one another, and their conversations give insightful commentary on the writing craft. The George Sand-Gustave Flaubert letters, as a whole, are an interesting collection that illuminates the lives and minds of two of France's most renowned authors. The letters provide an unique window into Sand and Flaubert's creative processes, and readers and academics alike continue to be intrigued by their observations and insights.
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