Grace Mabel Bacon
Published: 2018-01-30
Total Pages: 106
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Excerpt from The Personal and Literary Relations of Heinrich Heine to Karl Immermann: A Thesis Submitted to the Faculty of the Department of Literature, Science, and the Arts of the University of Michigan for the Degree of Doctor of Philosophy Messias into Alexandrines. This, however, was more than the boy could stand: he could have died for France, but never would he write French verse! Heine first attended a Jewish school, but later entered the Lyceum, one of those French government schools, organized by Napoleon and placed under the control of the Minister of Public Instruction. As it was designed to further his political schemes, French was made the medium of instruction in all subjects, one-third of the time, besides, being devoted to French Grammar and Literature. The rector was a Roman Catholic priest and the teachers were nearly all Catholic. This same Rector Schallmeyer, so the poet tells us in the Gestandnisse' suggested often to Heine's mother that she allow him to be edu cated by the Catholic priesthood, but his mother, besides being more ambitious for a successful practical career for her eldest son, could not, as a strict deist, make the garb of a priest seem becom ing to him. With much glee Heine pictures himself in the role of Roman Catholic priest, cardinal, even pope, and declares that his mother regretted deeply not having followed the advice of her liberal old friend, who, she concluded, so early understood the physical and spiritual atmosphere that would be most salutary for him. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.