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One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.
Love is a major theme in Persian poetry and can be interpreted in various ways—as mystic love, the basis of the relationship between humans and God, or as passionate or affectionate love between lovers, husbands and wives, parents and children, family and friends, or even as patriotic love of Iran. The literary style and indeed the Persian language itself are floral and elaborate, but the themes differ little from our preoccupations with love and romance today. This collection of extracts has been selected from the best of traditional and contemporary Persian poetry. Each poem is illustrated with a fine example of Persian art from the collections of the British Museum. With a brief introduction to the Persian poetic tradition and a short biographical note about each of the poets, this beautiful anthology is the perfect way to discover the treasures of Persian literature and art.
The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated.
Ever since my three visits to Iran in the years 1973, 1976, and 1978, I fell in love with Persian poetry. Poetry was everywhere in Iran in those years; one could simply walk into a bookstore and buy a copy of a poem of a favorite poet or the work of a new entry which are sometimes illustrated and displayed on walls. Poetry was always an important expression of life in Persia (Iran) beginning with Hakim Ferdowsi's great historical/ mythological epic, Shahnahmeh (The Book of Kings) to the well-known Rubaiyat (Odes) of Omar Khayyam and the magnificent love poems of the three Sufi poets, Jalaluddin Rumi, Muhammad Hafiz, and Saadi Shirazi. This book includes the five poets above as well as two relatively modern poets Forough Farrokhzad and Ahmad Shamloo.