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Tomie dePaola matches his storytelling talent with the richly patterned artwork of Claire Ewart to provide a tale that brings magnificent detail and feeling to this Middle Eastern fable of loss overcome by art. Full color.
* Shedding light on a forgotten age of the Persian carpet, this publication offers a complete reassessment of weaving in the period 1722-1872 in Iran, featuring many previously unpublished pieces in full colorThis publication sets out to investigate a significant yet overlooked era of carpet weaving in Iran. The time-span stretches between two highly significant dates, which are exactly 150 years apart. The first, 1722, marks the downfall of the Safavid dynasty. The second date, 1872, represents the formal start of the modern carpet revival, when increased demand attracted European attention and changed the industry's structure. Prevailing opinion has hitherto been that in-between not much happened and that there was an overall decline in carpet production. Thankfully that is not the case, otherwise this book would not exist. New evidence brings to light a period of design evolution, thriving workshops and prestigious commissions. Through careful study of documentary sources, artworks in different media but first and foremost the hand-knotted rugs themselves, the glory of this forgotten age of the Persian carpet is brought to life.
Persian Rugs and Carpets: The Fabric of Life presents a pictorial journey around Persia, reflecting the weaving and pattern styles of the many regions and tribes - including Esfahan, Kashan, Nain, Qum, Kerman, Tabriz, Bakhtiari, Senneh, Malayer and Qashq
"One of the most useful books to cover the whole of the field...Mr. Ford is to be congratulated on having produced a work that should stand the test of time." Carpet Review Weekly
Between 1400 and 1500 a design revolution in Persia swept away a 2000-year-old tradition of carpet design, replacing abstract geometric patterns with complex floral scrolls dominated by a central medallion derived from the Chinese cloud-collar shape. This revolution represents a major event in world art history, comparable to that which occurred at the same time in Renaissance Italy. It was followed over the next four centuries by a second revolution, during which the principal design elements of the first permeated carpet production at every level throughout Persia and continue to dominate it to this day. AUTHOR: Jim Ford worked for many years for the world-famous international oriental carpet import/export company OCM. In his career he followed in the illustrious footsteps of A. Cecil Edwards (author of The Persian Carpet, Duckworth 1953), as the company's rug-buying agent in Iran, before setting up his own business after the Iranian Revolution with his wife Barbara Lindsay Ford, designing and producing their own contemporary carpets in Nepal. He is the author of one of the best-selling oriental rug books of all time, Oriental Carpet Design: A Guide to Traditional Motifs, Patterns and Symbols, which has been subsequently reprinted on both sides of the Atlantic and translated into German and other languages. SELLING POINT: * Miniature paintings unlock the door to a thorough re-examination of the ubiquitous 'classical' medallion design in Persian carpets, revealing an artistic revolution comparable to that which occurred at the same time in Renaissance Italy 380 colour and 20 b/w photographs
The richness of Near Eastern art is epitomized by sixteenth- and seventeenth-century Persian carpets. Among the finest ever produced, the two Ardabil carpets are believed to have been made as offerings for the Shrine of Sheikh Safi at Ardabil during the Safavid dynasty in sixteenth-century Persia. In this text Rexford Stead, deputy director of the Los Angeles County Museum of Art, explores the intricacies of the Ardabil carpets—one formerly in the Getty Museum and now in the Los Angeles County Museum of Art, and the other in the Victoria and Albert Museum, London. A bibliography and exhibition history are included.
A beautiful, practical introduction to Oriental carpets for laymen, designers, and collectors, presented from the perspective of a successful, third-generation wholesaler. Using concise text, over 370 vivid color photographs, and more than 45 detailed line drawings, J.R. Azizollahoff explains the complexities, intricacies and irregularities in old handmade carpets and identifies the more important rug types. The combined text, photographs and drawings also bring to light what dealers look for and examine when evaluating an antique carpet. Also provided is a look at new carpets, which gives the reader a glimpse of the wonderful energy and creativity to be found in modern rugs. Approximate values, newly revised to reflect current prices, are included with the photographs as a helpful guide for consumers and collectors. The book's bibliography provides useful listings for further research.
Demystifying a confusing and intimidating subject, Oriental Rugs Today is the first book devoted exclusively to new pieces. It discusses issues of dye and finish, looks country by country at examples from every major contemporary source, and profiles the artisans who revived the use of handspun wool and natural dyes. Written for both aficionado and novice, this edition includes 20 percent more material and new information on Nepalese and Iranian rugs, making this must-have guide to the subject. 100color photos are included.
Ian Bennett provides a comprehensive classification of carpets and rugs, charting the history and development of the art of Oriental rug making. The book features over 200 carpets and rugs, and includes a glossary of techniques and patterns.