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First Published in 1956 The Greek Tyrants is concerned primarily with an early period of Greek history, when the aristocracies which ruled in the eighth and seventh centuries were losing control of their cities and were very often overthrown by a tyranny, which in its turn gave way to the oligarchies and democracies of the classical period. The tyrants who seized power from time to time in various cities of Greece are analogous to the dictators of our own day and represented for the Greeks a political problem which is still topical: whether it is ever advantageous for a State to concentrate power in the hands of an individual. Those early tyrannies are an important phase of Greek political development: the author discusses here the various military, economic, political, and social factors of the situation which produce them. The book thus forms an introduction to the central period of Greek political history and will be of interest to scholars and researchers of political thought, ancient history, and Greek philosophy.
This volume examines mirrors and mirroring through a series of multidisciplinary essays, especially focusing on the intersection between technological and cultural dynamics of mirrors. The international scholars brought together here explore critical questions around the mirror as artefact and the phenomenon of mirroring. Beside the common visual registration of an action or inaction, in a two dimensional and reversed form, various types of mirrors often possess special abilities which can produce a distorted picture of reality, serving in this way illusion and falsehood. Part I looks at a selection of theory from ancient writers, demonstrating the concern to explore these same questions in antiquity. Part II considers the role reflections can play in forming ideas of gender and identity. Beyond the everyday, we see in Part III how oracular mirrors and magical mirrors reveal the invisible divine – prosthetics that allow us to look where the eye cannot reach. Finally, Part IV considers mirrors' roles in displaying the visible and invisible in antiquity and since.
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