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Translated by Wilfred H. Schoff, A.M. One of the only surviving complete documents from the great city of Carthage, written by the admiral Hanno at the height of his city's power, this remarkable work describes the fifth century B.C. attempt to reach the equator by sailing south along the African coast. The author, who also reigned as king of Carthage from 480 until 440 B.C., was sent out at the head of a large fleet of ships to explore and colonize the northwestern coast of Africa. He reached as far south as the present-day African state of Gambia, and as he traveled, described the native people he encountered-for all of whom he was without doubt the first white person they had ever seen. Hanno's short account was copied by an unknown Greek traveler, and in this way the document was spared the subsequent total destruction of Carthage by Rome following the last Punic War. This edition contains a number of accompanying essays by historians which put Hanno's work into historical perspective. They include a chronological account of Carthage's rise and fall, a description of the route taken by Hanno, a detailed account of the city of Carthage and its population, empire, and trading partners-and its ultimately fateful interaction with the Africans. A highly complete and satisfying work of a long-hidden historical period, now completely reset and illustrated. Contents: The Voyage of Hanno King of the Carthaginians The Geography of the Voyage of Hanno Editions of The Periplus of Hanno Carthaginian Chronology The "Burning Country" Carthage and the Carthaginians Phoenicians and Carthaginians The Dominion of Carthage The Negritos Pygmies Carthaginian Trading
Step back in time and experience the glory and adventure of ancient seafaring with this gripping historical account of Hanno's famous voyage. Featuring detailed descriptions of exotic lands, strange creatures, and epic battles on the high seas, this book is a must-read for anyone with an interest in ancient history or maritime adventure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Carthaginians reveals the complex culture, society and achievements of a famous, yet misunderstood, ancient people. Beginning as Phoenician settlers in North Africa, the Carthaginians then broadened their civilization with influences from neighbouring North African peoples, Egypt, and the Greek world. Their own cultural influence in turn spread across the Western Mediterranean as they imposed dominance over Sardinia, western Sicily, and finally southern Spain. As a stable republic Carthage earned respectful praise from Greek observers, notably Aristotle, and from many Romans – even Cato, otherwise notorious for insisting that ‘Carthage must be destroyed’. Carthage matched the great city-state of Syracuse in power and ambition, then clashed with Rome for mastery of the Mediterranean West. For a time, led by her greatest general Hannibal, she did become the leading power between the Atlantic and the Adriatic. It was chiefly after her destruction in 146 BC that Carthage came to be depicted by Greeks and Romans as an alien civilization, harsh, gloomy and bloodstained. Demonising the victim eased the embarrassment of Rome’s aggression; Virgil in his Aeneid was one of the few to offer a more sensitive vision. Exploring both written and archaeological evidence, The Carthaginians reveals a complex, multicultural and innovative people whose achievements left an indelible impact on their Roman conquerors and on history.
The land and sea routes of the Phoenicians in their homeland and their trading Empire are examined in the present volume on the ground of Neo-Assyrian military itineraries (Chapters I and II), and of information provided by epigraphy, literary sources, and archaeological findings on Cyprus, in Anatolia, and in the Aegean (Chapters III, IV and V). Chapters VI and VII examine the problems of Ophir and Tarshish, developing fresh insights, while Chapters VIII and IX analyse the Periplus of Pseudo-Scylax 104 and 110-111. The voyage of Hanno the Carthaginian to the Sebou basin (Morocco) and the Canary Islands is re-examined in Chapter X. Finally, Chapters XI and XII are devoted to Byrsa (Carthage) and to Jerusalem, with special attention to traces of Phoenician presence and activity in this city. Detailed indices complete the volume.
A revisionist exploration of identities and interactions in the 'Punic World' of the western Mediterranean.
A latest collection of 10 high-seas and "dark continent" adventures by the PEN/Faulkner Award-winning author of The Caprices is inspired by the ambitions and controversies surrounding some of history's most intrepid pioneers, including Ferdinand Magellan and Zimri Coffin. Original.
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries, and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic? Following Splendide Mendax and Animo Decipiendi?, this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue. It allows the verum to shine through, in nuances and reliefs that were less noticeable without its counterpart, really tied at the head. And, treated differentiated, it becomes even itself perlucidum, shines out with "hidden values."
The Phoenicians created the Mediterranean world as we know it--yet they remain a poorly understood group. In this Handbook, the first of its kind in English, readers will find expert essays covering the history, culture, and areas of settlement throughout the Phoenician and Punic world.