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In the symbolic language of ballads, a lady's costly dress tells of the beauty of the body beneath it or of the wearer's happiness; a lost hawk or hound foreshadows the hunter's fate long before the plot reaches a turning point. In her original and far-reaching study of such familiar narrative elements, Edith Randam Rogers adds much to our understanding of poetic expression in the ballad tradition. In focusing on individual motifs as they appear in different ballads, different languages, and different periods, Rogers proves the existence of a reliable lingua franca of symbolism in European balladry. Lines or even whole stanzas that have defied interpretation often come to life when the reader is aware of the meaning of a particular motif in such an international vocabulary of images. Thus this book makes available important new critical tools sure to have significant results for ballad scholarship.
"This is one of Mr. Steele's best books, an engrossing, realistic story of a Tennessee mountain boy who, during the Civil War, comes to realize that war is terrible no matter where one's sympathies lie."--"Publishers Weekly."
The Singer and the Scribe brings together studies of the European ballad from the Middle Ages to the twentieth century by major authorities in the field and is of interest to students of European literature, popular traditions and folksong. It offers an original view of the development of the ballad by focusing on the interplay and interdependence of written and oral transmission, including studies of modern singers and their repertoires and of the role of the audience in generating a literary product which continues to live in performance. While using specific case studies the contributors systematically extend their reflections on the ballad as song and as poetry to draw broader conclusions. Covering the Hispanic world, including the Sephardic tradition, Scandinavia, The Netherlands, Greece, Russia, England and Scotland the essays also demonstrate the interconnections of a European tradition beyond national boundaries.
Visiting a ladies-only club for intrepid women, Victorian adventuress Veronica Speedwell is challenged to save a society art patron from execution.
Originally published as Le commerce extérieur du Japon des origines au XVIe siécle in 1988, this new edition of the landmark French study chronicles Japan's transformation from an importer of continental luxury items, raw materials, and techniques to an exporter of high-quality merchandise over nearly a millennium. The vicissitudes of foreign trade policy, as well as the volume and balance of trade, are examined within the context of regional political and economic developments. All aspects of state-sanctioned and unofficial external commerce are considered. Indeed, this volume reveals that proliferation of private foreign trade constituted a vital link between Japan and its neighbors throughout the suspension of diplomatic relations from the ninth to the fourteenth century. Evidence culled from Japanese, Chinese, and Korean annals and administrative compendia, archaeological excavations, classic literature, artifact collections, and monk and courtier diaries attests to the spectacular diversity of foreign trade goods and their significance in pre-Tokugawa Japanese society. Methodically revised, and featuring an updated, expanded bibliography and redesigned maps, as well as a précis on the state of the field since the original publication, the 2006 English edition is an indispensable resource for scholars and the teaching of premodern East Asian regional history.
Although a host of adventurers stormed west in 1806 after Lewis and Clark's safe return, seven of them left unique legacies because of their monumental journeys, their lionhearted spirit in the face of hardship, and the way their paths intertwined time and again. The Perilous West tells this riveting story in depth for the first time, focusing on each of the seven explorers in turn - Ramsay Crooks, Robert McClellan, John Hoback, Jacob Reznor, Edward Robinson, Pierre Dorion, and Marie Dorion. These seven counted the Tetons, Hells Canyon, and South Pass among their discoveries. More importantly, they forged the Oregon Trail-a path destined to link the Atlantic coast with the Pacific, spurring national expansion as it carried trappers, soldiers, pioneers, missionaries, and gold-seekers westward. The Perilous West begins in 1806, when Crooks and McClellan meet Lewis and Clark, and the vast expanse from the Dakotas to the Pacific coast appears a commercial paradise. The story ends in 1814, when a band of French Canadian trappers rescue Marie Dorion, and even John Jacob Astor's well-financed enterprise has ended in violence and chaos, placing the protagonists squarely in the context of Thomas Jefferson's monumental opening of the West, which stalled with the War of 1812.
The Last Hunt weaves together all the strands of the great clash between the Hunters and the unicorns. As the Hunters invade Luster, bent on the extermination of the unicorns, the unicorns rally to defend themselves. To do so, they will be forced to make peace with their intimate enemies, the delvers. Even worse, the Hunters may not be the greatest danger. For Luster itself is beginnings to collapse from the damage done to the great world tree when Beloved tore a hole between the worlds. Preventing that collapse will require Cara--reunited at last with her mother and father--to discover the secret of how and why Luster was originally created. But first she must confront her own ancestor, the fierce and wily Beloved!
Finalist for the 2021 National Book Award (Fiction) “A virtuosic portrait.” –New York Times Book Review “A tender, glowing novel.” –Anthony Doerr, Guardian, “Best Books of the Year” “Pages that are polished like jewels.” –Scott Simon, NPR, "Books We Love" "Lit from within.” -Mark Athitakis, Los Angeles Times, “Best Fiction Books of the Year” "A touching, tightly woven story from an always impressive author." -Kirkus (starred review), “Best Fiction of the Year” “Radiates the heat of a beating heart.” –Vox “A poignant, unforgettable novel.” –Hernan Diaz From prize-winning, acclaimed author Laird Hunt, a poignant novel about a woman searching for her place in the world and finding it in the daily rhythms of life in rural Indiana. “It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew.” As a girl, Zorrie Underwood's modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material. But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun. Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt's extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.
Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.