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Originally published in 1965, The Writer and the People was one of the key books in the revitalization and invigoration of the young Left in late-1960s Italy. Aiming to demystify the myth of populism, Alberto Asor Rosa takes on Marxism and its legacy, the relationship between Fascism and the Left, the prospects for militant anti-Fascism, and more. He does so through detailed reconstructions, analyses, and critiques of some of the central figures of modern Italian literature, including Giovanni Verga, Carlo Casola, Antonio Gramsci, and Pier Paolo Pasolini. Translated into English for the first time, The Writer and the People is both a historical text, helping us understand postwar Italian politics and society, and a living document, able to educate and inspire left-wing activists today.
Part meditation, part remembrance, A Writer’s People by V. S. Naipaul is a privileged insight, full of gentleness, humour and feeling, into the mind of one of our greatest writers. For the ‘serious traveller’, one who is fully engaged with the world, there can be no single view. Our author’s purpose, then, ‘is not literary criticism or biography’, but only to set out the writing and ways of seeing to which he was exposed. So here is colonial Trinidad (the early Derek Walcott and Naipaul’s own father); the culture of school (Flaubert and the classical world); England, where with the help of friends the writer seeks to make his way; and, inevitably for a colonial Indian, there is India, to be approached through the residue of Indian culture and the scattered memories of nineteenth-century immigrants, leading to a special understanding of Mahatma Gandhi.
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart – to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carré for a lesson in how to advance plot through dialogue and to Flannery O’ Connor for the cunning use of the telling detail; to be inspired by Emily Brontë ’ s structural nuance and Charles Dickens’ s deceptively simple narrative techniques. Most importantly, Prose cautions readers to slow down and pay attention to words, the raw material out of which all literature is crafted, and reminds us that good writing comes out of good reading.
Most critics have considered Caldwell to be only a minor southern writer, often associating him with his worst writing. Yet Saul Bellow suggested he deserved the Nobel Prize, and William Faulkner once characterized him as one of the five best writers of his time, alongside himself, Thomas Wolfe, Ernest Hemingway, and John Dos Passos.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
A powerful, poetic memoir of an Indigenous woman's coming of age on the Seabird Island Band in the Pacific Northwest—this New York Times bestseller and Emma Watson Book Club pick is “an illuminating account of grief, abuse and the complex nature of the Native experience . . . at once raw and achingly beautiful (NPR). Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame. Mailhot trusts the reader to understand that memory isn't exact, but melded to imagination, pain, and what we can bring ourselves to accept. Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story, and, in so doing, reestablishes her connection to her family, to her people, and to her place in the world.
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
This landmark work presaged the so-called literature of the proletarian thirties, and is the quintessential novel of poor Jews. Michael Gold's Jews Without Money tells the story of Jewish poverty in one ghetto, that of New York. The same story could have been told in hundreds of other ghettoes scattered all over the world, especially in Europe, prior to the rise of Nazism. The book went through fifteen printings upon its publication in 1930 and was translated into every major language in the western world. The appearance of the book at this time is ironic as well as timely. In his introduction to the 1935 printing, Gold himself offers the reason why: "It has become necessary now in America to fight against fascist lies. Recently, groups of anti-Semitic demagogies have appeared in this country. They are like Hitler, telling the hungry American people that capitalism is Jewish and that an attack on the Jews is the best way of restoring prosperity. What folly. What criminal deception and bloody fraud. And there are signs that this oldest of swindles will grow in America." Sixty years after this utterance one can say that Gold was indeed prophetic. But the politics of the age--this or any other--dissolve in the face of a brilliant set of vignettes about growing up on the Lower East Side during the heyday of Jewish life there in the 1920s. Here we find a world of struggle--Jews against Gentiles, Jews against each other, a universe of gangsters and rabbis, men and women, children and adults--all told in the first person vernacular of a boy growing to manhood dedicated to making clear his love of a long-suffering mother. The races and religions may differ, but the themes are universal.
Crammed with crucial facts, ideas, and warnings never before brought together into clear focus, this guide is not only fun to read, but also work-boots practical. Not only inspiring, but pinch-penny accurate, it is an energizing tonic for writers' weary brain cells. *Lightning Print On Demand Title
Cloud native infrastructure is more than servers, network, and storage in the cloud—it is as much about operational hygiene as it is about elasticity and scalability. In this book, you’ll learn practices, patterns, and requirements for creating infrastructure that meets your needs, capable of managing the full life cycle of cloud native applications. Justin Garrison and Kris Nova reveal hard-earned lessons on architecting infrastructure from companies such as Google, Amazon, and Netflix. They draw inspiration from projects adopted by the Cloud Native Computing Foundation (CNCF), and provide examples of patterns seen in existing tools such as Kubernetes. With this book, you will: Understand why cloud native infrastructure is necessary to effectively run cloud native applications Use guidelines to decide when—and if—your business should adopt cloud native practices Learn patterns for deploying and managing infrastructure and applications Design tests to prove that your infrastructure works as intended, even in a variety of edge cases Learn how to secure infrastructure with policy as code