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"Ultima Thule" is the terrible and yet fantastic story of European and American exploration in the polar north. The book brings to life both sides of the clash that arose when white men arrived in the Far North. Heavily illustrated with period photos, engravings, artifacts, and drawings. 650 photos.
The author of Barrow’s Boys offers a fascinating look at the exploration of the Arctic in the nineteenth century. Named a Best Book of the Year by the New York Times Book Review, the Seattle Times, Publishers Weekly, and Time In the nineteenth century, theories about the North Pole ran rampant. Was it an open sea? Was it a portal to new worlds within the globe? Or was it just a wilderness of ice? When Sir John Franklin disappeared in the Arctic in 1845, explorers decided it was time to find out. In scintillating detail, Ninety Degrees North tells of the vying governments (including the United States, Great Britain, Germany, and Austria-Hungary) and fantastic eccentrics (from Swedish balloonists to Italian aristocrats) who, despite their heroic failures, often achieved massive celebrity as they battled shipwreck, starvation, and sickness to reach the top of the world. Drawing on unpublished archives and long-forgotten journals, Fergus Fleming recounts this riveting saga of humankind’s search for the ultimate goal with consummate craftsmanship and wit. “Barely a page goes by without the loss of a crew member or a body part . . . Fleming [is] a marvelous teller of tales—and a superb thumbnail biographer.” —The Observer “A fable of men driven to extremes by the lust for knowledge as epic as a Greek myth.” —Time
The North Pole has long held surprising importance for many of the world’s cultures. Interweaving science and history, this book offers the first unified vision of how the North Pole has shaped everything from literature to the goals of political leaders—from Alexander the Great to neo-Hindu nationalists. Tracing the intersecting notions of poles, polarity, and the sacred from our most ancient civilizations to the present day, Michael Bravo explores how the idea of a North Pole has given rise to utopias, satires, fantasies, paradoxes, and nationalist ideologies across every era, from the Renaissance to the Third Reich. The Victorian conceit of the polar regions as a vast empty wilderness—a bastion of adventurous white males battling against the elements—is far from the only polar vision. Bravo paints a variety of alternative pictures: of a habitable Arctic crisscrossed by densely connected networks of Inuit trade and travel routes, a world rich in indigenous cultural meanings; of a sacred paradise or lost Eden among both Western and Eastern cultures, a vision that curiously (and conveniently) dovetailed with the imperial aspirations of Europe and the United States; and as the setting for tales not only of conquest and redemption, but also of failure and catastrophe. And as we face warming temperatures, melting ice, and rising seas, Bravo argues, only an understanding of the North Pole’s deeper history, of our conception of it as both a sacred and living place, can help humanity face its twenty-first-century predicament.
Driven by a yearning to experience the vast skies and frozen beauty of the North, Gavin Francis goes in search of the people living along the northern limits of Europe. From the first Greek explorers to the Vikings to modern polar adventurers, he travels through history and legend to find out why – and how – we are drawn to the North. Francis's encounters in the Arctic teach him as much about that sense of longing for the North, and of belonging to the North as the seafarers, warriors, monks and poets whose stories he follows. In Shetland, the Faroes, Iceland, Greenland, Svalbard and Lapland, Francis finds a way of life characterised by both peace and unease, threatened as it is by the shadow of climate change and the tense, ever-increasing importance of Arctic Europe in global power politics.
Stunning scenery, magnificent wildlife, and native cultures bring the Arctic to life in this unparalleled collection of photography
A Globe and Mail Best Books of the Year 2011 Title More than a decade ago, Sara Wheeler traveled to Antarctica to understand a continent nearly lost to myth and lore. In the widely acclaimed, bestselling Terra Incognita, she chronicled her quest to find a hidden history buried in Antarctica's extreme surroundings. Now, Wheeler journeys to the opposite pole to create a definitive picture of life on the fringes. In The Magnetic North, she takes full measure of the Arctic: at once the most pristine place on earth and the locus of global warming. Inspired by the spiraling shape of a reindeer-horn bangle, she travels counterclockwise around the North Pole through the territories belonging to Russia, the United States, Canada, Denmark, Norway, and Finland, marking the transformations of what once seemed an unchangeable landscape. As she witnesses the mounting pollution concentrated at the pole, Wheeler reckons with the illness of the whole organism of the earth. Smashing through the Arctic Ocean with the crew of a Russian icebreaker, shadowing the endless Trans-Alaska Pipeline with a tough Idaho-born outdoorswoman, herding reindeer with the Lapps, and visiting the haunting, deceptively peaceful lands of the Gulag, Wheeler brings the Arctic's many contradictions to life. The Magnetic North is an urgent, beautiful book, rich in dramatic description and vivid reporting. It is a singular, deeply personal portrait of a region growing daily in global importance.
Tucked away in the northeastern corner of Alaska is one of the most contested landscapes in all of North America: the Arctic National Wildlife Refuge. Considered sacred by Indigenous peoples in Alaska and Canada and treasured by environmentalists, the refuge provides life-sustaining habitat for caribou, polar bears, migratory birds, and other species. For decades, though, the fossil fuel industry and powerful politicians have sought to turn this unique ecosystem into an oil field. Defending the Arctic Refuge tells the improbable story of how the people fought back. At the center of the story is the unlikely figure of Lenny Kohm (1939–2014), a former jazz drummer and aspiring photographer who passionately committed himself to Arctic Refuge activism. With the aid of a trusty slide show, Kohm and representatives of the Gwich'in Nation traveled across the United States to mobilize grassroots opposition to oil drilling. From Indigenous villages north of the Arctic Circle to Capitol Hill and many places in between, this book shows how Kohm and Gwich'in leaders and environmental activists helped build a political movement that transformed the debate into a struggle for environmental justice. In its final weeks, the Trump administration fulfilled a long-sought dream of drilling proponents: leasing much of the Arctic Refuge coastal plain for fossil fuel development. Yet the fight to protect this place is certainly not over. Defending the Arctic Refuge traces the history of a movement that is alive today—and that will continue to galvanize diverse groups to safeguard this threatened land.
European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
With tales from the tribal peoples of Greenland, Canada, Siberia, Alaska, Japan, and the polar region, told and retold during months-long winter nights, Northern Tales gathers together a rich diversity of traditions and cultures, spanning the Way-Back Time through the coming of the first white explorers. By turns tragic and comic, fantastic and earthy, frivolous and profound, this collection transports the reader to the haunting, little-known world of the far North, with all its fragile majesty and power.