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Written in guide book form but limited by the vastness and diversity of the country, this work is divided culturally rather than geographically over two volumes. The first covers Hindu, Jain and Buddhist monuments, the second on the legacy of Moslem and European domination.
A selection of the best in travel writing, with both fiction and non-fiction presented together, this companion is for all those who like travelling, like to think about travelling, and who take an interest in their destination. It covers guidebooks as well as books about food, history, art and architecture, religion, outdoor activities, illustrated books, autobiographies, biographies and fiction and lists books both in and out of print. Anderson's Travel Companion is arranged first by continent, then alphabetically by country and then by subject, cross-referenced where necessary. There is a separate section for guidebooks and comprehensive indexes. Sarah Anderson founded the Travel Bookshop in 1979 and is also a journalist and writer on travel subjects. She is known by well-known travel writers such as Michael Palin and Colin Thubron. Michael Palin chose her bookshop as his favourite shop and Colin Thubron and Geoffrey Moorhouse, among others, made suggestions for titles to include in the Travel Companion.
From the beginning of the 2nd millennium AD northern India began to fall under the sway of a number of Muslim-Turkic rulers who, at the start of the 13th century, founded the series of dynasties known to history as the Delhi Sultanate. For three centuries these sultans expanded their territory, which led to a dramatic rise in the number of fortifications throughout the subcontinent. This period is the defining age of the Indian castle and the combined influence of the Islamic and Hindu architectural tradition lends these fortifications a unique style. This book covers all the major sites of the period including the fabled seven medieval cities on the site of the present-day city of Delhi.
Dedicated to the tracing of continuity across sectarian divides, Christopher Tadgell’s History of Architecture in India (1989) was the first modern monograph to draw together in one volume all the strands of India’s pre-colonial architectural history – from the Vedic and Native traditions of early India, through Hindu, Buddhist, Islamic and secular architecture. This comprehensive revision, Architecture in the Indian Subcontinent: From the Mauryas to the Mughals, expands the structure to acknowledge the great advance in scholarship across this extremely complex subject over the last three decades. An understanding of Indian history and religion is the basis for understanding the complex pattern of relationships in the evolution of architecture in the subcontinent. Therefore, background material covers major invasions, migrations, dynastic conflicts and cultural and commercial connections, the main religious developments and their significance and repercussions, and external architectural precedents. While avoiding the usual division of the subject into ‘Buddhist and Hindu’ and ‘Islamic’ parts in order to trace continuity, the importance of religion, symbolism and myth to the development of characteristic Indian architectural forms in all their richness and complexity is fully explained in this fully illustrated account of the subcontinent’s architecture.
The book’s structure blends history and geography. A good world atlas or a world historical atlas will be helpful in the reading. The historical arrangement of contents has six Parts” Classical, Mediaeval, Early Modern (Lands), Early Modern (Ideas), Late Eighteenth and Nineteenth Centuries, Twentieth Century. Although this sequence of periods and categories fits Western/European history best, it is also reasonably appropriate for Central Asia, India, and China. For other regions it is more arbitrary, and Classical and Mediaeval periods are merged. Because the Parts overlap and involve imprecise categories, in the List of Contents and Summaries no attempt is made to give dates for their beginning and end.
Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.
The Dictionary of Islamic Architecture provides the fullest range of artistic, technical, archaeological, cultural and biographical data for the entire geographical and chronological spread of Islamic architecture - from West Africa through the Middle East to Indonesia, and from the seventh to the eighteenth centuries of the Common Era. Over 500 entries are arranged alphabetically and fully cross-referenced and indexed to permit easy access to the text and to link items of related interest. Four main categories of subject matter are explored: * dynastic and regional overviews * individual site descriptions * biographical entries * technical definitions Over 100 relevant plans, sketch maps, photographs and other illustrations complement and illuminate the entries, and the needs of the reader requiring further information are met by individual entry bibliographies.