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One of the English language’s most skilled and beloved writers guides us all toward precise, mistake-free grammar. As usual Bill Bryson says it best: “English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense. This is a language where ‘cleave’ can mean to cut in half or to hold two halves together; where the simple word ‘set’ has 126 different meanings as a verb, 58 as a noun, and 10 as a participial adjective; where if you can run fast you are moving swiftly, but if you are stuck fast you are not moving at all; [and] where ‘colonel,’ ‘freight,’ ‘once,’ and ‘ache’ are strikingly at odds with their spellings.” As a copy editor for the London Times in the early 1980s, Bill Bryson felt keenly the lack of an easy-to-consult, authoritative guide to avoiding the traps and snares in English, and so he brashly suggested to a publisher that he should write one. Surprisingly, the proposition was accepted, and for “a sum of money carefully gauged not to cause embarrassment or feelings of overworth,” he proceeded to write that book—his first, inaugurating his stellar career. Now, a decade and a half later, revised, updated, and thoroughly (but not overly) Americanized, it has become Bryson’s Dictionary of Troublesome Words, more than ever an essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries, from “a, an” to “zoom,” that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, and—because it is written by Bill Bryson—often witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it.
From one of the world’s most beloved and bestselling authors, a terrifically useful and readable guide to the problems of the English language most commonly encountered by editors and writers. What is the singular form of graffiti? From what mythological figure is the word “tantalize” derived? One of the English language’s most skilled writers guides us all toward precise, mistake-free usage. Covering spelling, capitalization, plurals, hyphens, abbreviations, and foreign names and phrases, Bryson’s Dictionary for Writers and Editors will be an indispensable companion for all who care enough about our language not to maul, misuse, or contort it. As Bill Bryson notes, “English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense.” This dictionary is an essential guide to the wonderfully disordered thing that is the English language.
One of the English language's most skilled and beloved writers guides us all towards precise, mistake-free usage. In the middle 1980s Bill Bryson was a copy editor for the London Times with the brash idea that he could fill a hole in the British book market for a concise, accessible, handy guide to proper usage. A complete unknown, he nonetheless sold Penguin Books on the idea, and the result was The Penguin Dictionary of Troublesome Words, which sold decently enough on both sides of the Atlantic. Now, fifteen years later, Bill Bryson has become, well, Bill Bryson -- and his terrifically useful little book has been revised, updated and Americanized to become Bryson's Dictionary of Troublesome Words. Precise, prescriptive, sometimes (like its author) amusingly prickly, this book belongs on the desk of every person who cares enough about our language not to maul or misuse or distort it. Move over, Strunk and White.
In this selection from The Body, his compulsively readable and bestselling owner’s manual to the human body, Bill Bryson introduces us to the mysterious, and often devastating, world of disease. Written with extraordinary insight and filled with remarkable facts, When Things Go Wrong deepens our understanding of the maladies that afflict us--what they are and how they work. A Vintage Short.
Ben Yagoda's How to Not Write Bad illustrates how we can all write better, more clearly, and for a wider readership. He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs—with attention to cadence, consistency of tone, sentence transitions, and paragraph length. In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting—and just plain better.
A collection of sixty classic and contemporary essays, stories, lists, poems, quotations, and cartoons that celebrates the joys of reading, the feeling of spending hours browsing through a bookstore, and the people for whom buying books is a necessity. Booklovers will find themselves in good company within the pages of A Passion for Books, beginning with science-fiction great Ray Bradbury's foreword and throughout contributions like-- Umberto Eco's How to Justify a Private Library, dealing with the question everyone with a sizable library is inevitably asked: "Have you read all these books?"; Gustave Flaubert's Bibliomania, the tale of a book collector so obsessed with owning a book that he is willing to kill to possess it; and Anna Quindlen's How Reading Changed My Life, in which she shares her optimistic view on the role of reading and the future of books in the computer age. Interspersed throughout are entertaining lists--Ten Bestselling Books Rejected by Publishers Twenty Times or More, Norman Mailer's Ten Favorite American Novels and many more-- plus select writings on bookstores, book clubs, cartoons about books and a specially prepared "bibliobibliography" of books about books. Whether you consider yourself a bibliomaniac or just someone who enjoys reading, A Passion for Books will provide you with a lifetime's worth of entertaining, informative, and pleasurable reading on your favorite subject--the love of books.
Troublesome Words is playful and riddlesome guide to the English language from the bestselling author of Notes from a Small Island and A Short History of Nearly Everything, Bill Bryson What is the difference between mean and median, blatant and flagrant, flout and flaunt? Is it whodunnit or whodunit? Do you know? Are you sure? With Troublesome Words, journalist and bestselling travel-writer Bill Bryson gives us a clear, concise and entertaining guide to the problems of English usage and spelling that has been an indispensable companion to those who work with the written word for over twenty years. So if you want to discover whether you should care about split infinitives, are cursed with an uncontrollable outbreak of commas or were wondering if that newsreader was right to say 'an historic day', this superb book is the place to find out.