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This book finds this familiar group of highly respected critics having compiled a very useful survey of classical music on compact discs and cassettes. The authors discuss the artistic merits and sound quality of each recording in evaluations that are extremely perceptive and educational. Audiophiles will be happy to know that the authors indicate whether or not the recording has been recorded digitally or remastered from an analog original. Those on a budget will appreciate the inclusion of bargain-priced editions. And music lovers in general attempting to navigate the maze of CDs currently available will find this work indispensable.
The Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. This is something rather different: Brian Morton (who taught American history at UEA) has picked out the 1000 best recordings that all jazz fans should have and shows how they tell the history of the music and with it the history of the twentieth century. He has completely revised his and Richard Cook's entries and reassessed each artist's entry for this book. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike. 'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune 'Part jazz history, part jazz Karma Sutra with Cook and Morton as the knowledgeable, urbane, wise and witty guides ... This is one of the great books of recorded jazz; the other guides don't come close' Irish Times
The authors of The Complete Penguin Stereo Record and Cassette Guide present the first guide of its kind to the latest innovation in music recording.
This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.
This guide should be of interest to parents whose children study, or are considering studying an instrument, or taking music lessons. It should also be of use to music teachers.
Once again Alan Blyth has brought together a distinguished group of contributors to provide a valuable and informed discussion of interpretation. Indispensable for record collectors, it is also fascinating reading for all musicians and music lovers with an interest in song.