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Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
The terrifying and definitive collection of Vampire stories from the masters of literary horror They're lurking under the cover of darkness…and between the covers of this book. Here, in all their horror and all their glory, are the great vampires of literature: male and female, invisible and metamorphic, doomed and daring. Their skin deathly pale, their nails curved like claws, their fangs sharpened for the attack, they are gathered for the kill and for the chill, brought frighteningly to life by Bram Stoker, Fritz Leiber, Richard Matheson, Robert Bloch, Charles L. Grant, Tanith Lee, and other masters of the macabre. Careful—they are all crafty enough to steal their way into your imagination and steal away your hopes for a restful sleep.
A fascinating investigation of what strikes fear in an immortal’s heart Vampires exist. And in every culture with a legend about bloodsuckers that rise from the grave to prey upon the living, there are rules and rituals for how to destroy them. How to Kill a Vampire is the first book to focus specifically on all known ways to prevent vampirism, protect oneself against attacks, and ultimately how to destroy the undead, as documented in folklore as well as horror film, TV, and books. Covering everything from obscure legends to contemporary blockbusters, Ladouceur’s unique approach to vampires traces the evolution of how to kill the fictional creatures and celebrates the most important slayers. In exploring how and why we create these monsters and the increasingly complex ways in which we destroy them, the book not only serves as a handy guide to the history and modern role of the vampire, it reveals much about the changing nature of human fears.
What is it about vampires that fascinates the human imagination? Blood Obsession closely scrutinizes theories of Sigmund Freud and Tzvetan Todorov and arrives at a model of the vampire as the perfect representative of genre for a variety of reasons - the vampire figure appeals to its audience because of an interdependency of looplike mental and narrative structures that lure both reader and writer incessantly back to the genre. At the same time, this book provides the reader with a thorough survey of literary and filmic vampires in both adult and juvenile fictions. Lastly, it blends the realms of legal and literary history by highlighting the changes the image of the serial killer, a close relative of the vampire, underwent at the end of the twentieth century. Blood Obsession is a highly enlightening study for the general reader as well as for students of film, literature, and popular culture.
Examines the enormous popular appeal of vampires from early Greek and Slavic folklore to present-day popular culture.
Werewolves, witches, vampires, demons, gods, zombies, and shape-shifters; these are just a few examples of the monstrous that society is confronted with. Most people have some knowledge about these creatures, and have had fleeting contact with ghosts, fairies, vampires and goblins, either in their imagination, or while reading, watching, or interacting with other people (whether in reality or the online world). From Beowulf and Buffy, to Freddy Krueger and Frankenstein’s Monster, this collection highlights different aspects of the monstrous, and discusses various ways in which they can be read, discussed, and understood. What does the mother in Beowulf really represent? How can the character of Zoey Redbird really be understood? What is the importance of memories in Buffy the Vampire Slayer? And what should we make of Terry Pratchett’s undead creatures? And what role does the children-friendly vampire play? Beyond the Night offers a range of insights into these topics, as well as many more. It presents the reader with a vast array of old and new creatures in popular culture, analysing the significance they have for wider society. This collection will also help readers to understand their favourite monsters better in relation to questions concerning sexuality, gender, social change, and otherness.
"Take a journey into the macabre in search of those ultimate creatures of the night: the immortal beings who defy death by feeding on the lifeblood of others - vampires. Generation after generation has found vampire lore - printed in old books, inscribed in medieval manuscripts, whispered by firelight in chimney corners, or written in moldering tombs and ancient bones - to be as fascinating as it is frightening. Yet its origins have always been shrouded in mystery." "Where did vampires first arise? Was Dracula really inspired by a 15th-century nobleman with the bloodcurdling name of Vlad the Impaler? Why are vampires so closely associated with epidemic disease and bats? What can we learn from the amazing recent discovery by National Geographic grantee Dr. Matteo Borrini of the buried remains of a 16th-century Venetian plague victim and suspected vampire? And what is it about graveyards that made people believe that the dead could prey on the living?" "In Vampire Forensics, historian Mark Jenkins probes vampire legend and shows how modern forensics, anthropology, and archaeology have helped to dig up historical truths enshrined in these gruesome tales." --Book Jacket.
Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's `lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire blockbusters by Stephen King and others, the vampire chronicles of Anne Rice, `post-Ceausescu' vampire narratives, and films such as FW Murnau's Nosferatu and Bram Stoker's Dracula. Reading the Vampire embeds vampires in their cultural contexts, showing vampire narratives feeding off the anxieties and fascinations of their times: from the nineteenth century perils of tourism, issues of colonialism and national identity, and obsessions with sex and death, to the `queer' identity of the vampire or current vampiric metaphors for dangerous exchanges of bodily fluids and AIDS.