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"The Pen and the Sword: The Life of Ernest Hemingway" delves into the complex and captivating journey of one of the most influential writers of the 20th century. From his early days as a reporter in war-torn Europe to his literary triumphs and personal struggles, this book paints a vivid portrait of Hemingway's adventurous spirit and profound impact on American literature. Through meticulous research and engaging storytelling, readers are invited to explore the triumphs and tragedies that shaped Hemingway's life, and gain a deeper understanding of the man behind the iconic literary works.
This historical and biographical text explores the numerous up-and-down stages of Gertrude Stein and Ernest Hemingway's friendship, one of the most fascinating and instructive literary associations of the twentieth century. Over a span of twenty-four years, they moved from a mentor-student relationship to a rivalry between artistic peers. Despite dramatic fluctuations--of love, admiration, jealousy, resentment and name-calling--their association endured, partly because of Stein's admitted "weakness" for Hemingway and his need for her approval. By incorporating unpublished material from the Hemingway Collection at the John F. Kennedy library in Boston, the text shines new light on this famous friendship.
Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner stand as the American voice of the Great War. But was it warfare that drove them to write? Not according to Keith Gandal, who argues that the authors' famous postwar novels were motivated not by their experiences of the horrors of war but rather by their failure to have those experiences. These 'quintessential' male American novelists of the 1920s were all, for different reasons, deemed unsuitable as candidates for full military service or command. As a result, Gandal contends, they felt themselves emasculated--not, as the usual story goes, due to their encounters with trench warfare, but because they got nowhere near the real action. Bringing to light previously unexamined Army records, including new information about the intelligence tests, The Gun and the Pen demonstrates that the authors' frustrated military ambitions took place in the forgotten context of the unprecedented U.S. mobilization for the Great War, a radical effort to transform the Army into a meritocratic institution, indifferent to ethnic and class difference (though not to racial difference). For these Lost Generation writers, the humiliating failure vis-a-vis the Army meant an embarrassment before women and an inability to compete successfully in a rising social order, against a new set of people. The Gun and the Pen restores these seminal novels to their proper historical context and offers a major revision of our understanding of America's postwar literature.
Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.
A family memoir revealing the fascinating dynamics between Ernest Hemingway and his youngest son, Gregory, written by John Hemingway (grandson of Ernest and son of Gregory).
John Lodwick (1916-1959) was one of the great novelists of the early twentieth century. Yet his novels, and indeed his own extraordinary life story, have been virtually lost to the mists of time. Geoffrey Elliott here, for the first time, pieces together Lodwick's eventful life, from his youth in Ireland, to his wartime experiences in the SOE and Special Boat Service, his subsequent literary career and his untimely death in a car crash in Spain at the age of just 43. Initially acclaimed by Somerset Maugham and Anthony Burgess, soon after his death Lodwick's novels fell out of fashion and they have largely remained out-of-print since. Elliott makes the case for a revival in the fortunes of this singular English novelist, in a biography which sheds new light on the early twentieth century literary scene, the surrealist art world and the real-life experiences of World War II.
''A Farewell to Arms'' is Hemingway's classic set during the Italian campaign of World War I. The book, published in 1929, is a first-person account of American Frederic Henry, serving as a Lieutenant ("Tenente") in the ambulance corps of the Italian Army. It's about a love affair between the expatriate American Henry and Catherine Barkley against the backdrop of the First World War, cynical soldiers, fighting and the displacement of populations. The publication of ''A Farewell to Arms'' cemented Hemingway's stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as "the premier American war novel from that debacle World War I."
A new assessment of the Battle of the Bulge, the largest and bloodiest battle fought by U.S. forces in World War II, offers a balanced perspective that considers both the German and American viewpoints and discusses the failings of intelligence; Hitler's strategic grasp; effects of weather and influence of terrain; and differences in weaponry, understanding of aerial warfare, and doctrine.
Over 11,000 of these 18,000 quotations have never before appeared in a quotation book. Chosen not for their familiarity but for their quality and their relevance in the 1990s, these provocative quotations cover subjects from adolescence and adoption to yuppies and zoos.