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Sherley Anne Williams first book of honest poetry
A collection of twenty-six poems includes works about pandas, steam engines, and icicles.
“Whatever the subject, rich music follows the tap of Molly Peacock’s baton.”—Washington Post When a psychoanalyst became a painter after surviving a stroke, her longtime patient, distinguished and beloved poet Molly Peacock, took up a unique task. Weaving an invigorating tapestry of images, Peacock’s poetry bears witness to a profound role reversal as its author looks back on a forty-year relationship with her one-time analyst, now friend.
In Peacock's new book, she strips away poetry's scary mystique, introducing readers to its pleasures and inspiring them to form their own poetry circles with friends.
Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.
Finalist for the National Book Critics Circle Award Finalist for the Los Angeles Times Book Prize Diane Seuss’s brilliant follow-up to Four-Legged Girl, a finalist for the Pulitzer Prize for Poetry Still life with stack of bills phone cord cig butt and freezer-burned Dreamsicle Still life with Easter Bunny twenty caged minks and rusty meat grinder Still life with whiskey wooden leg two potpies and a dead parakeet Still life with pork rinds pickled peppers and the Book of Revelation Still life with feeding tube oxygen half-eaten raspberry Zinger Still life with convenience store pecking order shotgun blast to the face —from “American Still Lives” Still Life with Two Dead Peacocks and a Girl takes its title from Rembrandt’s painting, a dark emblem of femininity, violence, and the viewer’s own troubled gaze. In Diane Seuss’s new collection, the notion of the still life is shattered and Rembrandt’s painting is presented across the book in pieces—details that hide more than they reveal until they’re assembled into a whole. With invention and irreverence, these poems escape gilded frames and overturn traditional representations of gender, class, and luxury. Instead, Seuss invites in the alienated, the washed-up, the ugly, and the freakish—the overlooked many of us who might more often stand in a Walmart parking lot than before the canvases of Pollock, O’Keeffe, and Rothko. Rendered with precision and profound empathy, this extraordinary gallery of lives in shards shows us that “our memories are local, acute, and unrelenting.”
The Dance of the Peacock, focused as it is on poetry in English by Indians and diasporic Indians, is also a celebration of diversity. This anthology is a brave attempt to capture something of the Indian English global poetry scene at this moment in time. It does not pretend to be a comprehensive collection; rather it is a genuine and rewarding sampler for the reader who would like an introduction to its riches. Dr. Debjani Chatterjee, MBE Sheffield, UK Editor of the renowned poetry collections, The Redbeck Anthology of British South Asian Poetry (Redbeck Press) and Masala: Poems from India, Bangladesh, Pakistan and Sri Lanka (Macmillan) The Dance of the Peacock is a diverse collection of contemporary English poetry from Indian. The 151 poets represented in this book hail from the many different states of India as well as from the United Kingdom, United States and Canada. The poets between these covers range in age from 15 to 92. It is rare that one will find a more diverse collection of poets representing Indo-English poetry.
The first complete English translation of Nietzsche's poetry.