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Reprint of the original, first published in 1876.
A brilliant and original examination of American freedom as it existed before the Revolution, from the Smithsonian’s curator of social history. The American Revolution is widely understood—by schoolchildren and citizens alike—as having ushered in “freedom” as we know it, a freedom that places voting at the center of American democracy. In a sharp break from this view, historian Barbara Clark Smith charts the largely unknown territory of the unique freedoms enjoyed by colonial American subjects of the British king—that is, American freedom before the Revolution. The Freedoms We Lost recovers a world of common people regularly serving on juries, joining crowds that enforced (or opposed) the king’s edicts, and supplying community enforcement of laws in an era when there were no professional police. The Freedoms We Lost challenges the unquestioned assumption that the American patriots simply introduced freedom where the king had once reigned. Rather, Smith shows that they relied on colonial-era traditions of political participation to drive the Revolution forward—and eventually, betrayed these same traditions as leading patriots gravitated toward “monied men” and elites who would limit the role of common men in the new democracy. By the end of the 1780s, she shows, Americans discovered that forms of participation once proper to subjects of Britain were inappropriate—even impermissible—to citizens of the United States. In a narrative that counters nearly every textbook account of America’s founding era, The Freedoms We Lost challenges us to think about what it means to be free.
The Lower Canadian Rebellion of 1837 has been called the most important event in pre-Confederation history. Previously, it has been explained as a response to economic distress or as the result of manipulation by middle-class politicians. Lord Durham believed it was an expression of racial conflict. emThe Patriots and the People is a fundamental reinterpretation of the Rebellion. Allan Greer argues that far being passive victims of events, the habitants were actively responding to democratic appeals because the language of popular sovereignty was in harmony with their experience and outlook. He finds that a certain form of popular republicanism, with roots deep in the French-Canadian past, drove the anti-government campaign. Institutions such as the militia and the parish played an important part in giving shape to the movement, and the customs of the maypole and charivari provided models for the collective actions against local representatives of the colonial regime. In looking closely into the actions, motives, and mentality of the rural plebeians who formed a majority of those involved in the insurrection, Allan Greer brings to light new causes for the revolutionary role of the normally peaceful French-Canadian peasant. By doing so he provides a social history with new dimensions.
New Series. Contents. --no. 1. Daly, Charles Patrick. First theater in America. 1896. --no. 2. Pence, J. H. The magazine and the drama. --no. 4. Gladding, W. J. A group of theatrical caricatures. 1897. --no. 5. Greenwood, I. J. The circus. 1898. --no. 6. Mapes, Victor. Duse and the French. --no. 7. Winter, William. A wreath of laurel. --no. 8. Ford, Paul Leicester. Washington. 1899. --no. 9. Clapp, J. B. Players of the present. 1899-1901. --no. 11. Clapp, J. B. Players of the present. 1899-1901. --no. 12. Roden, Robert F. Later American plays. 1900. --no. 14. Edgett, E. F. Edward Loomis Davenport. 1901. --no. 15. Keese, W. L. A group of comedians.