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Exploring the sudden loss of her child, the hope that precedes this crisis, and the suffering that follows, this collection of poetry renders a shattering experience with candor and immediacy. This collection is about the eviscerating loss of a child, the hope that precedes this crisis, and the suffering that follows. Spare, plain, sometimes startling in their snatches of humor, Pollari’s poems careen into the “tilted reality” of grief. This is poetry dredged from shock and rage, then dissected with pointillistic precision. Many of the pieces are closer to prose: in plain, forceful, language that will capture readers outside the poetry audience, they uncover and name sentiments outside of what is expected in books about child loss and grief: for instance, the embarrassment Niina felt for letting herself feel hope and joy, for revealing that she desired to be a mother at all, and for having to inform the world that her desire would not be granted. A shattering experience rendered with candor and immediacy, Path of Totality is a book “for anyone who ever expected anything” about a rarely told experience of motherhood.
Poetry. Translated from the German by Burton Pike. One of the most influential poets of the 20th century, Rainer Maria Rilke has left an indelible mark on world literature. In this groundbreaking bilingual edition, award-winning translator Burton Pike captures the music, power, and unerring precision of some of Rilke's best-known poems. These renderings offer bold new insights that redefine our understanding of one of modern literature's most celebrated voices. "With these beautifully inventive and sensitive versions of some of Rilke's most complex and important poems, Burton Pike has given us a very special gift."--Breon Mitchell "Burton Pike captures the sonorousness, lyricism, and expressive intensity of Rilke's verse with astonishing facility, while preserving the succession of ideas and images and rendering the rhythm, tone, and diction with mastery and ingenuity."--Ross Benjamin
An Ancient Collection Reimagined Composed around the Buddha’s lifetime, the Therigatha (“Verses of the Elder Nuns”) contains the poems of the first Buddhist women: princesses and courtesans, tired wives of arranged marriages and the desperately in love, those born into limitless wealth and those born with nothing at all. The original authors of the Therigatha were women from every kind of background, but they all shared a deep-seated desire for awakening and liberation. In The First Free Women, Matty Weingast has reimagined this ancient collection and created a contemporary and radical adaptation that takes the essence of each poem and highlights the struggles and doubts, as well as the strength, perseverance, and profound compassion, embodied by these courageous women.
Inspired by the ancient wisdom of the Taoist tradition and wandering the rugged, majestic landscape of alpine mountains, Thompson creates a wonderful sense of place through a deeply sensitive spiritual voice that celebrates simplicity, gentleness and the natural grace inherent within us all; that of the Sage. His poems touch on a range of human experiences; of joy, sadness, love, enlightenment and delusion. Through the lens of modern day living he helps us to recognise an undisturbed Presence whose quiet light draws no attention to itself but is always available to us. His words speak of a deeper understanding, of Self-Realisation, whose poems are reminiscent of the voice of ancient Taoist and Zen Masters, who inspired us to enquire within at the Truth of what we are. His voice though is a gentle one: Sit with me under this sweet-chestnut tree in its wild silence no one has to say a thing. The reader may also be delighted to discover the unassuming artwork of Laura Demelza Bosma, whose drawings bring a warmth and sensitivity as they work in harmony with the poems here.
From synesthetic poems to questioning poems to the ghazal, Lightning Paths has something fun or fascinating for every student and teacher as they explore the possibilities of poetry writing. The exercises teach and utilize technique while also focusing on and inspiring the intuitive and imaginative qualities of poetry.
The Paths of Survival explores the fragility of the written word; the ways in which it is destroyed and the ways in which it endures against all the odds. Tracing the few surviving fragments of Aeschylus's lost tragedy, Myrmidons, the volume moves back in time: from a scrap of papyrus in a library to Aeschylus revising the play in ancient Sicily.
"James Crews' new collection, The Path to Kindness, offers 100 deeply felt and relatable poems from a diverse range of voices"--
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.
“Lerner [is] among the most promising young poets now writing.”—Publishers Weekly “Sharp, ambitious, and impressive.” —Boston Review National Book Award finalist Ben Lerner turns to science once again for his guiding metaphor. “Mean free path” is the average distance a particle travels before colliding with another particle. The poems in Lerner’s third collection are full of layered collisions—repetitions, fragmentations, stutters, re-combinations—that track how language threatens to break up or change course under the emotional pressures of the utterance. And then there’s the larger collision of love, and while Lerner questions whether love poems are even possible, he composes a gorgeous, symphonic, and complicated one. You startled me. I thought you were sleeping In the traditional sense. I like looking At anything under glass, especially Glass. You called me. Like overheard Dreams. I’m writing this one as a woman Comfortable with failure. I promise I will never But the predicate withered. If you are Uncomfortable seeing this as portraiture Close your eyes. No, you startled Ben Lerner is the author of three books of poetry and was named a finalist for the National Book Award for his second book, Angle of Yaw. He holds degrees from Brown University, co-founded No: a journal of the arts, and teaches at the University of Pittsburgh.