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Julius Evola was a renowned Dadaist artist, Idealist philosopher, critic of politics and Fascism, 'mystic, ' anti-modernist, and scholar of world religions. Evola was all of these things, but he saw each of them as no more than stops along the path to life's true goal: the realisation of oneself as a truly absolute and free individual living one's life in accordance with the eternal doctrines of the Primordial Tradition. Much more than an autobiography, The Cinnabar Path in describing the course of Evola's life illuminates how the traditionally-oriented individual might avoid the many pitfalls awaiting him in the modern world. More a record of Evola's thought process than a recitation of biographical facts, one will here find the distilled essence of a lifetime spent in pursuit of wisdom, in what is surely one of his most important works.
'The Path of Cinnabar' provides a guide to Evola's corpus as he explains the purpose of each of his books, and acts as the key for unlocking the unity behind Evola's diverse interests and engagements.
A Handbook for Right-Wing Youth consists of essays selected from throughout Evola's lifetime, but most especially from the post-war era, when youth across the Western world had thrown their societies into chaos with protests, civil unrest, and by defying conventional mores. According to Evola, the problem was not with the youth themselves, given that he viewed the inquisitive and seeking mentality associated with the young as essential toward opening oneself to the wisdom of Tradition, but rather with the fact that post-war Western civilisation itself had come to venerate youthfulness over maturity, thus leaving the young without any guidance or authority. Evola believed that it was only by channelling the energies of the rebellious youth into the political Right -- not the Right of today, but rather that Right which represents the timeless principles which stem from before the advent of liberalism -- thus restoring the West to a healthy and organic condition once again. In these essays, he defines those principles which must be undertaken by youth -- not just by those young in age, but those young in spirit as well -- if they are to gain mastery not only over their societies, but also over themselves. As such, while this is a book aimed at the young, it is not exclusively for them. This book was assembled out of Evola's writings by the Hungarian traditionalists, and includes a Foreword by GÁbor Vona, Chairman of Hungary's political party, Jobbik.
This volume, a companion to Evola’s Fascism Viewed from the Right and Notes on the Third Reich, contains many of his occasional essays on the topic of fascism as understood from a traditionalist perspective which were written between 1930 and 1971, thus comprising both his contemporary and post-war assessments of the fascist phenomenon. Here we find Evola’s views not only on Italian Fascism and German Nazism, but also his discussions of other movements such as the Spanish Falange and the Japanese Imperial ideal, as well as his commentary on such diverse subjects as Nazi esotericism, the idea of a new spiritual Order to lead Europe, and the reasons for his rejection of Nazi biological racism. Also included are interviews Evola personally conducted with Corneliu Codreanu, the leader of the Iron Guard, and Count Coudenhove-Kalergi, the founder of the Pan-European Movement (the forerunner of the European Union), and the full text of ‘Orientations’, the famous essay Evola wrote in 1950 concerning the proper approach of the European Right in the post-war era which he further developed in Men Among the Ruins. These essays show Evola to have been an unsparing critic of fascism, always urging traditionalists to aspire for something higher than the merely political.
The Metaphysics of War is a collection of sixteen essays by Evola, published in various periodicals in the years 1935-1950.
In this important study of the meaning of the Grail, one of Europe's greatest esoteric philosophers discloses the pre-Christian and initiatic sources of this symbolic motif that is so central to Western mythology and culture. He demonstrates how the main features of the legend are from an older tradition analogous to the great heroic sagas and cycles of the North, and that the Grail itself is a symbol of initiation. Evola uncovers the hidden meaning in the often surreal adventures of the knights who searched for the Grail, interpreting them as inner experiences and tests for the seeker. He also explores the history of the myth in the Middle Ages, its use by the Knights Templar and the Cathars, its legacy during the decline of the Holy Roman Empire, and its links with Rosicrucianism, alchemy, and Masonry. This excursion into the realm of the Grail throws new light on an endlessly fascinating subject.
With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo‑Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader’s most cherished assumptions about fundamental aspects of modern life. A controversial scholar, philosopher, and social thinker, JULIUS EVOLA (1898-1974) has only recently become known to more than a handful of English‑speaking readers. An authority on the world’s esoteric traditions, Evola wrote extensively on ancient civilizations and the world of Tradition in both East and West. Other books by Evola published by Inner Traditions include Eros and the Mysteries of Love, The Yoga of Power, The Hermetic Tradition, and The Doctrine of Awakening.
A Cinnabar Moth Publishing anthology, A Cold Christmas and the Darkest of Winters is a collection of short stories with themes that range from sad to dark to horrifying. Each story is set during Christmas or in Winter. Many talented authors worked to create these short stories, and we are proud to present them to you in this anthology. The full list of contributing authors is included below: Kisstopher Musick Archita Mittra Elyse Russell Alexis Hansen Cynthia McDonald Vashelle Nino Sebastian Vice Angelo Lorenzo T. War Powers Tilden A.M. Weald Chad Musick Ashe Thurman Katie Groom Joe Haward Hector Duarte Jr. Suraya Kasimma Zoë Markham Gwen C. Katz André Santana Roy Christopher Frances Ogamba Phoenix Blackwood
Catherine Despeux’s book Taoism and Self Knowledge is a study of the Internal Alchemical text "Chart for the Cultivation of Perfection." It begins with an analysis of pictographic and symbolic representation of the body in early Taoism after which the author examines different extant versions of the "Chart" as it was transmitted among Quanzhen groups in the Qing dynasty. The book is comprised of four main parts: the principal parts of the body and their nomenclature in Internal Alchemy, the spirits in the human body, and the alchemical processes and procedures used in thunder rituals and self-cultivation. This is a revised, expanded edition of the original French edition Taoïsme et connaissance de soi. La carte de la culture de la perfection (Xiuzhen tu) Paris, 2012.