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The unforgettable memoir of 70 years of contemporary and personal history from the great French filmmaker, journalist and intellectual Claude Lanzmann Born to a Jewish family in Paris, 1925, Lanzmann's first encounter with radicalism was as part of the Resistance during the Nazi occupation. He and his father were soldiers of the underground until the end of the war, smuggling arms and making raids on the German army. After the liberation of France, he studied philosophy at the Sorbonne, making money as a student in surprising ways (by dressing as a priest and collecting donations, and stealing philosophy books from bookshops). It was in Paris however, that he met Jean-Paul Sartre and Simone de Beauvoir. It was a life-changing meeting. The young man began an affair with the older de Beauvoir that would last for seven years. He became the editor of Sartre's political-literary journal, Les Temps Modernes—a position which he holds to this day—and came to know the most important literary and philosophical figures of postwar France. And all this before he was 30 years old. Written in precise, rich prose of rare beauty, organized—like human recollection itself—in interconnected fragments that eschew conventional chronology, and describing in detail the making of his seminal film Shoah, The Patagonian Hare becomes a work of art, more significant, more ambitious than mere memoir. In it, Lanzmann has created a love song to life balanced by the eye of a true auteur.
'Exquisitely written... haunting... Few books, I think, capture so well the sense of a life broken for ever by trauma and guilt' Sunday Times 'An unsparing, honest and insightful memoir, that shows how private failure becomes national disaster' Hilary Mantel Twenty years after the end of the war, Horst Krüger attempted to make sense of his childhood. He had grown up in a quiet Berlin suburb. Here, people lived ordinary lives, believed in God, obeyed the law, and were gradually seduced by the promises of Nazism. He had been 'the typical child of innocuous Germans who were never Nazis, and without whom the Nazis would never have been able to do their work'. With tragic inevitability, this world of respectability, order and duty began to crumble. Written in accomplished prose of lingering beauty, The Broken House is a moving coming-of-age story that provides a searing portrait of life under the Nazis.
“[A] masterly investigation of evil, resistance and guilt, billed as the first Arab novel to confront the Holocaust” from the Nobel Prize–nominated author (Publishers Weekly). Banned in the author’s native Algeria, this groundbreaking novel is based on a true story and inspired by the work of Primo Levi. The Schiller brothers, Rachel and Malrich, couldn’t be more dissimilar. They were born in a small village in Algeria to a German father and an Algerian mother and raised by an elderly uncle in one of the toughest ghettos in France. But the similarities end there. Rachel is a model immigrant—hard working, upstanding, law-abiding. Malrich has drifted. Increasingly alienated and angry, a bleak future seems inevitable for him. But when Islamic fundamentalists murder the young men’s parents in Algeria the destinies of both brothers are transformed. Rachel discovers the shocking truth about his family and buckles under the weight of the sins of his father, a former SS officer. Now Malrich, the outcast, will have to face that same awful truth alone. “The German Mujahid deals with the fine line between the destructive power wielded by Islamic fundamentalism today and the power of another movement that left an indelible mark on history: Nazism.” —Haaretz (Israel) “With extraordinary eloquence, Sansal condemns both the [Algerian] military and the Islamic fundamentalists; he decries that Algeria crippled by trafficking, religion, bureaucracy, the culture of illegality, of coups, and of clans, career apologists, the glorification of tyrants, the love of flashy materialism, and the passion for rants.” —Lire (France) “The German Mujahid, winner of the RTL-Lire Prize for fiction, is a marvelous, devilishly well-constructed novel.” —L’Express (France)
A Peruvian literary master returns with a provocative novel about the intersection of retribution and reconciliation--and a soldier's quest to confront the ghosts of his past after the Shining Path's reign of terror has ended.
Patagonia is one of the 'final frontiers' on our planet: remote, untamed and much of it inaccessible except on horseback. Though travelled before and sporadically settled, it remains remarkably resistant to human trampling. Divided unequally between Argentina and Chile, Patagonia remains a land of mystery today. The history of those who settled in the nineteenth and twentieth centuries along its Andean frontier is even less known. They are the 'dark horses' of this book.Jon Burrough rode with his gaucho guide for 1,500 kilometres through this land of savage beauty. Dark Horses at the Patagonian Frontier evokes the rawness of the region using extracts from diaries, personal interviews, tales told or recorded, myths and legends--all wound round the narrative thread. Part travel record of a 'third-ager' on horseback (who was to discover he had cancer ten days out) and part history of this truly wild region, the book explores the landscapes and legacy of a pioneer culture. Illustrated with the author's own photographs, it also contains several detailed route and location maps to ensure the reader does not get lost. Dark Horses at the Patagonian Frontier is a tale both of the author's epic journey and of the remarkable pioneers he met and who showed him a hospitality and friendliness which seemed to have no limit.
Comprehensive analysis of 220 hours of outtakes that impels us to reexamine our assumptions about a crucial Holocaust documentary. Claude Lanzmann’s 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 9½-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challenge to the representational and theoretical paradigms produced by the documentary, while offering new meanings of Shoah and of Holocaust testimony writ large. They lend fresh insight into issues raised by the film, including questions of resistance, rescue, refugees, and, above all, gender—Lanzmann’s twenty hours of interviews with women make up a mere ten minutes of the finished documentary. As a rare instance of outtakes preserved during the predigital era of cinema, this unused footage challenges us to establish a new critical framework for understanding how documentaries are constructed and reshapes the way we view this key Holocaust film. “Cazenave’s immense work of scholarship and reflection offers an intimate and exacting account of the way Lanzmann’s approach to the project shifted and changed over the years of its creation. Never before has there been a more insightful study of the evolution of his thinking. I believe that any scholar who has worked on this film will agree.” — Stuart Liebman, editor of Claude Lanzmann’s Shoah: Key Essays “This monumental book will profoundly change our understanding of Shoah and Lanzmann’s highly influential shaping of the Holocaust narrative. Cazenave reveals that the significance of Shoah is not only found in what is in it, but, perhaps more importantly, what was omitted from it.” — Aaron Kerner, author of Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films
A daring, moving fictional account of the last moments of a father and his two sons atop the World Trade Centre on September 11.
A haunting and powerful novel from one of France’s most exciting and talented young writers.
This edited volume is a timely and comprehensive summary of the New Zealand lizard fauna. Nestled in the south-west Pacific, New Zealand is a large archipelago that displays the faunal signatures of both its Gondwanan origins, and more recent oceanic island influences. New Zealand was one of the last countries on Earth to be discovered, and likewise, the full extent of the faunal diversity present within the archipelago is only just starting to be appreciated. This is no better exemplified than in lizards, where just 30 species (20 skinks, 10 geckos) were recognized in the 1950s, but now 104 are formally or informally recognized (61 skinks, 43 geckos). Thus, New Zealand contains one of the most diverse lizard faunas of any cool, temperate region on Earth. This book brings together the world’s leading experts in the field to produce an authoritative overview of the history, taxonomy, biogeography, ecology, life-history, physiology and conservation of New Zealand lizards.