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This collection of work is an analysis and investigation into Maxine Greene, the most important philosopher of education in the United States today. The book opens and concludes with Greene's own autobiographical statements.
"This remarkable set of essays defines the role of imagination in general education, arts education, aesthetics, literature, and the social and multicultural context.... The author argues for schools to be restructured as places where students reach out for meanings and where the previously silenced or unheard may have a voice. She invites readers to develop processes to enhance and cultivate their own visions through the application of imagination and the arts. Releasing the Imagination should be required reading for all educators, particularly those in teacher education, and for general and academic readers." —Choice "Maxine Greene, with her customary eloquence, makes an impassioned argument for using the arts as a tool for opening minds and for breaking down the barriers to imagining the realities of worlds other than our own familiar cultures.... There is a strong rhythm to the thoughts, the arguments, and the entire sequence of essays presented here." —American Journal of Education "Releasing the Imagination gives us a vivid portrait of the possibilities of human experience and education's role in its realization. It is a welcome corrective to current pressures for educational conformity." —Elliot W. Eisner, professor of education and art, Stanford University "Releasing the Imagination challenges all the cant and cliché littering the field of education today. It breaks through the routine, the frozen, the numbing, the unexamined; it shocks the reader into new awareness." —William Ayers, associate professor, College of Education, University of Illinois, Chicago
Maxine Greene, one of the leading educational philosophers of the past fifty years, remains an idol to thousands of educators, according to the New York Times. In The Public School and the Private Vision, first published in 1965 but out of print for many years, Greene traces the complex interplay of literature and public education from the 1830s to the 1960s--and now, in a new preface, to the present. With rare eloquence she affirms the values that lie at the root of public education and makes an impassioned call for decency in difficult times, once again a key theme in education circles. A new foreword by Herbert Kohl shows how the work resonates for contemporary teachers, students, and parents.
Special 2018 Edition From the new Introduction by Janet L. Miller, Teachers College, Columbia University: "Maxine Greene never claimed to be a visionary thinker. But forty years later, her trepidations detailed throughout 1978's Landscapes of Learning now appear unnervingly prescient. Witness and treasure Landscapes as evidence of her matchless abilities to inspire myriad educators and students worldwide." “I would suggest that there must always be a place in teacher education for ‘foundations’ people, whose fundamental concern is with opening new perspectives on the many faces of the human world.” —Maxine Greene The essays in this volume demonstrate clearly that Maxine Greene is herself an example of the kind of “foundations” specialist she hopes to see: someone who can stimulate, inform, and bring new insights to teachers, students, curriculum planners, administrators, policymakers—indeed all those concerned with education in its broadest sense. These essays, a number of them based on lectures presented to various professional organizations, reveals her dedication to learning and teaching, as it reveals her belief in the potential of each individual person. A philosopher whose orientation is largely existential and phenomenological, she seeks to demystify aspects of today’s technological society, to question taken-for-granted notions of social justice and equality, and to elucidate conflicts between youth and age, the poor and the middle class, minorities and Whites, male and female. As a humanist, she calls for self-reflectiveness, wide-awakeness, and personal transformation within the context of each person’s own lived world—each one’s particular landscape of work, experience, and aspiration. Recognizing the multiple realities that compose experience, the many landscapes against which sense-making proceeds, the essays are grouped in four sections: intellectual and moral components of emancipatory education; social issues and their implications for approaches to pedagogy; artistic-aesthetic considerations in the making of curriculum; and the cultural significance of women’s predicaments today. All are richly illuminated by examples; all are written with grace and passion; all will help readers achieve greater self-understanding and critical consciousness. “This is a significant book.”—Phi Delta Kappan “Maxine Greene forces us to consider what we can do even in a limited way and to begin to understand where we have failed.” —Cross Currents
Devoted to and inspired by the late Maxine Greene, a champion of education and advocator of the arts, this book recognizes the importance of Greene’s scholarship by revisiting her oeuvre in the context of the intellectual historicity that shaped its formation. As a scholar, Greene dialogued with philosophers, social theorists, writers, musicians, and artists. These conversations reveal the ways in which the arts, just like philosophy and science, allow for the facilitation of "wide-awakeness," a term that is central to Greene’s pedagogy. Amidst contemporary trends of neoliberal, one-size-fits-all curriculum reforms in which the arts are typically squeezed out or pushed aside, Greene’s work reminds us that the social imagination is stunted without the arts. Artistic ways of knowing allow for people to see beyond their own worlds and beyond "what is" into other worlds of "what was" and "what might" be some day. This volume demonstrates Maxine Greene’s profound ability to illuminate the importance of the artistic world and the imaginary for development of the self in the world and for encouraging a "wide-awakeness" reflective of an emerging political awareness and a longing for a democratic world that "is not yet." This book was originally published as a Special Issue of The Review of Education, Pedagogy and Cultural Studies.
This delightful study is a reinterpretation of the work of the three most important writers of the 1920s.
This volume suggests an ontological framework for teacher praxis according to Maxine Greene’s concept of Naming and Becoming.
This book offers a selection of the papers of the Women in Pragmatism International Conference held at the University of Barcelona in January 2020. The conference gathered women and non-binary scholars from twelve different countries. This was the first pragmatist conference organized entirely by women and non-binary persons. It has initiated a stable network of mentoring and support analogous to other women philosophers’ organizations. The book provides paths to reconstruct the roots of pragmatism, integrating the works of women pragmatists of the past and linking them to the current developments of feminist and pragmatist topics. Scholars of different countries, status, and backgrounds serve as a powerful example of the trend toward interdisciplinary cooperation and versatility we might expect for the future of pragmatism. The book is of interest for scholars interested in both pragmatism and feminism, from various perspectives ranging from psychology to semiotics, logic, and sociology, wishing to expand their horizons and understand their relevant interactions.
With his offbeat sense of humor and down-home Southern sensibility, James Whorton has been compared to luminaries such as John Kennedy Toole and Carson McCullers. He sharpens his cutting wit to a keen edge in Frankland, following the misadventures of a wannabe academic who goes hunting for a secret history and gets much more than he bargained for. John Tolley is a bumbling college dropout who yearns to become a bowtie-wearing, pipe-smoking historian. When he hears that Andrew Johnson's lost papers may have been preserved by an heir in Tennessee, he grabs his tweed jacket and heads south, convinced that he'll discover the key to a groundbreaking biography on the seventeenth U.S. president and the start of a respectable career. But things start to go awry when his car breaks down in the town of Pantherville, Tennessee. Tolley rents a decrepit shack owned by a neurotic ex-con and is soon sucked into a world of cockfights, coon dogs, and the politics of Pantherville's good old boys. Surrounded by folks as eccentric as he is, including an alluringly shy mail carrier named Dweena, Tolley starts to feel at home -- even if his quest for academic glory might just prove to be a wild goose chase. Native and newcomer, highbrow and hillbilly cross paths and tangle hilariously in this wry and ribald tale.
The first in the new Sissy Sawyer series When Fidelio Valdes, a disaffected young Puerto Rican, and Robert Touche, a drunk and aggressive businessman who has lost his job and his wife, meet, they begin a spree of random shootings. The Connecticut Police are baffled until widowed fortune-teller Sissy Sawyer contacts them to say that her cards are predicting the murders and giving her clues to the identity of the killers . . .