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In this second volume of the Biblical Imagination series, Michael Card leads us on an imaginative journey through the Gospel of Mark. Card teaches us to enter each scene with the eyes of faith, knowing that Mark intended us to be filled with passion at the sight of Jesus.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
The passion is the climactic event in each of the gospels. This volume elucidates the passion in its historical background and explores its theological breadth and depth. With scholarly finesse and pastoral awareness, the author sets the vibrant message of the passion speaking to our lives and times.
Immediately. Let's go. Right away. Now. Get up. Then ... Mark's narrative moves quickly and you sense the action in the story of Jesus' life. It's teaching presented as the gospel - good news powerfully announced in a world of bad news. This gospel emphasizes not only that Jesus is "the Son of God" (1:1; 15:39) but also that this fact demands a response. The Gospel of Mark highlights Jesus' unparalleled spiritual power and authority, leading us to consider for ourselves the question, "Who do you say that I am?" (Mark 8:29) The Gospel of Mark: the Jesus we're aching for partners the compassion of Jesus with the passion of Christ. We see how the heart of God is moved by the heart of humanity and His response to our loud cry for help. We discover the world-changing result of being recipients of His compassion and the reason for His passion, all the way to the cross. Ultimately, Mark intends for the action-packed presentation of who Jesus is to lead us to acknowledge Jesus, find salvation in Him, and follow Him.
Engaging the Passion gathers an impressive array of scholars to survey how the death of Jesus has been portrayed and represented in Scripture, liturgy and music, literature, art and film, and theology and ethics—from the first to the twenty-first centuries. The contributors approach the passion from a variety of perspectives—diversely Christian, Jewish, Muslim, and secular. Their voices differ as well, from the challenging to the comforting and from the academic to the confessional. They address the faithful, the skeptical, and the curious.
Peter Bolt explores the impact of Mark's Gospel on early readers in the first-century Graeco-Roman world. Focusing upon the thirteen characters in Mark who come to Jesus for healing or exorcism, Bolt analyzes their crucial role in the communication of the Gospel. Enlisting a variety of ancient literary and non-literary sources, this book recreates the first-century world of illness, magic and Roman imperialism. This new approach to Mark combines reader-response criticism with social history.
What difference does it make to identify Mark's gospel as an ancient biography? Reading the gospels as ancient biographies makes a profound difference to the way that we interpret them. Biography immortalizes the memory of the subject, creating a literary monument to the person's life and teaching. Yet it is also a bid to legitimize a specific view of that figure and to position an author and his audience as appropriate "gatekeepers" of that memory. Biography was well suited to the articulation of shared values and commitments, the formation of group identity, and the binding together of a past story, present concerns, and future hopes. Helen Bond argues that Mark's author used the genre of biography to extend the gospel from an earlier narrow focus on the death and resurrection of Jesus so that it included the way of life of its founding figure. Situating Jesus at the heart of a biography was a bold step in outlining a radical form of Christian discipleship patterned on the life - and death - of Jesus.
In this BST volume, Donald English offers a wise, welcoming, and nontechnical guide to Mark, the smallest of the four Gospels. Along with exposition of each section of the text, English draws out principles and applications about the nature of true faith, the cost of discipleship, and how we should receive God's Word today.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
William Wrede was among the first to recognise the creative contribution of the Gospel writers. His work thus laid the foundation for the work of the Form Critics, Redaction Critics and Literary Critics whose scholarship dominated New Testament studies during the twentieth century. This highly influential work was throughout this period the departure point for all studies in the Gospel of Mark and in the literary methods of the evangelists. It remains highly relevant for its ground-breaking approach to the classically complicated question of whether Jesus saw himself and represented himself as the Messiah.