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Traces several branches of the Parrish/Parish family, believed to have emigrated from Yorkshire, England before 1640. These branches begin with Robert Parrish (married in 1678 to Cicely Jadwin), John Parish (married Hannah Jewell in 1664), and Edward Parrish (married in 1660 to Clara). Descendants and relatives lived in Maryland, Ohio, Iowa, Illinois, Minnesota, Nebraska, and elsewhere.
As strong and fiery as undiluted Irish whiskey.--New York Times Book Review
Residents of antebellum northwest Louisiana held strong pro-Union sentiments, and the Pierson family of Bienville Parish, Louisiana, were no exception, opposing secession in 1861. Yet once war began, the region contributed its full share of support to the southern army, and four of William H. Pierson's eight sons enlisted. Ranging from the early battles of the Trans-Mississippi to the epic battles of the Army of Northern Virginia, and from the brutal trenches of Vicksburg to provost guard duty in north Louisiana, this extensive collection of Civil War letters, written by three of the Pierson brothers, offers riveting glimpses of almost every variety of experience faced by Confederate soldiers. Prolific letter writers, the Piersons were educated, observant, and well placed to comment not only on the battles and campaigns of their regiments but also on their commanding officers, the effect of political activity on soldier morale, being taken captive, and, most of all, their entire family's understanding of and commitment to the Confederate cause.
After 1949 the Chinese Communists carried out land reform, the collectivization of agriculture, and the formation of people's communes. The new economic and political organizations that emerged have made peasant life more comfortable and secure, but many economic and status differentials and traditional customs remain resistant to change. Focusing on rural Kwangtung province, William L. Parish and Martin King Whyte examine the rural work-incentive system, village equality and inequality, rural health care and education, marriage customs, and the position of women, among other topics, to determine what and how much of the traditional Chinese ways of life is left in Communist China.
Amelia Bedelia, the housekeeper with a literal mind, merrily upsets the household when she "dresses" the chicken and "trims" the steak with ribbons and lace.
A monograph on Keith Sonnier, the revolutionary pioneer of the Process Art movement, this book documents five decades of the artist's prolific and ever-evolving exploration of three-dimensional art. One of the first artists to use light, specifically neon, as a form of sculpture, Keith Sonnier changed our ideas of what sculpture is and could be. From his early pieces such as Rat Tail Exercise and the Ba-O-Ba series to his most recent luminous neon-based series, this book explores the progression and influence of Sonnier's oeuvre. Essays in the book look at Sonnier's numerous public art projects, including a kilometer-long installation at the Munich airport, his relationship with his native Louisiana culture, and the architectural influences in his work. One of the art world's most productive figures, Sonnier continues to redefine the parameters of sculpture. This beautiful monograph celebrates an artist who has never ceased experimenting--and never stopped astonishing his audience. Published in association with the Parrish Art Museum
THE INTERNATIONAL BESTSELLER AND DECEMBER PICK FOR REESE WITHERSPOON'S HELLO SUNSHINE BOOK CLUB Featuring a sneak peek at Liv Constantine’s second novel, THE LAST TIME I SAW YOU "Filled with envy, deception, and power, it’s a great reading escape. And there is a thrilling twist at the end!!" —Reese Witherspoon “Will keep you up. In a ‘can’t put it down’ way. It’s ‘The Talented Mr. Ripley’ with XX chromosomes.”—The Skimm “Deliciously duplicitous. . . . equally as twisty, spellbinding, and addictive as Gillian Flynn’s Gone Girl or Paula Hawkins’s The Girl on the Train.”—Library Journal (starred review) Amber Patterson is fed up. She’s tired of being a nobody: a plain, invisible woman who blends into the background. She deserves more—a life of money and power like the one blond-haired, blue-eyed goddess Daphne Parrish takes for granted. To everyone in the exclusive town of Bishops Harbor, Connecticut, Daphne—a socialite and philanthropist—and her real-estate mogul husband, Jackson, are a couple straight out of a fairy tale. Amber’s envy could eat her alive . . . if she didn't have a plan. Amber uses Daphne’s compassion and caring to insinuate herself into the family’s life—the first step in a meticulous scheme to undermine her. Before long, Amber is Daphne’s closest confidante, traveling to Europe with the Parrishes and their lovely young daughters, and growing closer to Jackson. But a skeleton from her past may undermine everything that Amber has worked towards, and if it is discovered, her well-laid plan may fall to pieces. With shocking turns and dark secrets that will keep you guessing until the very end, The Last Mrs. Parrish is a fresh, juicy, and utterly addictive thriller from a diabolically imaginative talent.
Maxfield Parrish left a legacy of magnificent paintings, but he is best appreciated in the context of his own life and times. This book provides that context with an overview of the era in which American illustrative art flourished. When Parrish first arrived on the publishing scene in the 1890s, "mass media" meant print media. From Arthurian legends to American fables like The Wonderful Wizard of Oz, stories were avidly read by a literate population. New printing technology made color illustrations possible, a liberating element for artists and a delight for readers. Part lively Parrish biography and part lucid historical analysis, this book offers a treasure trove of illustrations from classic children's literature by Parrish and his contemporaries, accompanied by excerpts from the stories.
Illustrations and paintings by Maxfield Parrish are paired with Mother Goose rhymes, tales from the Arabian Nights, and works by the Brothers Grimm, Nathaniel Hawthorne, Robert Browning, Charles Perrault, and Eugene Field.