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Includes an excerpt from Overcoming rejection.
WITH AN INTRODUCTION BY PAUL THEROUX Somerset Maugham's success as a writer enabled him to indulge his adventurous love of travel, and he recorded the sights and sounds of his wide-ranging journeys with an urbane, wry style all his own. The Gentleman in the Parlour is an account of the author's trip through what was then Burma and Siam, ending in Haiphong, Vietnam. Whether by river to Mandalay, on horse through the mountains and forests of the Shan States to Bangkok, or onwards by sea, Maugham's vivid descriptions bring a lost world to life.
Set in a world of glamorous, gifted, intelligent people, the novel is a psychosexual drama about the close and sinister relationship between Maggie Newman and Peter and Gail, brother and sister, whose love, when threatened, degenerates into possessiveness and then darkest evil.
Sent to San Francisco to live with her beloved aunt and uncle, newly orphaned Emily expectantly enters their once-happy mansion only to find unimaginable horrors.
Jasmine helps her mother prepare to sell fish and sugar cakes at their parlour, or market stand, on market day on the island of Trinidad.
Two sisters dabble in the dark arts in Victorian London in this tale featuring murder, vampires, malevolent spirits, and a life-size chocolate gorilla In 1842, two drunken sisters debate their future. Business at the family chocolate shop has ground to a halt, and change is needed. For once, domineering elder sister Maggie doesn't get her way, and a month later Judy, Maggie, and Netta Walters—a medium with big hair and a bigger secret—open their s�ance parlor. The locals are shocked, but soon the shop is crammed with people wanting to contact the dead. Despite their change in fortune, a rift grows between the sisters, as Judy gets her gothic novel published, finds a man, and proves to be more capable of contacting spirits than Maggie. Spurred on by jealousy, Maggie tries harder, and soon the Church decides they must be stopped. For fans of the classics—Holmes, Dickens, and Abfab.
The Parlor is a futuristic novel that explores a world in which males and females live completely separated in order to achieve permanent peace and prosperity. Readers dive into this progressive society through the eyes of Andrea, an eighteen-year-old girl who is about to come face to face with a man for the first time in a mandatory meeting. Once Andrea meets a male, she discovers that this civilization isn't as perfect as it seems from his point of view. In a struggle to find the truth, Andrea must choose if she wants to forget all that she has learned or act on the humanity that she feels inside.
From the author of Winter in Sokcho, which won the 2021 National Book Award for Translated Literature. The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women's calves, men's shoes, heels trodden down by the weight of bodies borne for too long. It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko in an apartment in an abandoned hotel and lying on the floor at her grandparents: daydreaming, playing Tetris, and listening to the sounds from the street above. The heat rises; the days slip by. The plan is for Claire to visit Korea with her grandparents. They fled the civil war there over fifty years ago, along with thousands of others, and haven't been back since. When they first arrived in Japan, they opened Shiny, a pachinko parlour. Shiny is still open, drawing people in with its bright, flashing lights and promises of good fortune. And as Mieko and Claire gradually bond, their tender relationship growing, Mieko's determination to visit the pachinko parlour builds. The Pachinko Parlouris a nuanced and beguiling exploration of identity and otherness, unspoken histories, and the loneliness you can feel within a family. Crisp and enigmatic, Shua Dusapin's writing glows with intelligence.
Volume IV: The Irish Book in English 1800-1891 details the story of the book in Ireland during the nineteenth century, when Ireland was integrated into the United Kingdom. The chapters in this volume explore book production and distribution and the differing of ways in which publishing existed in Dublin, Belfast, and the provinces.