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Samuel Johnson, Samuel Taylor Coleridge, William Hazlitt and Charles Dickens all worked as parliamentary reporters, but their experiences in the press gallery have not received much scrutiny. Nikki Hessell's study is the first work to consider all four of these canonical writers as gallery reporters, providing a detailed picture of this intriguing episode in their careers. Hessell challenges preconceived notions about the role that emergent literary genius played in their success as reporters, arguing instead that they were consummate gallery professionals who adapted themselves to the journalistic standards of their day. That professional background fed in to their creative work in unexpected ways. By drawing on a wealth of evidence in letters, diaries and the press, this study provides fresh insights into the ways in which four great writers learnt the craft of journalism and brought those lessons to bear on their career as literary authors.
In the wake of 2010's historic general election politics commands more column inches and air time than ever before. Yet most political journalists failed to foresee the consequences of a coalition government. And they are still struggling to understand and reflect the new political environment in their coverage. While there is plenty of debate about the current state of politics and journalism, aspiring political reporters receive little guidance. Are unscrupulous spin doctors simply spoon-feeding them stories? Do they push their own politically-biased agendas? This book aims to focus on helping to produce competent and confident journalists who report on politics without fear or favour. With chapters on starting out in the trade, where to find the story, how to report it, and how to deal with the political classes, this book is the essential guide for journalism students, trainee journalists and journalists looking to understand the mechanisms of Westminster and Whitehall. Edited by Sheila Gunn, who was a political reporter on The Times and spin doctor to John Major, So You Want To Be A Political Journalist features contributions from a wide range of current and former political journalists from print, broadcast and on-line media. An essential resource for journalism students and the perfect refresher for seasoned reporters. Author lectures on political journalism on City University's prestigious journalism course. The National Council for the Training of Journalists (NCTJ) recognizes 63 journalism courses at colleges around Britain. In addition, there are hundreds of further colleges and organisations running media studies courses.
A Reporter’s Guide to the EU addresses a pressing need for an effective, in-depth guide to reporting on this major governing body, offering practical advice on writing and reporting on the EU and a clear, concise breakdown of its complex inner-workings. Sigrid Melchior, an experienced Brussels-based journalist, gives a detailed overview of the main EU institutions and explains the procedures for passing EU law. Interviews with professionals working for the EU, from areas including lobbying, public relations, diplomacy and journalism, are featured throughout the book. Building on this, the second half of the book provides useful journalistic tools and tips on how to approach EU reporting. It identifies common mistakes in reporting on the EU and how to avoid them, as well as offering guidance on investigative reporting. Melchior also details how to work with information gathered and maintained by EU institutions, including their audiovisual archives, the Eurostat and Eurobarometer, which are invaluable resources for journalists and journalism students. With few aspects of political life that remain untouched by EU decision-making the book demystifies the EU system and its sources, enabling professional journalists and students of journalism to approach EU reporting with clarity and confidence. For additional resources related to A Reporter’s Guide to the EU, please visit www.areportersguidetotheeu.com
Includes section "Reviews and notices of books".
Cheap booze. Flying fleshpots. Lack of sleep. Endless spin. Lying pols. Just a few of the snares lying in wait for the reporters who covered the 1972 presidential election. Traveling with the press pack from the June primaries to the big night in November, Rolling Stone reporter Timothy Crouse hopscotched the country with both the Nixon and McGovern campaigns and witnessed the birth of modern campaign journalism. The Boys on the Bus is the raucous story of how American news got to be what it is today. With its verve, wit, and psychological acumen, it is a classic of American reporting. NOTE: This edition does not include photographs.
This is the first book in the English language to examine the tangled web of relationships linking newspaper owners, editors and reporters, with leading politicians and power-holders. Duncan McCargo has been granted unique access to the editorial meetings of Thailand's leading newspapers, and drawing on this, the book uncovers the contradictions and dichotomies which underlie political coverage in the Thai press.
A key intermediary between courts and the public are the journalists who monitor the actions of justices and report their decisions, pronouncements, and proclivities. Justices and Journalists: The Global Perspective is the first volume of its kind - a comparative analysis of the relationship between supreme courts and the press who cover them. Understanding this relationship is critical in a digital media age when government transparency is increasingly demanded by the public and judicial actions are the subject of press and public scrutiny. Richard Davis and David Taras take a comparative look at how justices in countries around the world relate to the media, the interactive points between the courts and the press, the roles of television and the digital media, and the future of the relationship.