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A record of the Parks family members from their immigration to America through the lives of John Will and Granny Duck.
Our Auntie Rosa is the most intimate portrait yet of the great American hero—"the lady who refused to sit in the back of the bus." The family of Rosa Parks share their remembrances of the woman who was not only the mother of the civil rights movement, but a nurturing mother figure to them as well. Her brave act on a bus in Montgomery, Alabama, on December 1, 1955, was just one moment in a life lived with great humility and decency. After the deaths of Rosa Parks's husband and brother, her nieces and nephews became her only family and the closest that she would ever experience to having biological sons and daughters. In this book, they share with readers what she shared with them about her experiences growing up in a racist South, her deep dedication to truth and justice, and the personal values she held closest to her heart.
Gordon Parks: A Harlem Family 1967 honours the legacy and the work of late iconic artist and photojournalist Gordon Parks, who would have turned 100 on November 30, 2012. The exhibition catalogue is co-published by The Studio Museum in Harlem and The Gordon Parks Foundation and features approximately eighty black and white photographs of the Fontenelle family, whose lives Gordon Parks documented as part of a 1968 Life magazine photo essay. A searing portrait of poverty in the United States, the Fontenelle photographs provide a view of Harlem through the narrative of a specific family at a particular moment in time. Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant labourer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and becoming a photographer. In addition to his storied tenures at the Farm Security Administration, the Office of War Information (1941-1945) and Life magazine (1948-1972), Parks was a modern-day Renaissance man who found success as a film director, author and composer. The first African-American director to helm a major motion picture, he popularised the Blaxploitation genre through his film Shaft (1971). He wrote numerous memoirs, novels and books of poetry and received many awards, including the National Medal of Arts and more than fifty honorary degrees. In 1997 the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition "Half Past Autumn: The Art of Gordon Parks". Parks died in 2006.
In homage to America’s National Parks and their iconic art posters, this volume features new artwork for seventy-five parks and monuments across all fifty states. “In this sepia-tinged homage” to the iconic National Parks posters “modern artists contribute dazzling new graphics” (Entertainment Weekly). From 1935 to 1943, the WPA’s Federal Art Project hired American artist to create posters celebrating the National Parks Service. The icon See America posters inspired Americans to fall in love with the country’s landmarks and wild spaces from the Golden Gate Bridge to the Gateway Arch and from the Grand Canyon to the Great Smokey Mountains. Originally published to coincide with the centennial anniversary of the National Parks Service, the Creative Action Network has partnered with the National Parks Conservation Association to revive and reimagine the legacy of WPA travel posters. Artists from all over the world participated in the creation of this new, crowdsourced collection of See America posters for a modern era.
"This beautifully illustrated collection highlights America's 62 national parks and 38 state, recreational, and city parks and green spaces"--