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Fraser Island, 1882. The population of the Badtjala people is in sharp decline following a run of brutal massacres. When German scientist Louis Müller offers to sail three Badtjala people - Bonny, Jurano and Dorondera - to Europe to perform to huge crowds, the proud and headstrong Bonny agrees, hoping to bring his people's plight to the Queen of England.Accompanied by Müller's bright, grieving daughter, Hilda, the group begins their journey to belle-époque Europe to perform in Hamburg, Berlin, Paris and eventually London. While crowds in Europe are enthusiastic to see the unique dances, singing, fights and pole climbing from the oldest culture in the world, the attention is relentless, and the fascination of scientists intrusive. When disaster strikes, Bonny must find a way to return home.
1952. Tasmania. The beautiful green, rolling hills of the dairy town Mole Creek have a dark underside — a labyrinthine underworld of tunnels that stretch for countless miles, caverns the size of cathedrals and underground rivers that flood after heavy rain. The caves are dangerous places, forbidden to children. But this is Tasmania — an island at the end of the earth. Here, rules are made to be broken. For two young brothers, a hidden cave a short walk from the family farm seems the perfect escape from their abusive, shell-shocked father — until the older brother goes missing. Fearful of his father, the younger and more vulnerable Kip lies about what happened. It is a decision that will haunt him his whole life. Fifty years later, Kip — now an award-winning scientist — has a young son of his own, but cannot look him without seeing his lost brother, Tommy. On a mission of atonement, he returns to the cave they called Kubla to discover if it’s ever too late to have a second chance. To go back and set things right. To be the father you never had. Following the release of her hugely successful first novel Pescador’s Wake, Katherine Johnson is back to share her exceptional writing talent with the world. The Better Son is a richly imaginative and universal story about the danger of secrets, the beauty of forgiveness and the enthralling power of our natural landscape.
A gripping and timely novel set in the world of illegal fishing in some of the most dangerous waters in the world -- the Southern Ocean -- from a talented new writer Amid the storms and icebergs of the far Southern Ocean, a deadly chase is underway. the Uruguayan-flagged Pescador has been spotted fishing illegally for Patagonian toothfish in the waters off Heard Island. the crew of an Australian patrol vessel, the Australis, has been given instructions to pursue the Pescador and not let her out of its sight. Equally determined, Carlos, the Pescador's master, sets an escape course south, directly into a storm. But the Australian boat in hot pursuit is not the only source of anxiety among the crew of the Pescador. Each has his own secrets and ambitions. As the drama unfolds at sea, so too do the stories of the human lives caught in its nets. For the men on board the boats, and the women they've left behind on shore, there is much at stake. In this gripping debut novel, Katherine Johnson evokes the danger and heartbreak of lives at the mercy of the sea, and weaves a breathtaking story of love, loss and hope.
When Sara Rose returns to live in her recently deceased grandmother’s Tasmanian cottage, her past and that of her mother and grandmother is ever-present. Sara’s grandmother, Nina Barsova, a Russian post-war immigrant, lovingly raised Sara in the cottage at the foot of Mt Wellington but without ever explaining why Sara’s own mother, Helena, abandoned her as a baby. Sara, a geneticist, also longs to know the identity of her father, and Helena won’t tell her. Now, estranged not only from her mother, but also from her husband, Sara raises her daughter, Ellie, with a central wish to spare her the same feeling of abandonment that she experienced as a child. When Sara meets an Afghani refugee separated from his beloved wife and family, she decides to try to repair relations with Helena – but when a lie told by her grandmother years before begins to unravel, a darker truth than she could ever imagine is revealed. Matryoshka is a haunting and beautifully written story about the power of maternal love, and the danger of secrets passed down through generations.
Lucy and Jem live on the Tasman Peninsula near Eaglehawk Neck, where Lucy is recovering from major surgery. As she tries to navigate her new body through the world, she develops a deep fascination with the local octopuses, and in doing so finds herself drawn towards the friendship of an old woman and her son. As the story unfolds, the octopuses come to shape Lucy's body and her sense of self in ways even she can't quite understand. The Octopus and I is a stunning debut novel that explores the wild, beating heart at the intersection of human and animal, love and loss, fear and hope.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.
When the sex in Vivien Quarry’s thirty-two-year marriage dwindles to nothing, her husband Geoff finally gives her a reason: ‘Men are hardwired to not find older women attractive’. This unforgivable statement, uttered by a man long past his Adonis years, prompts Vivien to take drastic action. At sixty-seven, she most definitely doesn’t feel ‘past it’, and so enlists the services of the enigmatic Martin Glover from The Discretion Agency. Under the sardonic eye of her oldest friend Jules, a world-famous operatic soprano facing the closing years of a brilliant career, Viv embarks on a series of wildly unpredictable, and sometimes hilariously cringeworthy dates – with wholly unexpected consequences. Told with great humour and heart, the accomplished Virginia Duigan delivers a provocative and profoundly relatable story that proves living is not reserved for the young. Praise for Virginia’s past novels ‘Highly recommended.’ ABC’s The Book Show ‘Captivating’ The Australian ‘Duigan is a wonderful writer’ The Sunday Telegraph