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“Une histoire d’espoir—a story of hope.” —Kirkus Reviews “A memorable, heartfelt read.” —Publishers Weekly Fans of the Nate series by Tim Federle and The Fourteenth Goldfish by Jennifer Holm will love Cleveland Rosebud Potts in this poignant and heartfelt novel from the award-winning author of Lily and Dunkin. Cleveland Rosebud Potts has a plan. If she can check off the six items on her très important Paris Project List she will make it out of the small-minded and scorching town of Sassafras, Florida, to a rich and cultured life at The American School of Paris. Unfortunately, everything seems to conspire against Cleveland reaching her goal. Cleveland is ashamed of her father and angry that her mother and sister are never around because they have to work extra shifts to help out the family. Her Eiffel Tower tin has zero funds. And to top it all off, Cleveland’s best friend Jenna Finch has decided she’s too fancy for her and her neighbor Declan seems to be hiding something. As Cleveland puts her talents to the test, she must learn how to forgive family for their faults, appreciate friends for exactly who they are, and bloom where she’s planted—even if that’s in a tiny town in central Florida that doesn’t even have a French restaurant. C’èst la vie!
Best friends Imogene and Evie are off to work in Paris for the summer where they will meet with glamorous models and shop at the finest stores--as is required by fashion-savvy apprentices of a famous designer in the fashion capital of the world.
“Une histoire d’espoir—a story of hope.” —Kirkus Reviews “A memorable, heartfelt read.” —Publishers Weekly Fans of the Nate series by Tim Federle and The Fourteenth Goldfish by Jennifer Holm will love Cleveland Rosebud Potts in this poignant and heartfelt novel from the award-winning author of Lily and Dunkin. Cleveland Rosebud Potts has a plan. If she can check off the six items on her très important Paris Project List she will make it out of the small-minded and scorching town of Sassafras, Florida, to a rich and cultured life at The American School of Paris. Unfortunately, everything seems to conspire against Cleveland reaching her goal. Cleveland is ashamed of her father and angry that her mother and sister are never around because they have to work extra shifts to help out the family. Her Eiffel Tower tin has zero funds. And to top it all off, Cleveland’s best friend Jenna Finch has decided she’s too fancy for her and her neighbor Declan seems to be hiding something. As Cleveland puts her talents to the test, she must learn how to forgive family for their faults, appreciate friends for exactly who they are, and bloom where she’s planted—even if that’s in a tiny town in central Florida that doesn’t even have a French restaurant. C’èst la vie!
Originally published in 1984. In The Working People of Paris, 1871–1914, Lenard Berlanstein examines how technological advances, expanding industrialization, bureaucratization, and urban growth affected the lives of the working poor and near poor of one of the world's most influential cities during an era of intense social and cultural change. Berlanstein departs from other historians of the working classes in treating, in a parallel manner, not only craftsmen and factory laborers but also service workers and lower-level white-collar employees. Avoiding the fallacy of letting the city limits set the boundaries of an urban study, he deals also with the industrial suburbs, with their considerable concentration of workers, to examine the transformation of the work, leisure, and consumer experiences of the people who did not own property and who lived from one payday to the next during the Second Industrial Revolution. The Working People of Paris describes a cycle of adaptation and resistance to the forces of economic maturation. For several decades after 1871, Berlanstein argues, working people and employees preserved accommodations with management about reciprocal rights in the workplace. By the beginning of the twentieth century, however, these forms of adaptation had broken down under new economic pressures. The result was a crisis of discipline in the workplace, as wage earners and modest clerks began to challenge managerial authority. Berlanstein's study confronts the widely accepted view that, during this period, workers became better integrated into a society of improving standards of living and mass leisure. Instead, he documents uneven patterns of material progress and growing conflict over work roles among all sorts of laboring people.
A critical examination of metropolitan planning in Paris—the “Grand Paris” initiative—and the building of today's networked global city. In 2007 the French government announced the “Grand Paris” initiative. This ambitious project reimagined the Paris region as integrated, balanced, global, sustainable, and prosperous. Metropolitan solidarity would unite divided populations; a new transportation system, the Grand Paris Express, would connect the affluent city proper with the low-income suburbs; streamlined institutions would replace fragmented governance structures. Grand Paris is more than a redevelopment plan; it is a new paradigm for urbanism. In this first English-language examination of Grand Paris, Theresa Enright offers a critical analysis of the early stages of the project, considering whether it can achieve its twin goals of economic competitiveness and equality. Enright argues that by orienting the city around growth and marketization, Grand Paris reproduces the social and spatial hierarchies it sets out to address. For example, large expenditures for the Grand Paris Express are made not for the public good but to increase the attractiveness of the region to private investors, setting off a real estate boom, encouraging gentrification, and leaving many residents still unable to get from here to there. Enright describes Grand Paris as an example of what she calls “grand urbanism,” large-scale planning that relies on infrastructural megaprojects to reconfigure urban regions in pursuit of speculative redevelopment. Democracy and equality suffer under processes of grand urbanism. Given the logic of commodification on which Grand Paris is based, these are likely to suffer as the project moves forward.
"A unique and compelling novel from a master storyteller." —School Library Journal, starred review The critically acclaimed author of Lily and Dunkin delivers another heartfelt story that will remind readers you never know who needs a friend the most. Miles is an anxious boy who loves his family's bowling center—even though he could be killed by a bolt of lightning or a wild animal that escaped from the Philadelphia Zoo on the way there. Amy is the new girl at school who wishes she didn't have to live above her uncle's funeral home and tries to write her way to her own happily-ever-after. Then Miles and Amy meet in the most unexpected way . . . and that's when it all begins. . . .
Bestselling author and world-renowned chef David Lebovitz continues to mine the rich subject of his evolving ex-Pat life in Paris, using his perplexing experiences in apartment renovation as a launching point for stories about French culture, food, and what it means to revamp one's life. Includes dozens of new recipes. When David Lebovitz began the project of updating his apartment in his adopted home city, he never imagined he would encounter so much inexplicable red tape while contending with perplexing work ethic and hours. Lebovitz maintains his distinctive sense of humor with the help of his partner Romain, peppering this renovation story with recipes from his Paris kitchen. In the midst of it all, he reveals the adventure that accompanies carving out a place for yourself in a foreign country—under baffling conditions—while never losing sight of the magic that inspired him to move to the City of Light many years ago, and to truly make his home there.
The Paris we know today, with its grand boulevards, its bridges and parks, its monumental beauty, was essentially built in only seventeen years, in the middle of the nineteenth century. In this brief period, whole neighborhoods of medieval and revolutionary Paris -- over-crowded, dangerous, and filthy -- were razed, and from the rubble a modern city of light and air emerged. This triumphant rebuilding was chiefly the work of one man, Baron Georges Haussmann, Napoleon III's Prefect of the Seine. It was Haussmann's task to assert, in stone, the power and permanence of Paris, to show the world that it was the seat of an empire of mythic proportions. To this end, he imposed grand visual perspectives, as when he transformed Napoleon I's Arc de Triomphe into a magnificent twelve-armed star from which radiated the broadest boulevards of Europe. Below ground, his modern sewer system became one of the wonders of the civilized world, eagerly toured by royalty and commoners alike. Haussmann's mandate was not only to create an impression of grandeur but to secure the city for better control by government. By creating formal spaces where there had previously been a maze of chaotic streets, Haussmann opened Paris to effective police control and thwarted the recurrent demonstration of its well-known revolutionary fervor. The determined and autocratic Haussmann imprinted rational order and bourgeois civility on the unruly city which had for so long simmered with riot and insurrection. Though he planted chestnut trees, installed gas lights, rebuilt the water supply, and improved transportation and housing, Haussmann's labors were (and remain) controversial. He forced tens of thousands of the poor from the center of the city, and destroyed significant parts of old Paris. But in this important new biography David Jordan reminds us that Haussmann was not immune to the charms of the old city. By leaving some areas intact, the Baron achieved the grand effect of implanting a modern city boldly within an ancient one. Here, at last, Haussmann's labors are given the aesthetic as well as the historical appreciation they deserve.
An evocative and compelling story of two sisters who would do anything for each other—perfect for fans of Thirteen Reasons Why and Speak. Joy Preble's stirring new novel explores the lengths to which sisters go to protect each other, and the winding road that brings two strangers into each other's lives. Sisters Leo and Paris Hollings have only ever had each other to rely on. They can't trust their mother, who hops from city to city and from guy to guy, or their gambler stepfather, who's moved them all to Las Vegas. It's just the two of them: Paris, who's always been the dreamer, and Leo, who has a real future in mind—going to Stanford, becoming a doctor, falling in love. But Leo isn't going anywhere right now, except driving around Vegas all night with her sister. Until Paris ditches Leo at the Heartbreak Hotel Diner, where moments before they had been talking with physics student Max Sullivan. Outside, Leo finds a cryptic note from Paris—a clue. Is it some kind of game? Where is Paris, and why has she disappeared? When Leo reluctantly accepts Max's offer of help, the two find themselves following a string of clues through Vegas and beyond. But the search for the truth is not a straight line. And neither is the path to secrets Leo and Max hold inside.
The author tells the story of her struggles to reconcile her ghetto background and the world of private schools, wealthy classmates, and important jobs offered to her because of her academic talent.