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Ooh-la-la! This magical first-person novel poignantly captures the quest for love, truth, and meaning in a tumultuous world. Chances are, you know someone like Camille: tenderhearted and ambitious, yet free-as-the-breeze. An American portrait artist in Paris, Camille Portraro leads an enchanting existence until her life forever changes when everything she loves crashes in a flash. Camille’s life is entangled with a foreigner who mirrors lost parts of her life; as the narrative sweeps these strangers together, you will find yourself doing a double take. Sasha Lauren’s dramatic debut novel The Paris Predicament is a playful, thrilling, and unpredictable page-turner; it will take you for a wondrous ride around the world without ever leaving your seat. The whimsical words lilt and roll off the page, beckoning you on.
Passion, peril and a princess in hiding Forced into hiding after a threat to her life, Princess Gabriella St. Pierre must protect both herself and her unborn child. Working at an orphanage, the princess tries to suppress memories of a passionate night long ago with Whit Howell—her father's royal bodyguard and a man she never thought she'd see again. When an attempted abduction occurs as Princess Gabriella is leaving the orphanage, Whit rescues her and vows to keep her safe. But how can he shepherd the princess back to her country without knowing who is orchestrating these attacks…and why? It is the most important mission of his life—and he'd risk everything to save the one woman he can't live without.
The Predicament of Culture is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, James Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in post-colonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group’s identity and authenticity? What are the essential elements and boundaries of a culture? How do self and “the other” clash in the encounters of ethnography, travel, and modern interethnic relations? In chapters devoted to the history of anthropology, Clifford discusses the work of Malinowski, Mead, Griaule, Lévi-Strauss, Turner, Geertz, and other influential scholars. He also explores the affinity of ethnography with avant-garde art and writing, recovering a subversive, self-reflexive cultural criticism. The surrealists’ encounters with Paris or New York, the work of Georges Bataille and Michel Leiris in the Collège de Sociologie, and the hybrid constructions of recent tribal artists offer provocative ethnographic examples that challenge familiar notions of difference and identity. In an emerging global modernity, the exotic is unexpectedly nearby, the familiar strangely distanced.
"Plainly the work of a forceful and ambitious writer... (Class) is like little else I’ve read in recent years.” —Dwight Garner, The New York Times The breakout novel by Francesco Pacifico, one of Italy’s most acclaimed writers, hailed by Dana Spiotta as “brilliantly funny and weirdly subversive” Ludovica and Lorenzo live in Rome. She works in her family’s bookstore, and he’s a filmmaker—or, rather, a “filmmaker”: so far, all he’s produced is one pretentious short film that even his friends don’t take seriously. But somehow, he gets a scholarship to Columbia University, and the couple decide to head to New York—specifically, to Williamsburg: the promised land. They soon fall in with a group of Italian expats—all of them with artistic ambitions and the family money to support those ambitions indefinitely. There’s Nicolino, the playboy; Marcello, the aspiring rapper; Sergio, the literary scout; and a handful of others. These languidly ambitious men and women will come together and fall apart, but can they escape their fates? Can anyone? In Class, Francesco Pacifico gives a grand, subversive, formally ambitious social novel that bridges Italy and America, high and low, money and art. A novel that channels Virginia Woolf and Kanye West, Henry Miller and Lil’ Wayne, Class is an unforgettable, mordantly funny account of Italians chasing the American dream.
The Seven Years War was a global contest between the two superpowers of eighteenth century Europe, France and Britain. Winston Churchill called it “the first World War”. Neither side could afford to lose advantage in any part of the world, and the decisive battles of the war ranged from Fort Duquesne in what is now Pittsburgh to Minorca in the Mediterranean, from Bengal to Quèbec. By its end British power in North America and India had been consolidated and the foundations of Empire laid, yet at the time both sides saw it primarily as a struggle for security, power and influence within Europe. In this eagerly awaited study, Daniel Baugh, the world’s leading authority on eighteenth century maritime history looks at the war as it unfolded from the failure of Anglo-French negotiations over the Ohio territories in 1784 through the official declaration of war in 1756 to the treaty of Paris which formally ended hostilities between England and France in 1763. At each stage he examines the processes of decision-making on each side for what they can show us about the capabilities and efficiency of the two national governments and looks at what was involved not just in the military engagements themselves but in the complexities of sustaining campaigns so far from home. With its panoramic scope and use of telling detail this definitive account will be essential reading for anyone with an interest in military history or the history of eighteenth century Europe.
Winner of the Launch Pad Writing Competition 2022 In this witty and heartfelt debut love story for fans of Josie Silver's One Day in December, a woman stranded in Paris for the day discovers that the wrong road can sometimes lead us in the right direction. When Hannah and her boyfriend, Simon, set out to Amsterdam, they’re confident that they’ll make it to his sister’s wedding in time. However, unbeknownst to them, their train is scheduled to divide in the middle of the night. And when it does, half of it continues the route to Amsterdam. And the other half—the one with Hannah in it—heads three hundred miles away, to Paris. Left without her belongings or hope of reuniting with Simon, Hannah has no choice but to spend the day in Paris before the next train out. Worse than being stranded in a foreign city alone? Being stuck with Léo, the handsome but infuriating Frenchman who blames Hannah for his own unwanted delay. The series of mishaps that sends them traipsing through the City of Light is only further proof that Hannah’s day has gone from bad to worse. But as she takes in the glorious sights of the city—and spends more time with Léo—Hannah discovers that the unexpected detour might actually be leading her to the life she was always meant to live . . .
Challenging the standard narrative of Interwar International History, this account establishes the causal relationship between the global political and economic crises of the period, and offers a radically new look at the role of ideology, racism and the leading liberal powers in the events between the First and Second World Wars.
A passionate account of how the gulf between France’s metropolitan elites and its working classes are tearing the country apart Christophe Guilluy, a French geographer, makes the case that France has become an “American society”—one that is both increasingly multicultural and increasingly unequal. The divide between the global economy’s winners and losers in today’s France has replaced the old left-right split, leaving many on “the periphery.” As Guilluy shows, there is no unified French economy, and those cut off from the country’s new economic citadels suffer disproportionately on both economic and social fronts. In Guilluy’s analysis, the lip service paid to the idea of an “open society” in France is a smoke screen meant to hide the emergence of a closed society, walled off for the benefit of the upper classes. The ruling classes in France are reaching a dangerous stage, he argues; without the stability of a growing economy, the hope for those excluded from growth is extinguished, undermining the legitimacy of a multicultural nation.
An exuberant tale of a man caught between faith and freedom, from one of Italy's most talented young novelists Thirty years old, growing flabby in a sexless marriage, Piero Rosini has decided to dedicate his life to Jesus. He's renounced the novels and American music that were filling his head with bullshit; he's moved out of his fancy bourgeois neighborhood, which was keeping him from finding spiritual purity and the Lord's truth. Now that he and his wife have settled into an unfinished housing development on the far outskirts of Rome, he'll be able to really concentrate on his job at an ultraconservative Catholic publishing house, editing books that highlight the decadence and degradation of modern society, including one claiming that Pope John Paul II was secretly Jewish. But Piero is suffocating. He worries that The Jewish Pope might be taking things too far. He can't get his beautiful sister-in-law out of his head. Temptations are breaking down his religious resolve. He decides to flee to Paris, which turns out not to be the best way of guarding his purity. With a charismatic narrator as familiar with the finer points of Christian theology as with the floor layout of IKEA and the schedules of European budget airlines, Francesco Pacifico's exuberant novel brings us Europe old and new and the inner workings of a conflicted but always compelling mind. The Story of My Purity is fiction with great humor, intelligence, neuroticism, and vision, from a young writer at the beginning of a tremendous career.
Predicaments of Knowledge explores the difficult questions South African universities face after apartheid: Is there a difference between Africanising a university and decolonising a university? What about differences between deracialising and decolonising the curricula taught at universities across disciplines? Through a range of reflections on race, language, colonial, postcolonial and decolonial knowledge projects from Africa and Latin America, this book explores the pitfalls and possibilities that face a post-apartheid generation inventing the future of knowledge. The distinctions between Africanisation, decolonisation and deracialisation are often conflated in the political demands put to universities. Suren Pillay emphasises all three as important but distinct imperatives. If an intervention is undertaken with the aim of decolonising the university while actually addressing deracialisation, it can undermine the effort to decolonise. Similarly, if an initiative to Africanise the university does not address decolonisation, both processes can be undermined. Drawing on more than two and a half decades of the author’s participation in these debates, these essays aim to intervene in and elucidate questions and predicaments, rather than offering blue prints; they are dialogical in spirit even when polemical in tone. In conversation with existing continental African and Latin American experiences, they offer incisive reflections on current South African debates.