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Long dismissed as a vain and arrogant self-seeker chasing glory, Charles de Gaulle is revealed in The Paris Game as a transformative figure of the twentieth century whose unflagging determination brings France back from defeat and saves it from the twin threats of Communism and dictatorship
At a crucial moment in the Second World War, an obscure French general reaches a fateful personal decision: to fight on alone after his government’s flight from Paris and its capitulation to Nazi Germany. Amid the ravages of a world war, three men — a general, a president, and a prime minister — are locked in a rivalry that threatens their partnership and puts the world’s most celebrated city at risk of destruction before it can be liberated. This is the setting of The Paris Game, a dramatic recounting of how an obscure French general under sentence of death by his government launches on the most enormous gamble of his life: to fight on alone after his country’s capitulation to Nazi Germany. In a game of intrigue and double-dealing, Charles de Gaulle must struggle to retain the loyalty of Winston Churchill against the unforgiving opposition of Franklin Roosevelt and the traitorous manoeuvring of a collaborationist Vichy France. How he succeeds in restoring the honour of France and securing its place as a world power is the stuff of raw history, both stirring and engrossing.
The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist. David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis. Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.
In this unforgettable novel, Leonard Cohen boldly etches the youth and early manhood of Lawrence Breavman, only son of an old Jewish family in Montreal. Life for Breavman is made up of dazzling colour—a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant. Later, achieving literary fame as a college student, Breavman does penance through manual labour, but ultimately flees to New York. And although he has loved the bodies of many women, it is only when he meets Shell, whom he awakens to her own beauty, that he discovers the totality of love and its demands, and comes to terms with the sacrifices he must make.
After a leisurely start to a normal day, American expat Kate Moore finds herself partnered with a French agent to investigate a bombing threat in Paris.
Since his death in 1994 (when he put a bullet through his heart in his lonely farmhouse) Guy Debord has been hailed as one of the key thinkers of the age. In Britain and the United States, his theories on the 'spectacle' of modern life were simultaneously hailed as deadly truths by underground subversives and accorded the highest academic prestige. In the same way, the Situationist International (SI), a volatile group of artists, revolutionaries and intellectuals which he led through the 1950s and 1960s, is considered to be the most important art movement since Dada and the Surrealists. Debord himself was a welter of contradictions, whose public life was entirely predicated upon the singlemindedness of his revolutionary intentions, but who privately sought oblivion in infamy, exile and alcoholism. Implicated in the events of May 1968, Italian terrorism and the murder of his friends, and under surveillance by the French secret police for over a decade, he mixed in elite art, business and political circles, and has had admirers and devotees of all political colours and ranks. This biography is an appraisal of a lone and defiant figure whose story follows and, at one historic moment in 1968, appears to lead the drift of art and politics in post-war Paris. 'It could almost be believed that I was the only person to have loved Paris,' Debord said. Then, almost with a shrug, 'but no one has twice raised Paris to revolt.'
Steve Berry offers his twistiest thriller yet, in a new adventure starring Cotton Malone and a secret conspiracy dating back to Napoleon. A Cotton Malone adventure involving a sinister conspiracy, a quest for vengeance, and a secret treasure linked to Napoleon... 12.40 a.m. Copenhagen. Cotton Malone wakes up to find a stranger in his house, bearing bad news: Malone's closest and most dangerous friend, Henrik Thorvaldsen, is in serious trouble - and the men who want to kill Thorvaldsen are on Malone's doorstep. Thorvaldsen has been tracking a shadowy group called the Paris Club. Not only does he believe that they are about to trigger a global financial meltdown, but also that one of the club's members murdered his son, Cai, two years ago. Thorvaldsen won't rest until he has avenged his boy's death. Dragged into his friend's schemes and secretly under pressure from the US government to stop both Thorvaldsen and the Paris Club, Malone soon discovers that the key to defeating the conspiracy and saving his friend's life - and his own - lies in the past, and an astounding treasure that Napoleon took to his grave.
A missing woman leads her twin sister on a twisted scavenger hunt in this clever debut novel with eccentric, dysfunctional characters who will keep you guessing until the end—for readers of Luckiest Girl Alive and The Wife Between Us. Ava has her reasons for running away to Paris. But when she receives the shocking news that her twin sister, Zelda, is dead, she is forced to return home to her family’s failing vineyard in upstate New York. Knowing Zelda’s penchant for tricks and deception, Ava is not surprised when she receives her twin’s cryptic message from beyond the grave. Following her sister’s trail of clues, Ava immerses herself in Zelda’s drama and her outlandish circle of friends and lovers, and soon finds herself confronted with dark family legacies and twisted relationships. Is Zelda trying to punish Ava for leaving? Or is she simply trying to write her own ending? Caite Dolan-Leach’s debut thriller is a literary scavenger hunt for secrets hidden everywhere from wine country to social media, and buried at the dysfunctional heart of one utterly unforgettable family. Praise for Dead Letters “Dolan-Leach writes like Paula Hawkins by way of Curtis Sittenfeld.”—Amy Gentry, author of Good as Gone “A sharp, wrenching tale of the true love only twins know . . . Dolan-Leach nimbly entwines the clever mystery of Agatha Christie, the wit of Dorothy Parker, and the inebriated Gothic of Eugene O’Neill.”—Kirkus Reviews “A smart, dazzling mystery . . . Dolan-Leach revels in toying with both Ava and her audience . . . and the result is captivating.”—Publishers Weekly (starred review) “Draws you in like you are part of the story itself, living and breathing alongside the compelling characters as they uncover the dark secrets of their complicated family.”—Wendy Walker, author of All Is Not Forgotten “Push-pull tension . . . This book is wine-soaked yet lucid, comforting and frightening, asking the big questions about intimacy and loyalty.”—Caroline Kepnes, author of You
George Plimpton's follow-up to Paper Lion, one of his personal favorites among his classic books -- repackaged and including a foreword from Steve Almond and never-before-seen content from the Plimpton archives. In Mad Ducks and Bears, George Plimpton's engaging companion to Paper Lion, Plimpton focuses on two of the most entertaining and roguish linemen and former teammates -- Alex Karras ("Mad Ducks") and John Gordy ("Bears"), both of whom went on to achieve brilliant post-football success. A more reflective, less madcap book than Plimpton's other work, Mad Ducks and Bears is no less truthful and searching. In this fond exploration of football's values and follies, Plimpton rejoins his two teammates to discuss their careers in this brutal but captivating game. The result is an astute exploration into the fascinating lives and motivations of the players at home, in the locker room, and on the field.