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DIVDIVIn the earliest published diaries of Ned Rorem, the acclaimed American composer recalls a bygone era and its luminaries, celebrates the creative process, and examines the gay culture of Europe and the US during the 1950s/divDIV One of America’s most significant contemporary composers, Ned Rorem is also widely acclaimed as a diarist of unique insight and refreshing candor. Together, his Paris Diary, first published in 1966, and The New York Diary,which followed a year later, paint a colorful landscape of Rorem’s world and its famous inhabitants, as well as a fascinating self-portrait of a footloose young artist unabashedly drinking deeply of life. In this amalgam of forthright personal reflections and cogent social commentary, unprecedented for its time, Rorem’s anecdotal recollections of the decade from 1951 to 1961 represent Gay Liberation in its infancy as the author freely expresses his open sexuality not as a revelation but as a simple fact of life./divDIV /divDIVAt once blisteringly honest and exquisitely entertaining, Rorem’s diaries expound brilliantly on the creative process, following their peripatetic author from Paris to Morocco to Italy and back home to America as he crosses paths with Picasso, Cocteau, Gide, Boulez, and other luminaries of the era. /divDIV /divWith consummate skill and unexpurgated insight, a younger, wilder Rorem reflects on a bygone time and culture and, in doing so, holds a revealing mirror to himself. /div
DIVDIVThe acclaimed author of The Paris Diary, Pulitzer Prize–winning American composer Ned Rorem offers readers a mellow, thoughtful, and candid chronicle of his life, work, and contemporaries/divDIV One of our most revered contemporary musical artists—winner of the Pulitzer Prize and declared “the world’s best composer of art songs” by Time magazine—Ned Rorem writes that he is “a composer who writes, not a writer who composes.” Despite this claim, Rorem’s published diaries, memoirs, essay collections, and other nonfiction works have all received resounding acclaim for their lyricism, bold honesty, and insightful social commentary./divDIV /divDIVHis Nantucket Diary, covering the years 1973 through 1985, reveals a more mature and graceful Ned Rorem, a man who has experienced great loss and serious illness yet has lost none of his acute observational skills and keenly opinionated nature. His wit remains bracing and his candor refreshing as he offers sharp critiques on the state of modern classical music and its creators. His accounts of times shared with luminaries and legends, musical and otherwise (including Leonard Bernstein, Edward Albee, Virgil Thomson, and Stephen Sondheim) are consistently enthralling and delightful. The outspoken hedonist of The Paris Diary may be older and more subdued now, but his incisive observations and unique outlook on life, both personal and creative, remain an unforgettable reading experience./div/div
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Originally published in 1964, this book holds the story of Italian Fascism and its leader up to the light. Gallo explains how Fascism triumphed in Italy, what it did to and for that country, and what its heritage is for present-day Italy. The character of Mussolini is explored as it is interwoven with the history of the dictatorship he founded, and Gallo demonstrates beyond doubt the enthusiasm with which Italian industry, finance, and business supported Mussolini's self-styled, anti-capitalist movement.
New York Times Notable Book Los Angeles Times Book Prize Finalist Wall Street Journal—one of five best artist biographies Edward Hopper's canvasses are filled with stripped-down spaces and unrelenting light, evocative landscapes, and the lonely aspects of men and women seemingly isolated in their surroundings. What kind of man had this haunting vision, and what kind of life engendered this art? No one is better qualified to answer these questions than art historian Gail Levin, author and curator of the major studies and exhibitions of Hopper's work. In this intimate biography she reveals the true nature and personality of the man himself—and of the woman who shared his life, the artist Josephine Nivison.