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Literary Nonfiction. "Edenborg's manifesto shines brightly within a constellation that includes Bosch's garden, Spinoza's philosophy of immanence, Bataille's essays, Duchamp's artworks, Ballard's Crash, and Acker's mash-ups. Sexuality in the realm of parapornography is not a place of humanist truths and psychological meaning (a vision of sexuality that dovetails all-too-neatly with the neo-liberal vision of the atomized, rationalist self) but rather an event that destroys 'meaning and identity through a mechanical repetition.' What I like best about Edenborg's brilliant and provocative book is that it brings into play, in an almost Blakean manner, so many seeming contraries: it's both anti-utopian and thoroughly communistic, proletarian and ethereal, a paean to hate and shame and yet an argument for the revolutionary (and anti-social) possibilities of love, a nuanced historical overview of sexual imagery and also a glimpse into a future that seems only pulse-beats away." James Pate"
Poetry. Women's Studies. In TENDER DATA Monica McClure breaks down and breaks into various identities, each of them hashtagged in the discourses of their time and place, whether macha or chiflada, couture or fast fashion, acephale or technocrat: "I want to be so skinny people ask if I'm dying." Down the blood-red lanes of gender-making, class warfare, and vexed relationships goes the unstable subject, hailed yet hailing back. Nobody comes out looking good. The slippery self, surveilled yet ready with her mask, performs a peep show booth opens wide, yet somehow the dancer isn't there. She's in character. She's "cut off the head to let the humors hose through." "McClure may be the poster-girl for a new generation of poets: irreverent, well- read, sexy, even dirty, snarky, but ultimately fighting an earnest battle against reductiveness and easy answers to the complex problems of the Internet age: 'Every citizen of this world is on trial / I'm learning to speak legalese / as I stroll through civil law like / a gamine through a sample sale.'" Craig Morgan Teicher for NPR Books "Quick-witted and bold, McClure's full-length debut enters the culturally constructed arenas of identity in order to resist and refuse them, arriving at consistently fresh takes on gender, race, and reproduction. McClure's debut is as smart as it is fun." Publisher's Weekly starred review "There is constantly a lot of chatter about television shows serving as the voice of a certain group of New York women, whether it's Girls or the far superior Broad City; people want women our age to fit inside a package, to be knowable. Monica McClure's book is the best and least knowable package I've found for experiencing life as a young woman in New York." Allison Grimaldi- Donahue, Queen Mob's Teahouse "Among the many ways McClure's poem sheds power is its powerful vulnerability which at times stages an amplified synthetic speaker and at others splits apart that speaker into its component discourses." Joyelle McSweeney"
One of the unheralded masterpieces of twentieth-century American fiction, Light While There Is Light is acclaimed poet Keith Waldrop's autobiographical novel about the myriad ghosts left behind by his family. Born to a deeply religious mother, the narrator and his siblings are led across the US as she searches for the "right" religious sect—a trip that ends with her speaking in tongues, and finally her total isolation. But no synopsis can do justice to the beauty of Keith Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home—though never repudiating his love for same. In a tradition that stretches back through Flannery O'Connor and William Faulkner to Hawthorne, Melville, and Poe, Keith Waldrop and Light While There Is Light are American treasures.
This book presents fifteen books - from monographs and translations to collections of essays - that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations. How does a poetic thinking work that's not about but with art?0Andreas Töpfer's drawings in this book are not illustrations of the texts. Rather it's the other way around: they need to be read so that the texts can start to refer to them. In this sense, this book does not provide a shortcut to the theories presented; it does not aim to build a representational relationship between a pictorially correct understanding and a correlative conceptual thought. Instead, the drawings provide an occasion to think about thinking - a speculative thinking and writing in concept and through images.
Poems.
Poetry. Drama. "Father lend me your megabone / & I'll lend u my shotgun mouth." A radiant brew of emoticon opera, fairytale fan-fiction, and chat-room flame war, POP CORPSE! follows a heroine mermaid on her devoutly disarming search for "realness." Along the way, Glenum dismantles pieties of both the left and the right, proposing new models of configuring text, voice, body and species-hood for those who swim in the increasingly fetid waters of the 21st century.
Poetry. Edited by C.D. Wright. Translated from the Spanish by A.S. Zelman-Doring, Forrest Gander, and C.D. Wright. Forward by Raúl Zurita translated by Sarah Denaci and Forrest Gander. Like a nightscape's pulsating constellations, dreams and memories are exploded wide open in RAIN OF THE FUTURE--Mejer's bracing collection of prose poetry and lyrical sequences. Her charged words reimagine one's body as a constantly shifting geography, readying us to face life's most brutal rains.
Poetry. Get minky in the momodrome with Lara Glenum's second book, MAXIMUM GAGA. In scenic Catatonia, the Normopath snoozles, the Cherubim applaud, King Minus lies face-down, the Visual Mercenaries burst in, Icky and his school-boy minions race past, and the Queen Naked Mole Rat climbs inside the miraculating machine. Reworking the tabloid maximalism of Jacobean drama, this book investigates the politics of aesthetics and prosthetics, gender and power. With original cover art by Swedish artist Mia Makila. Lara Glenum's first book, THE HOUNDS OF NO, is also available from SPD.
With inclusion of Brazil in a comparative study of literary texts and their engagement with Western modernity, this study shows how the ""peripheral"" replications of modernity in contemporary Caribbean and Latin American texts differ crucially from their European models, and addresses issues that many post colonial theorists have struggled with.