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In Žižek's long-awaited magnum opus, he theorizes the "parallax gap" in the ontological, the scientific, and the political—and rehabilitates dialectical materialism. The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
Some Comments from here and abroad concerning THE PARALLAX VIEW: “An exciting story to begin with… the sinister events in the United States make it more powerful.” Wigan Evening Post (England) “… Mr. Singer’s narrative is stunning to read…” Oxford Mail (England) “… a very original novel.” Boileau-Narcejac, L’Express (France) “… don’t miss it for any reason.” Mysterie Magazine (France) “… will the enormous machine finally destroy us all… under the pretext of preserving the common good…” Petites Affiches Lyonnais (France) “…an astounding example of the genre…” Progres Dimanche (France) “… a chilling suspense story.” Seattle Times “… amazingly skillful novel.” St. Louis Post Dispatch “… interesting, intriguing, frightening.” Daily Olympian “… dark, brooding, exciting, and good story-telling…” Canyon Crier “… an exciting and suspenseful plot written with harsh accents.” Delta Democrat Times “… a skillful talented writer.” Tuscaloosa News “… there is a strange and fascinating book on the stands…” Albany Knickerbocker News “… a highly enigmatic suspense novel…” New York Post “… written with the vigor and strength that gives truth to fiction…” Republique, Toulon (France) A film version of this novel by Paramount is often shown on television. Hume Cronyn, William Daniels, Paula Prentiss, and Warren Beatty were in the cast. The cinematographer was Gordon Willis, the director Alan Pakula. Cover Photograph by Ellen Jaffe.
Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak
Weve all been theretimes when tumultuous events collide with our lives, sending us down an uncertain path of anger, fear, confusion, and despair. What exactly is the secret to effectively managing these difficult situations when they arise? In The Parallax, Donald Rickert, PhD, relies on his extensive teaching and research experience as he shares a compelling story of restitution and forgiveness with the goal of teaching others, through his characters examples, how to effectively manage change and improve personal effectiveness. As Atlanta police captain Francis Ryan Beck and his wife, Sarah, celebrate their twenty-fifth wedding anniversary in a cabin in the Colorado Rockies, catastrophic world events interrupt their plans and force a reexamination of their relationship. As Frank and Sarah learn to see things differently, they not only begin changing their self-limited paradigms, but also begin affecting those around them in profound ways. The Parallax provides hope and helps others discover their own personal stories, ultimately enabling the kind of positive change that encourages a new way of looking at life and those we love.
This lively and entertaining history of the long struggle to measure the distance to the stars will appeal to general readers as well as to amateur and professional astronomers. Readers will encounter fascinating historical characters, from ancient Greeks to 19th-century scientists. Well illustrated, with contemporary pictures plus extensive notes on further reading. 2002 edition.
Kyle's battle with Hal Jordan for the right to bear the Green Lantern power ring continues. Plus, Ganthet calls in some much needed help to back up the outmatched Rayner.
The classic thriller about a hostile foreign power infiltrating American politics: “Brilliant . . . wild and exhilarating.” —The New Yorker A war hero and the recipient of the Congressional Medal of Honor, Sgt. Raymond Shaw is keeping a deadly secret—even from himself. During his time as a prisoner of war in North Korea, he was brainwashed by his Communist captors and transformed into a deadly weapon—a sleeper assassin, programmed to kill without question or mercy at his captors’ signal. Now he’s been returned to the United States with a covert mission: to kill a candidate running for US president . . . This “shocking, tense” and sharply satirical novel has become a modern classic, and was the basis for two film adaptations (San Francisco Chronicle). “Crammed with suspense.” —Chicago Tribune “Condon is wickedly skillful.” —Time
MAKING MOVIES WORK is a fascinating and accessible guide for both filmmakers and serious film fans. It is about how filmmakers think about film. "Through thoughtful examination of the filmmaker's art, Jon Boorstin enhances our sense of enjoyment and appreciation of the results.--Robert Redford.
This book provides a scholarly assessment and analysis of the Trump campaign and early presidency. This assessment and analysis is important not only to help provide some coherence to the turbulent and unpredictable character of “Trumpism,” but to contribute to establishing a scholarly foundation for future works that will provide assessments of the Trump presidency in its mid and later stages. Given the divisive and destructive capacity of “Trumpism” and its political and social implications both domestically and internationally, understanding the distinctive political phenomenon of “Trumpism” is necessary if resistance to this transformative moment in American political history is to be successful. This book collects a series of short scholarly contributions on various themes related to “Trumpism” by scholars from disciplines in both the Humanities and Social Sciences.
The classic spy thriller about corruption in the CIA that inspired the hit film and TV show: “A master of intrigue” (John Grisham). Sandwiches are a part of Ronald Malcolm’s every day, but one just saved his life. On the day that gunmen pay a visit to the American Literary Historical Society, he’s out at lunch. The society is actually a backwater of the Central Intelligence Agency, where Malcolm and a few other bookworms comb mystery novels for clues that might unlock real life diplomatic questions. One of his colleagues has learned something he wasn’t meant to know. A sinister conspiracy has penetrated the CIA, and the gunmen are its representatives. They massacre the office, and only learn later of Malcolm—a loose end that needs to be dealt with. Malcolm—codename Condor—calls his handlers at the agency, hoping for a safe haven, instead drawing another attempt on his life. With no one left to trust he goes on the run. But like it or not, Malcolm is the only person who can root out the corruption at the highest levels of the CIA. This “chilling novel of top security gone berserk” earned James Grady his reputation as a Grand Master of the spy thriller, inspiring legions of imitators as well as the classic Sydney Pollack film Three Days of the Condor and the new TV series Condor featuring Max Irons, Mira Sorvino, and Brendan Fraser (Library Journal).