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General Motors. Chevron. OPEC. Wall Street. Big names. Big business. A bulwark of opposition standing in the way of Casey Raymond, a wealthy entrepreneur risking his life to market gasless, hydrogen-powered cars. {line space} Drugs. Violence. Homelessness. Race hatred. Powerful prejudices. Powerful social forces imprisoning Samuel Towers, a black teenager from inner city Los Angeles who skirts the law to escape his past, to finance his dream of filmmaking by working for a nameless company who pays cash for killing, for the ultimate assassination of a white man who dares to challenge the oil-based economy of our world. {line space} Rarely does an action-adventure novel transcend the genre and offer a new vision for living. Spanning twenty years and three presidential administrations, The Paradise Vendor is a panoramic epic examining the costs of empowerment, the price of intimacy, and the simple affirmation of the value of oneself
A key text examining the theory and strategy of marketing in a global context, this acclaimed text uses academic rigour rather than anecdotal evidence. The new edition features key new data, updated case studies, and a revised companion website.
Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).
This collection, the first of its kind, brings together specially commissioned academic essays to mark fifty years since the death of John Kennedy Toole.
Discover how—with relatively straightforward scripts and minimal coding—to customize the user interfaces to third-party systems from your library's website for better communication with your users and to lead them to your library's services. In order to provide access to online resources, libraries depend on third-party vendor software that comes with each product. While these systems do have value, they can also be confusing, awkward, frustrating, or even misleading for library users. Imagine how much better your patrons' user experience would be if the software were customized specifically to fit your library. This how-to guide shows library staff how to take a DIY approach to customize the web interface to vendor-hosted online systems, thereby resolving usability problems and providing the ability to respond quickly to problems or evolving needs. The book begins with an explanation of how to test library vendor software for user experience, then goes on to present solutions to common usability problems through tutorials and case studies on using JavaScript or jQuery to change how a web browser displays that software. It also covers ongoing assessment methods to ensure that user needs have been satisfied. By using these tools, libraries can take some control of "black box" library software and customize it based on local needs.
Irepo was born in Hope. He finished high school in Fidee, and also taught in an elementary school there. He later worked in Paradise City where he worked at the Ministry of Works and Survey for four years, before he left for France in 1967. In 1968 he moved to the USA where he enrolled in the RCA (Radio Corporation of America) School, a technical trade school in New York City. He then gained admission to Pace University in 1970, where he received a Bachelor of Business Administration in 1973. Irepo has a dual Masters Degree from Long Island University (Brooklyn Campus), the first, a Masters in Business Administration (1974 and later in 1985 he received his Masters Degree in Economics from Fordham University (Bronx Campus) New York City. He went on to work for the Health and Hospital Corporation at the head office as an Assistant Systems Analyst New York City, before he was transferred to the Harlem Hospital Center as a Systems Analyst and later became a Coordinating Manager. Due to a budget crisis, he left to work for the Taxi and Limousine Commission of the City of New York as an Administrative Staff Analyst where he retired in October of 2009.
Moving beyond familiar myths about moonshiners, bootleggers, and hard-drinking writers, Southern Comforts explores how alcohol and drinking helped shape the literature and culture of the U.S. South. Edited by Conor Picken and Matthew Dischinger, this collection of seventeen thought-provoking essays proposes that discussions about drinking in southern culture often orbit around familiar figures and mythologies that obscure what alcohol consumption has meant over time. Complexities of race, class, and gender remain hidden amid familiar images, catchy slogans, and convenient stories. As the first collection of scholarship that investigates the relationship between drinking and the South, Southern Comforts challenges popular assumptions by examining evocative topics drawn from literature, music, film, city life, and cocktail culture. Taken together, the essays collected here illustrate that exaggerated representations of drinking oversimplify the South’s relationship to alcohol, in effect absorbing it into narratives of southern exceptionalism that persist to this day. From Edgar Allan Poe to Richard Wright, Bessie Smith to Johnny Cash, Bourbon Street tourism to post-Katrina disaster capitalism and more, Southern Comforts: Drinking and the U.S. South uncovers the reciprocal relationship between mythologies of drinking and mythologies of region.